Album Review: Satan’s graffiti or God’s art?


Black Lips’ new album is just like any other album they’ve released in the past 15 years, exciting and very different than any other release out there right now. In Satan’s graffiti or God’s art?, they’ve introduced a full time saxophonist Zumi Rosow, while two long-time members, Joe Bradley and Ian St. Pé, left the band. Black Lips’ sound has been altered since the original drummer and long time guitarist have left, but their reckless and eclectic sound has shown itself in this album as well.

Points are given to their attempt of making Satan’s graffiti or God’s art? a conceptual album, but it wasn’t quite executed in a creative and consistent way. Had there not been short interlude tracks that feel like filler songs and no sense of consistency, it would have definitely exceeded expectations. Even though it was produced by Sean Lennon and had background vocals from Yoko Ono, it felt like they were just hanging out; you couldn’t feel their presence throughout the album. Maybe they were just there as a big names to get people to listen to this release?

As a conceptual album, I didn’t feel the vibe of a overarching theme or influence. Most of the tracks had okay vocals, but nothing throughout the album excited me to be a repeat worthy album. I would give “Can’t Hold On” and “Crystal Night” a listen when you first dive into the album. They’re easy listening tracks that had a road-tripping kind of sound but have them in the background at a party as well.

All in all, I didn’t love Satan’s graffiti or God’s art?. It feels like Black Lips need to evolve their sound and change it up a bit. A few songs are worth listening but definitely not my go-to for hot new albums of 2017.

 

 

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