Event Review: Slander – Headbangers Ball


Don’t let the name fool you! Headbangers Ball is not what you’re thinking. MTV’s classic late-night television show is long forgotten. Instead the heavy bass duo, Slander adopts the name to headline their own US tour.

Image courtesy of Headbangers

Prior to the 2-week long campus closure, I had the pleasure of stopping by the San Jose City National Civic Center to attend their show. With it being titled “Headbangers Ball”, it did not disappoint. The show feature supporting acts by Wavedash, and Eprom. Both supporting acts were able to live up to the event’s name by spinning nothing but heavy bass tracks, mixed with melodic dub-step and even some Future House records.

The venue itself reminded me of a mini-scale Bill Graham Civic Auditorium. It featured a large floor area filled with bodies head banging all night long, and the seating up top on the 2nd floor was no different. Upon arriving I was shocked to see the diversity in the demographic of the audience. I noticed a wide variety of ages, some looking like young college students attending their first rave, while others looked to be in their early to late twenties.

After making it past ID and security check points I was pleasantly surprised to see how packed the venue was. Up first was EPROM.

EPROM was a refreshing, yet heavy sound. Most notably he dropped his own remix of Porter Robinson’s “Sad Machine” that set the tone for the rest of his set. I was most impressed by the way EPROM was able to shuffle the pace of his set by bouncing back and forth between heavy Trap and Bass sounds, to melodic dub-step and house music.

Fallowing EPROM was Wavedash. I had little to no knowledge on what kind of music this duo puts out, but I found it to be a little too heavy for my taste. Wavedash played a set filled with what felt like, all Dubstep and Trap records. Within the first two songs of his set, there were many mosh pits going on all around the dance floor. While his set was over the top for my taste, I found it to be enjoyable after retreating to the balcony to avoid getting sucked into a mosh pit.

Now let’s talk about the headliner, Slander. I have been following their music since the release of their “Nuclear Bonds” EP that featured the track “Gud Vibrations” with the artist Nghtmre. “Gud Vibrations” was the summer festival anthem for the year 2015 and since then I have fallen in love with all the remixes that they have put out. Slander is a unique combination of emotional lyricism and HEAVY drops. The stage production would switch between heartfelt images during their softer records, then would immediately switch to a darker, almost devilish themes for their harder tracks.

While Slander began his set, I sat in the balcony seats. I was in awe at the production value. The crowd had so much energy, I almost felt as if I could feel building shaking every time, I heard a bass drop from his records. Seeing the crowd collectively singing along his remix of Post Malone’s “Fall Apart” was something I’ll never forget.

Overall, the Headbangers Ball did not disappoint! Originally, I was a little worried that I wasn’t going to have a good time, but I was glad that I attended. It was such a positive way to bring in the start of my birthday.  

Comments

  1. Good day! This post couldn’t be written any better! Reading this post reminds me of my good old room mate!
    He always kept chatting about this. I will forward this write-up to him.
    Pretty sure he will have a good read. Many thanks for sharing!

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