Allegaeon – “Proponent for Sentience” CD Review


a1216811115_10To all the geeks and science fanatics: your new favorite band is here.

With Allegaeon’s new album, “Proponent for Sentience”, the five-piece brings forth an aural assault of seven/eight-string guitar mastery, six-string bass and drum symmetry that almost resembles a marching band, and vocals that range from the depths of the abyss to the highest gates of heaven.

While always known for their scientific lyrical content, what a lot of non-metalheads do’t know is that the group is also known for their classical guitar work, which is featured prominently on their single from the record, “Gray Matter Mechanics – Apassionata Ex Machinea“, which features exquisite flamenco guitar playing from guitarist Greg Burgess (for the exclusive flamenco-only performance, click here).

The band confirmed in interview that a lot of the lyrical content on this album comes from the idea that robotics are not just a novel idea, but an eventual future that may be too much to contain. In a press release from the band’s label, Metal Blade, vocalist Riley McShane gave a bit of insight as to what the album is about.

“With this record we’re bringing ideas to the table that corroborate the fact that at this juncture, robotics as a field is moving forward at an alarming rate,” explains McShane. “This story is dotted with examples of real-life scientific advancements, and it is also perforated with details of humanity’s flaws. Overall, the record tells a story that is still a bit too far fetched to be based in reality, but isn’t too far beyond the scope of imagination to see occurring within the not-so-distant future.”

That concept is explained in great detail in the three-part trilogy sprinkled in different parts of the album, with the magnum opus of the album being the end of the trilogy, “Proponent for Sentience III – The Extermination“, which features guest spots from Bjorn “Speed” Strid of Soilwork and Benjamin Ellis of Scar Symmetry.

The instrumental work speaks for itself on the record, but one of the main highlights actually comes from the vocal work of Riley McShane, the ‘new’ vocalist. Although he has been touring with the band since 2015, the new record is his first with the band. While longtime fans of Allegaeon are used to the low, guttural vocals of former vocalist Ezra Haynes, they need not worry: McShane has that covered. For fans of higher-pitched screams, I recommend you listen to “Of Mind and Matrix”. And, if you’re one of those “I can’t get into metal because it’s too rah-rah and not enough clean vocals”, the band has you covered.

For the first time n the band’s history, they incorporated clean vocals into their material, which is a positive considering McShane’s expansive vocal range. The cleans on “Cognitive Computations” will give you goosebumps. And if you’re looking for a song with nothing but cleans, their cover of “Subdivisions” by the legendary prog-rock band Rush will more than satisfy your hunger.

Overall, I recommend this album if you’re a fan of movies like “The Terminator” or “The Matrix”. And while this record has its chock of singles, it will make more sense if you listen to it from front to back. Prepare to put at least an hour and a half of your day aside; this record is going to put your mind to work.

ALL HAIL SCIENCE!

 

¬A Fanboy Paying Respects: An Ode to Dangers


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Everyone has a favorite band, or at least they should. My favorite is Dangers out of Los Angeles. Ever heard of them? Shamefully few people have. Having spent the summer in DC I spent countless nights at DIY venues listening to great DC bands that have a lot recognition in scene today, but when people back east asked me who my favorite group was and I said, “Dangers,” I was often left with a blank stare. This to me is tragic. Although LA has all its celebrity idolatry, spray tanned legs, endless rows of bumpers fuming smog, Dangers is a real Los Angeles angel.

Led by Al Brown on vocals the band has had a lot members come and go over the years but the current line up features Justin on guitar, Tim on bass, and Anthony on drums. The band is signed with Vitriol Records, run by Justin, and Secret Voice Records run by Jeremy Bolm  of Touché Amore. The group has released one demo, two EP’s, and two LP’s. Their catalog has evolved over time, at no surprise, the group is definitely not one for complacency. Blah blah, most of this stuff you can discover for yourself on their new website, they seemed to have abandoned their WordPress but I still recommend checking that out too. Check it at: http://www.wearedangers.com

We’ve covered the basics so now is time to go full fanboy. Simply put Al Brown is one of my heroes, falling in third behind my mother and Aldous Huxley. Al grew up in LA, and was discovered the punk scene after hearing Nirvana as a youngster. He then got a hold of Green Day, Bad Religion, Black Flag, Descendants, and Minor Threat. Minor Threat is undoubtedly a huge influence in Al’s early lyrics, as they have been to so many bands. Al was a presence to be remembered in the LA punk scene, as Jeremy Bolm recalled on his Secret Voice Podcast, Al was an intimidator with a tough guy attitude, however this tough guy was no meat head. After high school Al went on to attend Princeton where he finished his undergrad with a bachelor’s in English. From there he went on to attend Columbia University where he completed at masters in Creative Writing and acted as editor for the Columbia Journal. After finishing his masters Al returned to Los Angeles to attend USC, where he completed his PhD in Creative Writing and Literature. Al is currently a professor at USC which has, to my dissatisfaction, put Dangers on the slow track.

Al is an academic, a thinking animal. His provocation for his fans to be thoughtful is reason enough to listen to their music. We don’t need more people who act according to a book, for the possibilities of the human brain abound, and it is up to all of us to push this world into a brighter future. Cliché as that statement is one cannot deny the truth. Dangers’ entire catalog features calls to arms, since we are all armed with minds, but their song “We Have More Sense Than Lies” should be the national anthem for punk if there ever was one. Contrary to what I said about a call to arms the song goes, “… And this is not a call to arms. Just a hope that we might try. To use our heads and open eyes. We have more sense than lies. We have more sense than lies. And nothing changes if we don’t change ourselves.” Such a simple message but still something I am always having to remind myself of.

I don’t know if it is appropriate to review your own article but this piece is not my best work even though I wish it was. It is hard to make people see things the way you do. I cherish Dangers the way a mother would her newborn child, maybe an extreme metaphor, but what do I know? I don’t have children. Similarly to a mother I think my child is better than the rest, and I just want others to see that too. So go forth and check out Dangers, they might change your life and they more than likely won’t… I guess I’m finding solace in something Al once said, “We’d rather change the lives of six kids than be background music to the lives of six thousand.” I am thankful to be one of those six.

Whoops, I almost forgot, Dangers third LP will be coming out at some time in 2016 so be on the lookout.

by DJ Ricky Sueños (Anthony Parenzin)

Album Review: Anvil – Anvil is Anvil


AnvilAnvil is Anvil is the final ballad from a sinking ship we call Earth and if we don’t change our tune it will mean our imminent doom.

If you needed a soundtrack to a tough-guy pirate cartoon in the same vein as Disney Channel’s Dave the Barbarian, Anvil’s sixteenth studio album, Anvil is Anvil, may very well be the best fit imaginable. Not being too big of a metal fan I thought this album would be completely unbearable but the catchy choruses and powerful themes of this album make it a worthwhile listen.

The song order really helps to deliver Anvil’s overall message, albeit cliché, invoking a disruption to societal order is a worthwhile cause, a cause that has long been on the forefront of Anvil’s agenda and breathes through their entire catalog. The intro track, “Daggers and Rum,” works just like a theme song for a barbaric pirate ship that is steadfastly sinking. It is a fun and catchy tune that delivers imagery of bearded men scaling ropes and sloshing pints of foaming drinks on a teetering ship. The song is definitely the album’s most original and memorable tune. The middle of the album brings criticism to society in attempt to show that the world is deservedly sinking. The band calls many of American society’s current hot button issues to the forefront of our attention. Not leaving us with metaphors to decipher, their songs “Gun Control” and “Die for a Lie” directly criticize gun violence and self-sacrifice in the name of religion, respectively.

However, Anvil does not leave us without hope or direction. In the second to last track, “Run Like Hell,” Anvil suggests getting out of the rat race by running out of it. Sometimes the best way to win a game is not to play at all, and it is clear that Anvil does not live by the rules passed down by society. The final track, “Forgive Don’t Forget,” offers insight on how to overcome the hate that has perpetuated itself in society today. In the final song Steve “Lips” Kudlow sings, “Not to have died in vain / It can never happen again / With love we should embrace / To save the human race.” Hopefully their final message is enough to change the tide.

Anthony Parenzin is a dj with KSSU

Shining, International Blackjazz society


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I am not the best person to talk to when it comes to music. That may be an odd thing to say for someone who volunteers at a radio station, but I do a talk show so I do not have to know much. Sitting in the lobby of KSSU I hear numerous conversations about current music and I have no idea about what anyone is talking about. But the radio station does provide me an excellent opportunity to listen to all different types of music and the chance for me to give everyone my impressions and opinion.

Shining’s newest album International Blackjazz Society promised a unique blend of rock and jazz with the inclusion of a saxophone. I was hesitant at first but decided to give the album a listen. The first song “Admittance” shocked me. The song starts with the saxophone screaming out in plea known to all woodwind playing elementary school band members. But the song soon shifts into a familiar sound that I have heard from other jazz songs, except for the mixed in rock guitar and drums. I was relieved by the familiarity and was intrigued by this new mix that demonstrated the potential for the potent mix of saxophone with rock music. But the music quickly returns to the ear piercing moments of the start. I am sure that this is what Shining intends, but to go from coherent to incoherent and back again is not my type of music. The music gets less crazy with “The Last Stand”. Absent in the beginning, the sax makes itself known in the middle of the song, changing the tone of the song into an ominous warning that adds a fantastic and interesting mix to the music. Unfortunately, this song too devolves into prepubescent screaming. On a positive note Shining has done an excellent job of transitioning one song to another making International Blackjazz Society feel like one long, diverse song. The transitions highlight the fantastic variety of the album, something many other artists fail to provide in their music.

Shining provides a purely instrumental song in this album, “House of Warship”. The music starts out nice enough and serves as a brilliant example of how a well-integrated saxophone can not only alter the music, but take charge of an entire song and lead the rest of the instruments. Unfortunately, the second half of the song devolves into a mish-mash with no apparent direction. I can hear the silence of an imaginary crowd, dumbfounded at the wild flailing of fingers on the sax and incoherent banging on the drums with each of the performers eyes shut tighter than a clam shell. Remember the scene from Back to the Future where Marty McFly performs at his parents dance and breaks out some rock ’n roll on stage? Everyone stares at him, unsure of what is going on. That is what I imagine

As odd as it may sound I did not hate this album. The music was interesting and the use of a saxophone in rock music actually worked at parts. I would be interested to hear more of Shining, if they could stop straining the sax. Giving its frequency in the music that it unlikely. What I can do is search out similar music or music that promises like twists. International Blackjazz Society was not my kind of music, but I am happy at the perspective that it gave me and was genuinely surprised by the music

DJ T3X Mex is a dj for kssu

“Matriarch” by Veil of Maya Album Review


 

Veil-of-Maya-Matriarch-artwork-600x600So here I am, chilling in my philosophy class before the professor shows up. I whip out my iPod and check out the channels I am subscribed too. I mostly use YouTube for finding new music and cool skate videos. Browsing through the videos, I noticed that Sumerian Records put out the whole new Veil of Maya album “Matriarch” and I about exploded. I had to sit for an hour and fifteen minutes anticipating the awesomeness of VoM. Luckily, I only stayed in class for about twenty minutes because class today was an optional Final Exam Study session. Who needs to study for finals anyways? I’ll just wait until the day before my finals.

So I had already heard a few songs from the Album and had already been in love. The rest of the album was fantastic as well. I did not even need to listen to the entirety of each song before clicking to the next and welcoming in frission (where you get goosebumps from good music). There was the usual VoM stuff; technical math-core (complicated song structure), drop tuned guitars, and ominous background sound effects. VoM threw in some new stuff such as clean vocals (in comparison to the low gutturals from the “Common Man’s Collapse” Album), guitar melodies in the higher registry, and an overall album theme, hence the name “Matriarch”. Before the album was released, my favorite of the leaked songs was Mikasa, which also had a music video. There was heavy breakdowns, awesome never-before heard clean vocals, and an overall empowering feeling brought forth by the entire band.

Looking at the track listing, each song is named after Matriarchs or powerful women, both fictional and non-fictional. In one of the YouTube comments, someone even mentioned that one of the song names is a very threatening character from an action anime. I took the Youtuber’s word and moved on to the music. I will have to say that my favorite song, other than the leaked ones, would have to be “Daenerys”. I have no idea where the name Daenerys comes from, but it did not spell check me on Microsoft Word, so it is legit. Anyways, the song starts out really light with some nice moving around on the guitar. It then goes into a two-measure guitar solo before the vocalist pops in and the song takes a more serious turn. With some power chords blasting right into a heavy breakdown, Veil of Maya shows off what they are known for. Right after are some clean vocals from their new vocals, which were pretty impressive by the way. The chorus is repeated throughout with some technical instrumentals in the background, before closing the song with a guitar solo build up to more cleans and a mini breakdown. Finally, a guitar playing a riff in the higher register ends out the song.

Most of the time I listen to music on YouTube except for when I really like a whole album, which I purchase to support the band. Veil of Maya, I’m going to support you and buy your new album “Matriarch” when I get home tonight.

Thanks for reading everyone!

I may or may not have a show during finals week due to, well, finals. However, check out www.kssu.com and listen to other DJs do their stuff!

Much Love,

DJGingerbeard

Dissecting The Plot In You


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Lately I’ve been listening to a lot of “The Plot In You” because one of their new songs popped up in my feed on YouTube, and I opened up my brain to see what I can recall of TPIY. Basically, I liked one of their songs a whole lot, but never took the chance to really check them out. The Plot In You is a four piece metal-core band from Ohio, with One EP and two Albums out. Notorious for their harsh lyrics and calling out particular groups of people while keeping that metal vibe, TPIY quickly gained fame after releasing their debut song Wifebeater from the EP “Wifebeater” (which one could assume was about his father). The Plot In You is signed onto Invogue Records, and will be releasing a new album which currently has an unknown release date.

The song that popped up in my feed was called “Crows”, which is about Landon Tewer’s (the frontman) life and how he has changed, but so has everyone else. The “Crows” symbolizes death and how in the end, everyone faces it. This is emphasized with the line “The crows are waiting on me”. This song was an unreleased track from the b side a 7” they never released. My curiosity took me further, so I played the album stream from “Could You Watch Your Children Burn.” I had already heard tracks from their album “Firstborn” a long time ago, but this album really got to me. Most songs consisted of talking about how people who are hypocrites and live a mundane existence should separate themselves, or simply die, from society. Tewers talks about religious folk, lustful males, rapists, and his own family very unkindly. One of my favorite songs is “Troll” which I also saw live when TPIY was on the “About That Life Tour” with Attila. The song basically empowers the listeners individuality and gives the belief that you are a juggernaut and will not take any flack from anyone. Another song that was a favorite by TPIY on YouTube was the song “Premeditated”. In this song, Tewers talks about his plan to kill a rapist who violated someone very dear to him. With clean vocals, dark breakdowns, and the usual “I will destroy you” moments from TPIY, I could easily see why this was a favorite by fans.
All in all, TPIY is a very angry band. Their song “My Old Ways” that was released in a music video on February 23rd seemed to be quite lighter in comparison to “Troll”. To hear that kind of change and it still be a good song makes me very excited to hear their upcoming album. To make a long explanation short: The Plot In You is a band full of angry dudes, relatable stories, great songs, and a uniqueness that I have not heard from any other band. They are probably not sane people, but hey, who is really?

Thanks for reading you lovely people! If you want to hear music from The Plot In You and other bands that I just so happen to enjoy, tune into my show “Shred the Gnar” on www.kssu.com Tuesday mornings at 8 o’ clock!

Much Love,

DJGingerbeard

Album Review: “Lost Isles” by Oceans Ate Alaska


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is a metal-core band the United Kingdom with a unique taste. Some flavors of Djent, Thrash, Death, Pop Punk, and even Electronica float around in this UK Combo. When I first listened to Oceans Ate Alaska, they were a scene/emo kid band performing the class “screamo” music with open note breakdowns. This album “Lost Isles” has been a metamorphosis for Oceans. They started out as puny, long-haired caterpillars and evolved into fire-breathing dragons. Here’s my take on “Lost Isles”.

The intro, “Four Thirty Two” is an instrumental with some radio and television broadcasts on natural disasters playing in the background. Great work done in this song, piece and also in the instrumental interlude. The pure talent and raw sound during these pieces show how the band has progressed in accordance to music theory. Tempo changes, experimental tuning, drum variety, all sorts of vocals (both clean and screamed), and of course some master guitar shredding amplify this bands talent ten-fold. You can tell how much work they put into this album just by these pieces alone.

But wait! It gets even better. Oceans Ate Alaska released three tracks before the actually full length release date, which was February 24th. These songs are “Blood Brothers” (Lyric video), “Floorboards” (Lyric Video), and “Vultures And Sharks” (Music Video). One thing you will notice is how thick the accent is coming out of the front-man. It works really well because with the knowledge of where these guys came from, you can match up the style with the accent. With technical drops, crazy good melodies, and use of techno in the background (but not overdone) made me so excited for the release of the full length. Maybe a little too excited because I listened to “Blood Brothers” about five times a day for a week.

Other songs worth mentioning are “High Horse”,”Linger”, “Entity”, and the debut hit “Lost Isles”. “High Horse” is heavy as frick and is similar to Attila’s lyric style. Basically, we are better than you and will hurt you if you try to take us down. With a little bit of Djent influences, this song made me sweaty and flexed out while just sitting in class, which probably made it uncomfortable for the shy girl next to me. “Linger” and “Entity” cannot be fully appreciated without deciphering the lyrics. I will not ruin the surprise, but your mind will be blown. Also, “Linger” as both clean and distorted guitar throughout, which is strange for metal, but it worked out fantastic! Last but certainly not least is “Lost Isles” which is pretty much everything I have just written, but precisely placed together in one masterpiece. I feel like this should have been on the last song on the album just to give listeners those last tears of joy and bliss before popping the album out their car radio.

To hear some new stuff from Oceans Ate Alaska and a variety of other bands, go listen to my show “Shred the Gnar” on http://www.kssu.com Tuesdays at 8 o’clock!

Thanks for reading, DJGingerbeard out.

Album Review: “The Night God Slept” by Silent Planet


SP.CoverThe very first song I heard from Silent Planet was “Tiny Hands (Au Revoir) off their EP titled “Lastsleep (1944-1946)” was love at first listen. I thought, “Gee, these guys already sound experienced and professional.” Turns out, they have only released a demo CD and one self-recorded EP. The album that just came out titled “The Night God Slept” is their first album- ever. Silent Planet is a Christian Metalcore band from Los Angeles. Although they are christian, they do not like to have labels on them and during an interview, their guitar player claimed that they do not want to play in churches, “but we want to play for the broken.” The link to the interview is at the bottom. With this new album, Silent Planet has been signed to Solid State Records and already have some recognition. Bands like For Today and August Burns Red are backing up the release of this new album and on eight of the eleven tracks there are featured christian artists. Silent Planet is coming into 2015 hot with no signs of braking.

Let’s break this album down real quick. First off, the lyrics are amazing. All the lyrics are direct quotes, paraphrases, or interpretations by the vocalist of other sources. These sources include philosophical books, historical events, the Bible, and many more other things. Not only that, but the lyrics all flow together around a central main idea while also remaining connected to all listeners. All instruments at one point do show their max amount of talent, but they remain humble when needed. The instruments are not focused on being the heaviest or most technical, but they are very talented and get crazy at times. The keep the song entertaining while also complementing the vocalist. Also, one of the guitar players sings to bring in that “clean” aspect to the Metalcore genre. By the way, it is good singing not like a girly man kind of singing either.

My favorite songs (in order of appearance) are XX (City Grave), Native Blood, Tiny Hands (Au Revoir), and Wasteland. “XX (City Grave) talks about the objectification of women as sexual beings instead of equals to men and how that is wrong. The song explains how we should treat all women as sisters and abolish pornography, regardless of profit being lost or desires that men have. “Native Blood” is about how Native Americans were kicked out their land by people who claimed to be Servants of God. Silent Planet retaliated against the idea of the settlers being servants by explaining what it really is to be a Servant. They then compare the idea of False Servant-hood to most preachers today. “Tiny Hands (Au Revoir)” is a Holocaust survival story about a Jewish woman who escaped a Synagogue being burned by Nazis by jumping out a giant window into a garden. There are also topics such as the Garden of Eden and the existence of both forces of Good and Evil. Finally, the song “Wasteland”. This song is about the rise of Joseph Stalin and his attempt to abolish God completely, making himself the new supreme figurehead that everyone are supposed to worship. The song also looks at the lives of the soldiers under Stalin who were dying unnecessary deaths after losing their faith on the battle field, hence the name “Wasteland”.

I can go on and on, but you should go check it out for yourself. I highly recommend that you check out the album playlist on youtube (which I have provided a link) and read the lyrics while the songs are playing. I promise you will not regret it and your mind will be blown.

Thanks for reading! If you want to hear more music like Silent Planet and other great artists, tune into my show “Shred the Gnar” Tuesdays at 8am on http://www.kssu.com

Much Love, DJGingerbeard

Links:

Playlist= https://www.youtube.com/watch?v=7d9HHQqtguY&list=PLCslpjrb7cYjhht_4wASD6IGoivkLfD-z&index=10

interview= https://www.youtube.com/watch?v=gi_VYGnuHl8

“Shred the Gnar” Version 2.0


For those of you who do not know me, my name is DJGingerbeard and I have a metal/random show Tuesday mornings at 8am called “Shred the Gnar” on KSSU. When I started at KSSU, I wanted to play music that people would not typically hear in the mainstream, or music that when it comes up in conversation would make them cringe. Examples are metal, death metal, post-hardcore, Djent, etc. Last semester I found myself sticking to one type of metal and even replaying songs from already popular artists. My original intent on becoming a DJ had vanished. Two events made me realize i must return to my Alpha Form.

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I was checking out some bands on Instagram when I saw a band that I thought was already great and pretty well-known had released a new album. That album is titled “The Night God Slept” by a Southern Californian Metal band called “Silent Planet.” The lyrics are all direct quotes, paraphrases, or interpretations of the vocalist cited from historical events, intellectual books, and scriptures. I was blown away by the awesome creativity on this album so I looked up an interview with the band. I found out that this album was their first album ever and they just got signed to a record label (which happens to be Solid State Records). That’s when it hit me. One of the things I wished to do as a DJ was to find great bands in the heavy music industry that are not well known and give them exposure.

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The other event that made me realize what I have become was a few days ago in my girlfriend’s car. We were having a nice day going out to eat, when two songs back to back played in her radio from a mix CD. One was from Underoath in their more recent years, so the music was not that heavy. The other was a pop-punk song by a band called “Knuckle Puck”. I loved both songs so i told my girlfriend “I would play this stuff, but it’s too light”. She replied, “You tell your listeners that you play a wide variety of metal and other stuff, but you seem to only stick to a select type of music.” She was right, so now I am changing my ways.

“Shred the Gnar” version 2.0 will not have just metal, but also thrash, djent, hardcore, punk, post-hardcore, electro-metal, pop-punk, and all other sub-genres. Not only that, I will try harder to find not-so-known bands like “Silent Planet” and play them on my show to give them the credit they deserve. I promise you fellow musicians and music lovers alike, Spring Semester for DJGingerbeard will be better than ever.

Listen in for some great stuff at http://www.kssu.com

Tuesday mornings at 8am

Much love, DJGingerbeard

Tomorrow We Die Alive Tour @ The Assembly Music Hall


One week ago, I attended a brutal, skull-crushing, highlighted hair, tight pants wearing, metal concert with (headlining) Born Of Osiris, Thy Art Is Murder, Betraying the Martyrs, ERRA, Within the Ruins, and Before You Fall.

Oh mah gawsh

Let me tell you a story on how my day went.

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First off, I had to drive to Sacramento twice that day; once for school and once for the concert because I had to pick up people from my hometown. We get to the venue called “The Assembly” at 1000 K Street in downtown Sac. The parking is cheap, only $5 for the whole night. While waiting in line, there are some pretty strange, yet welcoming characters. Mothers with vulgar shirts, kids with hair longer (and thicker) than my legs, pentagram shirts everywhere, straightened hair, and a love for brutality- everywhere.

We get inside and the venue is typically bigger, but that night the stage was an extension of the regular stage. This meant the venue was smaller. I hung around in the back with my girlfriend. Normally, I am a pit kind of guy. I go in, throw a few hugs, take a few hugs, then get out and catch my breath behind someone else’s sweaty back. Good times. But that night I was already super tired from school all day, and my girlfriend does not typically go to these kind of shows, so I stayed with her.

The first band “Before You Fall” is a decent band, except when they play live; they were terrible. Everything sounded like mush due to feedback, the clean vocalist was screeching way too high while drumming, and there was a lot of random intense stage presence.

After that disaster was “ERRA” and “Within the Ruins”. Both of these bands killed it, and their vocalists were super ripped! Every time they let out a guttural scream they flexed, and it seemed like even their shirts wanted to fight me!

Then, the moment I was waiting for, “Betraying the Martyrs” came on. I have been a HUGE fan of BTM since their first EP, but I have not seem them live until last Thursday because they are from France. I went berserk, alongside my good friend Ramon. At the last song, Betraying the Martyrs did a “Wall of Death”.

Wall of Death: Separation of the entire front half of the audience, who then all run at each other at the drop of the breakdown.

Ramon, this mexicano delgado, went in. I did not seem him come out.

Afterwards was “Thy Art Is Murder.” The thing is, I thought Thy Art Is Murder was one of those Atheist bands who use pentagrams to be a little heavier.

I was so wrong.

Their vocalist was twitching out like a possessed man, said he was “drawing power” from the audience’s praise, and called out God screaming profanities My girlfriend walked out. Today, I no longer listen to Thy Art Is Murder. I mean, I am Christian, they are Satanic. I can’t get mixed in with that.

Finally, after hours of sore feet, sweaty backs, and a body odor filled atmosphere, Born Of Osiris played.

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They were the best band out of all of them and I love them, but they played 8 songs. Each of those songs, was verb long.

We left after song seven to partake in our usual “After Show” tradition-

We pigged out at Denny’s.

Overall, three people dragged out by security, one fight, two people passed out, and some fantastic memories made at the “Tomorrow We Die Alive” Tour.

 

Thanks for reading, check out my show “Shred the Gnar” on Thursdays at 9am on kssu.com for some Broot Broot Metal!

DJGingerbeard

http://www.kssu.com