Fright Night: Diplo and Excision


squarefrightnightThere are very few electronic music events in Sacramento, but Midnite events are spearheading the front to change that. This Halloween season, Midnite Events will be producing their Halloween Massive known as Fright NightThe lineup features Diplo who is often known as the frontmen of Major Lazer, as well as the owner of the eclectic label Mad Decent. Diplo could run a festival on his own, but fortunately, he has Excision to run the night with. Excision is known for his hard-hitting basslines and aggressive Dubstep sound. Excision visuals are also one of the most intense and electrifying visuals in the game right now.  So make sure to get your tickets for Fright Night this October 27th. Buy Tickets [HERE]

www.facebook.com/MidniteEvents
www.instagram.com/MidniteEvents

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Sacramento Local Bands & Shows


Lately, there hasn’t been an influx of recognition for local bands. Support the young and locals! Here are a couple of rad upcoming bands in the Sacramento area:

Rosemother

soundcloud.com/rosemotherr | instagram.com/rosemother

Rosemother is a fun loving Sacramento band. The band is fronted by Haley Junker on the vocals/keyboard/guitar, Carson Junker on the drums, Maddie Edel on the guitar, and new addition Avery Mcpherson on the bass. They incorporate aspects of indie, synth and psychedelic rock into their music. In many of their tracks, you can catch Mac Demarco and Mild High Club influences. A favorite track is “For One Thing”, with catchy vocals and a garage rock sound. Check out their Instagram & Soundcloud for show dates and new tracks!

Pierce and the Gals

soundcloud.com/pierceandsomegals | instagram.com/pierceandthegals

Pierce and the Gals is a funky rock and roll band from Sacramento. Within the past year, they’ve released a new single and self-titled EP. Musically, they’re inspiration comes from Pink Floyd. A favorite track of their’s is “Molly”, a song with funky guitar and melodic vocals. Their next show is with Enjoy and Wyatt Shears from the band, The Garden. It should be a rad show. Check out the info for it below! Check their socials for more details on show & new music.

Destroy Boys

destroyboys.bandcamp.com | instagram.com/destroyboysband

Destroy Boys is a female fronted, garage rock trio from Sacramento that joined together in early 2016. They signed to Uncool Records in August of 2016 and are kicking off their graduation tour this summer as the members graduate from high school. DB’s music encapsulates themes of feminism, relationships and growth during hard times. Check out their Instagram and keep up with their tour info!

Shows you should go to this summer:

Destroy Boys, June 9th @ Honey Hive Gallery, San Francisco

Rosemother w/ 1800 & Weird Fun, June 14th @ Naked Lounge, 1111 H Street, Sacramento (7 p.m.)

Pierce and the Gals w/ Enjoy & Cowgirl Clue, June 29th @ The Colony, Sacramento (4-7 p.m. $10)

 

 

Raiders Will Relocate From Oakland to Las Vegas


If there is one thing people can bet on is another NFL franchise will relocate in the coming future. The Oakland Raiders will pack their bags and play in Las Vegas in a couple years in a brand new stadium. Las Vegas also known as Sin City went from no professional team to two within one year (the other Las Vegas Golden Knights). This relocation started with a vote with the results 31-1 in the decision to allow Mark Davis to move the Oakland Raiders to Las Vegas. The only owner who opposed the relocation was the Miami Dolphins owner named Stephen Ross.

The reason for this occurring is because the Los Angeles Chargers and Los Angeles Rams will receive a new stadium in a few years and the Raiders needed a new stadium to compete against other markets to gain revenue. Oakland stadium has been the laughing stock of the NFL. With unsafe conditions having the baseball field being in play during football games. Look at the reason why Chargers left San Diego. They left for the purpose of they were tired of playing in Qualcomm Stadium. Chargers needed a new stadium to play in to create revenue and boost the brand. When things did not go their way they swiftly went up north and relocated to Los Angeles. Raiders wanted to play in a new stadium and could not compete against other teams financially if they did not make a move to do something.

Las Vegas is the destination for gambling and nightlife so for the NFL to all of a sudden look past gambling as an issue shows that NFL doesn’t care as much as it seems to the public. At the end of the day it is all about the dollar signs. Fans think with their emotion, and owners think with their wallets. Overall, it is very sad for the fans of all these teams that have to deal with relocation, but it is business, whether we like it or not. With this move means the end of the Stadium Era, which is great but at the same time equally depressing for all the teams fans that were effected with the relocations. It blossoms the idea of giving people more ideas to go to Vegas.

 

Art Street Fun


Palette.As an artist, I tend to flinch when someone goes up and touches another person’s art. Much of the time, art is made to just be observed. But, going to Art Street, and seeing different pieces that were designed to be interacted with, was a change that quite interesting. I had to get over the knee-jerk reaction of “why are you touching things?” That was a difficult feeling to get over. I’ve taken art history classes, where you learn of all the art damaged or lost forever. In the early 19th century, some frescoes from ancient Egypt and ancient Greece were stripped of their original color for aesthetic purposes, aesthetics of that time period. Art being handled, or exposed to camera flashes, etc. can slowly damage art over time. And, the art is someone else’s creation. I would usually feel strange, seeing people touching my work. But, art isn’t only one thing. Art is everywhere. Art is an experience. Art can be anything. DuChamp famously took a pre-made urinal, and signed his name to it. A joke, yes. But, also a statement, anything can be art. And, having art that engages more than one of the senses makes for some pretty interesting experiences. There’s a room with nooks cut out of the walls, lined with pillows to sit on. The nooks have headphones, with meditation style music playing through them. The room has a giant zen garden in the middle, lit up by green and yellow lights softly shimmering across the room. Another piece was made of moss, in a picture frame mounted on the wall, with a sign that says “Please touch me.” One piece, that was particularly popular with children in attendance, was a collage (in pieces) on several turnstiles. Depending on which way each of the turnstile collages were faced, and where you were standing, determined what type of collage you will see. Kids ran through these giant turnstiles, pushing them around and around, like they were playing in rotating doors. Having art that not only engaged your senses, but could be fun, is extremely smart. Kids are having a good time, and being exposed to art. I wasn’t just standing around, talking about the pieces, wondering if I could take a picture. I was standing inside the art, playing with it, feeling it. Everyone was having a good time, kids were going up to the open mic. Adults were closing their eyes, and really listening to the experience. We weren’t just staring, we were climbing inside, and living the experience. I think this kind of art needs to be around us much more than it is. Going to an art gallery, or museum, feels like a chore sometimes. Something to educate us, or our children. But, once you are there, you go out of your way to keep quiet. You’re afraid to take photos of the work. Adults with children are always on alert, making sure the kids aren’t wandering off breaking things. This isn’t a conducive environment to enjoy the art you came to see. And, it’s mostly boring for the children. I remember being dragged to museums. I didn’t want to be there. But, experiences like this make people interested in it, engaged with it more fully. It was a lot of fun.

Art Street by M5Arts is in Sacramento until Feb. 25th

 

If you are an artist at Sac State, and would like some of your art reviewed, contact me: DJTraySquat on facebook. And, listen to Poli-Psycho on KSSU.com every Wednesday at 6-7pm

Art Round-up


Palette.

Often, I’m out looking at local art in Sacramento, for inspiration. And, often, I find art pieces that I really want to share with people. Here are a couple of exhibitions I found interesting.

Fine Art to Enhance Your Life & Surroundings by Steve Memering

The Smith Gallery, 1020 11th St #100, Sacramento, CA 95814

The exhibition represents painting. The theme of the works was nature and city-scapes. The imagery was figurative. It was easy to tell that the city-scapes were mostly of the Sacramento or Bay area. The nature paintings were of trees, fish, etc.

Some of the architecture was pretty. It had bright colors, and I recognized some of the buildings and places that were depicted.

But, my favorite was (what appeared to be) an old map-like collage of Sacramento. There were renderings of old Sacramento architecture surrounding a relief map of how Sacramento used to look. It was done in a burnt sienna-type coloring to look old. It seemed really fun. I liked the color. I liked that the buildings on the map looked like they might in real life, stood up.

I liked the subjects the artist chose. I didn’t like the final product of most of his paintings. The color, line, and style felt so familiar that it made me skim over most without really looking at it. They seemed like paintings that had been done a million times before. But, the one that caught my eye had one color. It had different things in it to look at. This taught me that the color palette and style you choose can really impact the interest a piece gets. And, how powerful juxtaposing things can really be.

Wings and Things: Michele Fisher and Vicki Sarantopulos

Art House: 1021 R St at 10th, Sacramento, California 95811

The exhibition was ceramics/mixed media. The pieces had elements of collage and assemblage. The theme of the works was psychology and nature. The works endeavored to explore the narratives of universal human struggles, metaphor, symbolism, and archetypes. The artists are also psychotherapists. So, they explored their experience dealing with human mind and emotions in their work.

The imagery was abstract. The works had a lot of mixing/melding of human and nature, nature and architecture, human and architecture, and so on. Different things were used, such as cloth, paper, and feathers. These items either covered or fit inside of the ceramic elements of the pieces.

I like the use of the other items. The cloth, for example, cut across where a face was fused with wings and a castle. This face had wings attached to the sides of it, and a castle attached to it’s forehead. But, we never see were these things are fused. The cloth looks like a wrap around the head, but doubles to hide the location of the juxtapositions. I think this separation eases the transition from each element, making it more pleasing for the viewer. The same is true of other elements in other pieces. They both smooth out the piece, and move your eyes along.

I really loved these pieces. These pieces all looked like they could have come from one artist. I learned that juxtaposing things can be too powerful, and that there are things that you can do to tone down the transition while keeping the effect.

If you are an artist at Sac State, and would like some of your art reviewed, contact me: DJTraySquat on facebook. And, listen to Poli-Psycho on KSSU.com every Wednesday at 6-7pm

Blog Review: Jackie Gage”Live at The Commons” 3-song EP


If you love Neo-Soul and Jazz, I recommend giving Jackie Gage a listen. Gage grew up listening and singing to icons such as Billie Holiday and Dionne Warwick. She has always been a fan of big bands and odd-structured melodies. To be unique she mixes their modern sound into her own style of what “Jazz” is today.

She recently moved to New York City where she is growing and shaping her craft. Gage has opened for The Brand New Heavies and El Debarge. She has also performed  with Marc Cary. Her music is heard internationally on the airwaves on KCRW, KCSM, Jazz FM in England, and Hawaii’s CUH. She has performed at well-known venues such as Yoshi’s Oakland/The Sound Room in Oakland, The Freight and Salvage in Berkeley. She has been seen at annual festivals such as San Jose Jazz Summer Fest (2016, 2013, 2012), Fillmore Jazz Festival (2015), and Berkeley Juneteenth (2015, 2014).

She recorded her 3-song EP at The Commons in San Jose, California in May 2016. She delivers a soulful and smooth sound and vocal. Her first song, “Let me know” consists of herself and William Bohrer. It is an upbeat song with intricate drumming and feel good guitar solos that leave you feeling mellow and chill. She engages the audience with “repeat after me” lyrics.

Her song, “Afro Blue” is the definition of Jazz music. It is my favorite on the EP. The instrumentals encompass all the right instruments, that leave you feeling relaxed and enjoying life. Her vocals are soft and delicate, but delivers a strong Blues vibe.

Her song, “Sweet”, consists of herself, William Bohrer and Timothy Wat. It sounds like a relationship song. Pull at the heart even more, with this song, it will make you reminisce about past loves and hurts, but love is always worth it.

Also, on the new EP is Tim Wat, a Bay Area pianist and keyboard player. Wat has been performing with The Floorshakers for two years now. He is an active member of the Northern California jazz community. Wat plays frequently in San Jose, San Francisco, and the East Bay. His first love is jazz, but also has experience playing rock, pop, R&B, funk, worship, progressive rock, country, classical and even goth music throughout California and the United States.

As well as Wat, William Bohrer is a bass/guitarist, who is known for being a part of 7th Street Big Band from San Jose, California. 7th Street Big Band is an 18-piece jazz band that plays high energy songs that range from Funk, Latin, and Jazz.

Jackie is a well-rounded singer and songwriter that is making waves in the music industry. She is making a name for herself in Jazz music and making Jazz more mainstream and relevant. I thoroughly enjoyed the “Live at The Commons” EP. I think she has grown as a vocalist as I listen to each song. Her range is versatile and unique. You don’t hear her sound everything. I love finding unique artists that bring a new style or ingredient to the table.

You can follow Jackie Gage’s music at her website JackieGage.org.

 

KSSU Celebrates 25 years of Student Run Radio


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Sacramento, CA: KSSU, Sacramento State’s student run radio, turns 25 years old this semester. Although the actual anniversary is on May 14th, the official celebration is slated for April 15th in the University Union from 10:00am to 8:00pm.

KSSU is an online radio station that broadcasts live 24/7 on KSSU.com. It is run entirely by Sac State students. Being the only student radio station of Sacramento State, KSSU provides the opportunity for Sac State students to learn about broadcast media with no prior experience necessary. KSSU is a non-commercial and free format radio station, which allows students the ability to express themselves with each show. This brings a diverse selection of programming to the station, which reflects the diverse interests of the Sac State student body. KSSU is a Student Engagement and Outreach (SEO) program of Associated Students, Inc., (ASI) at Sacramento State. For more information on KSSU and its history, go to kssu.com/about.

The celebration of being a radio station on campus for 25 years will happen throughout the day on April 15th in the University Union. KSSU alumni will be taking over the airwaves in honor of the anniversary. Various alumni from the past 25 years will program radio shows throughout the day for all to listen on KSSU.com. Some highlights of the day include: a student-produced video presentation on KSSU’s history, and a panel discussion with the founders Jim Bolt and Chris Prosio. At their panel discussion, the founders of the station will discuss their journey to start what is now known as KSSU. Following the panel discussion will be a Q&A. At the conclusion of the day, there will be a reception for attendees. Music will be provided by KSSU Alumnus, DJ Mappquest. The reception also features a photo booth. Food will be provided by Epicure Catering. A photo slideshow highlighting the achievements of KSSU alumni will be on display. The specific schedule for the day is as follows:

  • In-studio sessions with KSSU Alumni: 10:00am – 3:00pm, 5:00pm – 8:00pm, live on KSSU.com.
  • Panel discussion and presentation with KSSU Founders: Jim Bolt and Chris Prosio: 3:30pm – 5:00pm, Delta Room in the University Union
  • Reception: 6:15pm – 7:45pm, University Union Ballroom 1.

More on KSSU: To stay updated with the anniversary and KSSU, follow us on social media. Follow @KSSUsparky on Instagram and Twitter or like KSSU, Sac State Student Run Radio on Facebook. Go to KSSU.com for more information and to listen to KSSU live.  

 

Giving Praise To Huey P. Newton


Dr. Huey Percy Newton was the co founder of the black panther party where it was formed in Oakland, CA. Huey Newton was a African American political activist and a powerful revolutionary. With co-founder Bobby Seale they both put together a party that sparked the world. Huey Newton became a large important figure because of the black panther party in African american urban societies. The Black panther party was revolutionary and it was for African Americans and the things we were going through during civil rights. Two of the most memorable quotes from Huey are “If you stop struggling, then you stop life.” and “The blood, sweat, tears and suffering of black people are the foundation of the wealth and power of the united states of America. We were forced to build America, and if forced to, we will tear it down. The immediate result of this destruction will be suffering and bloodshed. But the end result will be perpetual peace for all mankind.”

Both of these quotes were extremely powerful in black communities. If a person is not struggling and pushing him/herself to the highest limits. There is no way an individual can push him/herself for what they believe in. The second quote speaks on African Americans being a big part in America. We built it and we can tear it down. Blood, sweat, tears, and suffering affects African Americans in all types of ways. with poverty and white supremacy. We are the people that are standing up for what’s right and we will die for what we believe in and what’s good for our people. Only then there will be peace and love on earth. We will never forget. black lives matter! Huey is important in every African American culture and we were blessed to have him

Huey P. Newton was born in Monroe, Louisiana on February 17, 1942. Huey attended Merritt College in Oakland, CA where he was giving many opportunities to share his views on political issues. He also attended Oakland Technical High School and University of California, Santa Cruz. He states that he did not learn anything at Oakland Tech. He explains he didn’t get anything out of his high school, so he had to find knowledge through his neighborhood, his city and the issues that were present in America. Huey Newton was a social activist. Having the black panther party really help black communities. They sought to protect young and old from the insensitive government and pushed to influence the nation that we need as African Americans in black political involvement. Being able to express his political views at Merritt College it was a huge opportunity for Huey. He was able to speak the truth in front of so many African Americans who came from his same environment.

His Dad really influenced him in the long run. Him being in the National association for the advancement of colored people, that’s what got Huey involved in black matter. His whole family was activist and pushed for self deference toward colored which sometimes concluded with bad results. But always moving forward for the main issue. Huey’s family was a family that stood together through anything and that made him who he is today. Huey Newton ended up enrolling at Merritt College where he joined the Afro-American association and got into politics. Where he wanted to adopt a African American course at Merritt College. He was able to speak his mind on issues in the community. He read different works of Karl Marx, Malcolm X and other great leaders.

Creating the black panther was the most noteworthy, because it was the stepping stone to other organizations and political ideas from African Americans all over. Being involved with everything that has to do with pushing black power and education to youth and the old. This gave African Americans something to stand up for and believe in. The world has changed in many ways but there are still issues that are not resolved among African Americans. We are in a different time and African Americans have more opportunity than ever to speak their mind and be successful. As black people we have learned to love ourselves more and each other and stand up for issues like white supremacy. It’s still issues in black communities and it’s not good. That’s why I push as a black man to contribute what I know and believe to my fellow brothers and sisters. Even me today, a Merritt college graduate, looks up to Huey for the things he believed in. Being from the Bay Area and having family that experience the hard times of the civil rights, really helped me understand who I am and that’s African American. Pushing myself to the highest limits and contributing what I can to the world. Creating peace and unity!

The Moments that made TBD Fest


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My good friend Jerel and partner in crime for TBD Fest just put up his all encompassing TBD wrap up blog, which you can check out here. In it he covered all the broad strokes of the festival experience, highlighting all the different bands we saw, food we ate and artistic installations we witnessed. So in interest of not covering the same ground I bring to you a more microscopic look at TDB through the lens of my favorite individual moments of TBD. Each festival is a collection of miniature moments forged by the fires of the collective consciousness and frenetic energy that is unique to each individual event. This is a celebration of those moments which helped to make the second annual TBD Fest the powerhouse of artistic expression it ended up being.

I’ll start with the first and altogether funniest moment I experienced at TBD. During Joywave’s entire set they had kept the crowd entertained, not only with their killer and perfectly sequenced set but also with the jokes and witty charisma of lead man Daniel Armbruster. However, nothing that came before it was quite as funny as when Armbruster began the chants of “one more song,” essentially calling for his own encore. Armbruster feigned surprise at such an outpouring of support and proclaimed that this had to be the very first encore in TBD Fest history. Having got his laughs and the “encore” he wanted, Armbruster and his fellow band mates kicked off the last song and tore down the house in magnificent style.

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The next moment comes to you in the form of a song, more specifically a cover song. Even more specifically Tears for Fears cover of 1992 Radiohead mega-hit “Creep”. Now this moment really resonated with me for two reasons, even outside of how brilliantly it was performed. First and foremost, as any good rock historian will tell you, there is no way in hell you will hear “creep” performed by it’s original makers. With all the vitriolic hate Radiohead have for for the song it might even be best experienced as a cover. Despite all of the negative vibes surrounding this song it still holds a special place in my musical history and I’m glad to have seen it live in one capacity or another. Secondly and perhaps more deeply, I could not help but feel a sense of a changing of the guard occurring. No Tears for Fears are still clearly a cultural powerhouse being able to headline festivals in 2015 and Radiohead aren’t exactly the new kids on the block anymore but to me this cover signaled a nod of respectful appreciation from the 80s to the 90s. A retroactive vote of confidence and plea of appreciation for carrying the tradition of odd outsider music for the next generation. Perhaps that’s me just being sentimental though.

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This next chewy morsel of festival good will has less to do with a particular artist and more to do with the festival goers themselves. Allow me to set the stage. The Black Lips had been putting on quite the show for their whole set, talking in weird voices, shouting out to their potentially imaginary friend Luna, and generally being quality showmen. A bit of a light mosh pit had been forming and had slowly been gaining speed as the set went on. This caught the eye of someone who I assume was The Black Lips roadie, as he was up on stage with them at one point. This man, who was a larger individual, came down off the stage to provide a buffer between the rowdy moshers and the people near the front of the stage who had no interest in moshing. As The Black Lips counted off their last song Jerel and I jumped into the pit, correctly predicting it would be the final mosh of the festival. As we aggressively pranced about I noticed a particularly wild mosher continually slamming around and getting pushed back by the resident “larger man” mosh boss. As the song continued on they began exchanging heated words and I immediately smelled a fight brewing. The tension did not subside but managed not to boil over for the remainder of the fight. As The Black Lips said their goodbye and the crowd began to disperse, before I even knew what was happening both men were in an lovingly respectful embrace! I could not quite hear what they were saying but I imagine it was along the lines of “thanks for keeping me in line man, I really respect that,” “I respect you too man, take care of yourself and have a good festival.” Now that might be a little far off but the crux of why I liked this moment so much was the way in which festivals can bring out each person’s camaraderie and I certainty felt that camaraderie at TBD.

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Lastly but not leastly we come to none other than Chicago native Chance the Rapper. My personal favorite performer of the entire weekend. This moment ends up being a bit more aqueous than the previous moments but it started as soon as Chance kicked off his set. Bringing an energy and closeness to the audience unmatched throughout the whole festival, Chance immediately had us on his side. Even though I was not familiar with every Chance the Rapper cut, I would sing along every time that I could halfway catch on to the choruses.  The crowd seemed to be giving all the energy they had and Chance was dishing it right back at us in a monumental showing of skill and passion. Suddenly the mood slowed down as Donnie Trumpet and The Social Experiment began to chill down and vibe. Chance then proclaimed he was gonna play a song we never heard before but one we all knew the words to. I immediately assumed it would be an old school rap/R&B throwback, one of which I was hoping I would in fact know the words to so that I would not let my new found hero Chance the Rapper down.  However, I could not have been more wrong as Chance began to sing “And I said hey.” Now I will give you a second to ponder what that line might be from…but I myself immediately recognized it as being the Arthur theme song. For those that are not in the know Arthur was a PBS kids show in the 90s era and it had arguably one of, if not the best theme songs of the decade. Along with being a killer tune, the Arthur theme song has a wonderful message of learning to work and play and get along with each other. At this point I am ecstatic along with the rest of the crowd as Chance the Rapper, Donnie Trumpet, and The Social Experiment throw down a deconstructed and all around awesome rendition of one of my favorite childhood memories. Needless to continue to say, that was my favorite moment of TBD Fest.

Beautiful Noise, Exquisite Tastes, and Creative Minds: The Complete TBD Fest 2015 Experience


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This past weekend TBD Fest has left a mark of music, art, design, food, and ideas in the city of Sacramento. The festival drew in thousands of diverse people, locals and visitors alike, to experience the unique Sacramento festival that is TBD.

To start off, this weekend was incredible. Everything from the acts to the food was something to look back on. The lineup fit the flow of the weekend; starting Friday off with bang, reaching a pinnacle of epicness on Saturday, and concluding with a sure sense of satisfaction on Sunday       (sorry for the tongue twister).

 

Festival Grounds

A vital part of any festival is to get a feel of where you will be for the next few days. The first thing to do is find a schedule and a map. They weren’t readily available, but the customer service tent had no problem handing out printed schedules (nothing too fancy, just a print out). Since there was no map, the only option was to explore the grounds.

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Having fun with the displays!

The grounds weren’t too vast and the layout was simple: a main stage on opposing sides with smaller stages near them. In between there was the “Rise + Create” space. A vendor village, complete with local vendors selling food, drinks, art, and clothing. All the food and drink being carefully crafted, the clothes being hand-made or hand-pressed, and beautiful pieces of art being created. This section of the festival truly shows the creative and tasteful minds of Sacramento. Near and around the “Rise + Create” space there were some awesome displays. Changing pillars of light, painted pyramids, murals, and the great display by PORTAL SAC. the perimeters of the grounds had the bars and food trucks. The festival even had it’s own giant ferris wheel (which all the proceeds from went to helping those recently affected by the California wildfires). There was a lot to see and do at TBD Fest besides watch the musical acts.

 

Demolicious Derby

If none of the musical acts were catching your attention or it was just too hot for you to be standing outside, then the “Demolicious Derby” was the place to go! It took place under a shaded tent with a nice patch of grass (I’m assuming so none of the dirt or dust flies into your food). It’s a cook off between two Sacramento chefs of the fine dining scene. They both have to use a certain ingredient. They also have to cook and serve out of a food truck. The food was completely free and completely delicious.

While waiting for the food, festival goers could watch the cooking from a live video feed screened on a large screen outside. The visuals and smells would make the audience even more hungry. Some moves such as adding the spice would make the audience “ooo” and “ahh.” A comedic MC would be hosting the event so it’s not just two dudes cooking food. Attendees would have to partake in both dishes and place their used forks in their respective choices. Both competitors were always good and humble chefs.

A little example of a cook off: both chefs had to use lamb. One made street tacos, but instead of a tortilla, he a used flattened and fried pork bun. The other made a greek style lamb poutine. Drooling yet? We were.

 

The Music

As mentioned  earlier, each day had a lineup that made a great flow for the weekend. Little disclaimer: I’m not really a big fan of EDM, so I didn’t catch much of the DJ sets.  

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Toro Y Moi

Friday was explosive. The first artist was the band, Cathedrals. With their chill, new wave sound, and heavy bass, Cathedrals gave the crowd something great to vibe to. Then I was able to catch Towkio, Chicago based rapper associated with Save Money and Vic Mensa. Even though the crowd didn’t know the words, Towkio and his DJ were able to pump up the crowd. Head back to the main stage and you would be able to catch the dreamy set of Toro Y Moi. This was one of the artists I was looking forward to watching the most, and they did not disappoint. Playing a good blend of the newest album, What

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Tyler, The Creator

for?, and their older stuff, the set was great. Ty Dolla $ign got the entire crowd dancing or jumping to his songs. The best part of his set was when he pulled out a bass and started groovin out (I didn’t know he could even play instruments). He was even able to stage dive into the crowd during the end of his set. The only EDM set I caught on Friday was some of was RL Grime’s. Playing a heavy trap set for the festival, he had everyone moving. The craziest crowd goes to the set of Sacramento native, Death Grips. The experimental industrial noise rap group made the biggest mosh pit of the weekend, bringing the first big dust cloud into the air. Being in the mosh, I breathed in a little too much dirt. The night ended with Tyler the Creator bringing  energy to the stage. Although he couldn’t bring the visuals he wanted, the set was still crazy. The crowd moshed, jumped, and sang along to the words. It wouldn’t be a Tyler the Creator set without his comedic side comments. The day really set the mood for the rest of the weekend.

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Chance the Rapper

Saturday was big. With the longest day of TBD Fest, there was a lot to do. Although the day was spent mostly walking around the grounds, eating, and hanging out, all the musical acts were great. Dark pop duo, ASTR, started the day off for me. They gave an electrifying performance with some heavy bass hits, melodic scales and licks, and some crazy dance moves. I even had the pleasure of interviewing them backstage (interview coming soon, really cool people). Joywave, an electronic indie band, drew one of the larger crowds for the small stages. Before playing, they took time to perfect their sound and it was worth it. The crowd was very responsive with each song and it was awesome to be apart of. Ratatat was one of my favorites for the weekend. The electric guitar duo had holograms and lasers, putting on one of the best visuals for the weekend. Porter Robinson had some nice visuals as well. Although I couldn’t really vibe to the music, he still put on a good show equipped with anime graphics and massive confetti shots. The crowd loved it. I was able to catch the tail end of Magic Man’s set on the opposing small stage. Although there weren’t that many people watching the set, they still gave it their all and ended with their hit, Paris. Chance the Rapper was the main act I was looking forward to for the whole weekend. The set was amazing. He came with his full band, Donnie Trumpet and The Social Experiment, which made for a much fuller sound. The visuals weren’t top notch, but it didn’t matter because the music and energy put out from the performance was, to me, the best for this weekend. Sing alongs, jumping around, crowd participation, amazing trumpet solos, it had it all. Even though he admit to go out of order of their intended set due to excitement (Chance would become a father two days later) they still made it the best. Saturday had something big for fans of all different music genres.

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Tears For Fears

Sunday was a great way for the weekend to wind down. Up and coming rap/r&b artist (who recently made a song with Kanye West) Post Malone put on a good five song set to start off our day. Although he has blown up due to the success of his hit song, White Iverson, Post Malone still kept it humble, and kept it entertaining. He even performed White Iverson again for his closer, having the crowd sing the entire last verse to closer. After, we were walking and on the nearby small stage, this band O began to play. They were able to keep us and the others for their whole set. They’re an indie band from San Francisco, do check them out. I was sad to have missed Dr. Dog and A Place to Bury Strangers due to attending a Demolicious Derby, but I heard the sets were amazing. Right when we got to A Place to Bury Strangers, the lead singer had just smashed his guitar to end his set. Sad to have missed that, but it was on to the 90’s alt rock band, Dinosaur Jr.! Although they are getting old, they can still play flawlessly. With great

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Madeon

tunes and heart reaching solos, Dinosaur Jr. had a high-caliber set. After, Black Lips took the smaller stage. This goofy garage rock outfit from Georgia had a really fun set. After some jokes and moshing ensued, it was time for the OG (an older act, usually more famous in the 80’s)  headliner (every festival has to have one amiright?), Tears for Fears! Watching their set was like jumping back into the past, a time where most of the people attending TBD were either not alive or too young to go to a concert. Of course, the crowd sang along to classic hits such as Everybody Wants to Rule the World and their closer, Shout. They even surprised the audience with a slower yet full version of Creep by Radiohead. Madeon electrified the crowd as the last EDM performance of the weekend. I had to jump around a few times for that performance. I wasn’t able to stay, but I heard and read that crowd favorite Chromeo properly wrapped up TBD Fest with their funky tunes.

 

Closing Remarks

2015-09-22 04.01.12Overall, TBD Fest is a must-go for anyone in Sacramento, the surrounding Northern California area, or anyone in the world that wants to have a good time. Although not as big as famous festivals such as Cochella, TBD Fest is able to provide some of the top acts in music today in a comfortable yet enthralling environment. Everyone from the acts to the volunteers to the workers to the security to everyone else helped make this weekend what it was. It wasn’t just  about the music, but about the local artistic minds and tastemakers coming together to bring entertainment to Sacramento. It’s exactly what this city needs, a positive driving force in today’s creative culture.

 

 

Check out our mini Instagram Vlogs of the Festival!

If you liked this article, be sure to tune into KSSU.com on Wednesdays from 6:00pm-7:00pm for the 30/30! 30 minutes of music followed by 30 minutes of talk with me, Jerel Labson! 

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