Art Round-up


Palette.

Often, I’m out looking at local art in Sacramento, for inspiration. And, often, I find art pieces that I really want to share with people. Here are a couple of exhibitions I found interesting.

Fine Art to Enhance Your Life & Surroundings by Steve Memering

The Smith Gallery, 1020 11th St #100, Sacramento, CA 95814

The exhibition represents painting. The theme of the works was nature and city-scapes. The imagery was figurative. It was easy to tell that the city-scapes were mostly of the Sacramento or Bay area. The nature paintings were of trees, fish, etc.

Some of the architecture was pretty. It had bright colors, and I recognized some of the buildings and places that were depicted.

But, my favorite was (what appeared to be) an old map-like collage of Sacramento. There were renderings of old Sacramento architecture surrounding a relief map of how Sacramento used to look. It was done in a burnt sienna-type coloring to look old. It seemed really fun. I liked the color. I liked that the buildings on the map looked like they might in real life, stood up.

I liked the subjects the artist chose. I didn’t like the final product of most of his paintings. The color, line, and style felt so familiar that it made me skim over most without really looking at it. They seemed like paintings that had been done a million times before. But, the one that caught my eye had one color. It had different things in it to look at. This taught me that the color palette and style you choose can really impact the interest a piece gets. And, how powerful juxtaposing things can really be.

Wings and Things: Michele Fisher and Vicki Sarantopulos

Art House: 1021 R St at 10th, Sacramento, California 95811

The exhibition was ceramics/mixed media. The pieces had elements of collage and assemblage. The theme of the works was psychology and nature. The works endeavored to explore the narratives of universal human struggles, metaphor, symbolism, and archetypes. The artists are also psychotherapists. So, they explored their experience dealing with human mind and emotions in their work.

The imagery was abstract. The works had a lot of mixing/melding of human and nature, nature and architecture, human and architecture, and so on. Different things were used, such as cloth, paper, and feathers. These items either covered or fit inside of the ceramic elements of the pieces.

I like the use of the other items. The cloth, for example, cut across where a face was fused with wings and a castle. This face had wings attached to the sides of it, and a castle attached to it’s forehead. But, we never see were these things are fused. The cloth looks like a wrap around the head, but doubles to hide the location of the juxtapositions. I think this separation eases the transition from each element, making it more pleasing for the viewer. The same is true of other elements in other pieces. They both smooth out the piece, and move your eyes along.

I really loved these pieces. These pieces all looked like they could have come from one artist. I learned that juxtaposing things can be too powerful, and that there are things that you can do to tone down the transition while keeping the effect.

If you are an artist at Sac State, and would like some of your art reviewed, contact me: DJTraySquat on facebook. And, listen to Poli-Psycho on KSSU.com every Wednesday at 6-7pm

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