KSSU’s Study Tips for Finals


Hey Readers! Read below for some study tips from everyone here at KSSU and ace those finals. 🙂

  1. Listen to what your body is telling you! If your eyelids feel heavy, take a power nap. Studying is pointless if you and your body are not in a position to retain the information you need to learn.
  2. Get out of the space that you’re most comfortable in! Go to a nice coffee shop (Philz Coffee, Identity, Tupelo) or to the 4th floor of the library. Just get out of that bed.
  3. Make sure you keep snacks with you (that you will actually eat) and that you’re hydrating. Opt for water before anything else.
  4. Give yourself breaks and don’t overwhelm yourself. You deserve that 15 minute walk, 45 minute nap or 30 minutes of your favorite TV show.
  5. Speak out loud instead of reading in your head. This improves your memory and you’re 50% more likely to remember important information.
  6. Use the SelfControl app to block distracting apps and sites. Create boundaries for yourself!
  7. Don’t stay up all night before your exams, study as much as possible but make sure you’re getting enough beautyrest.
  8. Lastly, listen to KSSU’s Picks on Spotify! Updated bi-weekly every Thursday. Motivational tracks, R&B and lowkey instrumentals included.

Everyone here at KSSU hopes you have a relaxing, enjoyable and inspiring break. See you next semester!

Tremaine Album Review


For this heavily anticipated new album Trey Songz comes back with a pretty solid album named Tremaine. Tremaine is an album Trey Songz wanted to show the listeners that he is still one of the best if not the best R&B artist in the game today. Trey Songz expressed in his interview with the Breakfast Club that he named his first track on his album named Playboy because of his current situation with women. He explained that being at the stature that he is in he feels that he can not trust a woman with his heart because, there is always more calling and does not fill the urge to be committed in one relationship.  The interview with the Breakfast Club he discussed his issues with Nicki Minaj and simply put he felt that it was weak on Nicki’s part to get at him for no reason over the allegations claimed in the Shether song. Once the interview was over the anticipation of this album has gone up. There are 15 total songs on this album. I will review the once that are highly recommended to check out and listen to on rotation.

#2 song- Come Over: This song is one of the best songs on this album that brings fans right in to show exactly why Trey Songz is one of the best in his group. A must download with great vibes, hooks, and chorus throughout the whole track.

#5 song- Playboy: A song with context and understanding where Trey Songz is coming from I feel that this song is a great song to listen to in certain moods. I enjoyed the sound the message of the song and Trey Songz delivered well on this track.

#6 song The Sheets…..Still: To me this best song on the album, with how great he switched up his flow and how smooth his voice changed talking about the experience with the woman in the song definitely makes this a favorite song on the album to me.

#10 song 1×1: This song instantly is a summer vibe song that could be a great radio song to play. Nice vibes and high upbeat rhythm to this track makes you want to vibe. Highly recommended song for those looking for a summer jam.

#12 song: What Are We Here For?: One of my favorite songs on the album that is an instant radio play. With the beat and rhythm this is a quality track that will be played a lot more in the summer.

Review Score: 7/10 Very solid album that will be played from time to time.

-DjLeodawnus

The Power Hour Recap 4/5


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Good Afternoon KSSU listeners and readers! I’m DJ Ace and this my Power Hour recap for April 5th.

Basically I’ve been wanting to do this all semester, and finally had the time to sit down to hash one of these outs. These recaps are a way to go a little more in-depth about the music being played today and a chance to talk a little more about whats going on weekly. So without further ado, lets get into what music was played today!


 

  1. Fanfare – FFVII OST – As of two shows ago, this has been the new starting song every show and variations of this theme will be present every show. It especially works well as background music as I do my intro. For some history about the title, this fanfare has been used in Final Fantasy as victory music after completing a battle since the original FF released over 20 years ago. It has definitely become a staple of the franchise needless to say.
  2. Easy Lover – Phil Collins –  So our theme this show was more vocals and a little more classic sounds instead of our usual synth-wave approach. So firstly, this track also contains vocals by Phillip Bailey and the combination of both vocalists really brings the song along quite nicely. Oddly enough, the creation of the song came from a chance meeting between the two, and after a few jam sessions they decided to recorded the song in order to not forget it.
  3. Every Little Thing She Does Is Magic – The Police – Alright, so first things first, I have a huge love for The Police. Its a very influential group for me and one of the big artists I remember listening to as a kid. That being said, its hard to lock onto certain songs that really give you the listener a song that captures the groups sound, but I think this track does a great job of doing it. The Police typically create a very “ska” sound with their music, with fast tempos and strong beats. This song is no exception and I imagine by the middle of the song you are tapping your feet along with the beat.
  4. Off The Wall – Michael Jackson – Phew, another huge artist! Is my show becoming too mainstream for listeners? MJ was an artist I had the privilege of growing up to, when he was at his prime he was simply untouchable. I’m sure most agree that there will simply not be another artist who will have as big of an impact on the industry. Off The Wall is the self entitled track from one of his early albums, containing very disco like sounds. A very simple beat accompanies his already signature vocals, along with a smooth chorus. Like most of his tracks, this is very much a feel good track. As MJ states, “just enjoy yourself”.
  5. Maneater – Hall & Oates – Obviously you can’t have a 80’s playlist without some Hall & Oates. These guys wrote some of the most signature songs from the 80’s and you’ve probably heard them before and never even realized it. To keep the upbeat pace of the first half of the show, I went with Maneater. It keeps a very upbeat tempo, accompanied by a prominent bass line.

Well thats it for Part 1 of the Power Hour Recap. Tomorrow look forward to reading the second half!

– Ace

Ace is a Dj with KSSU

Weekly Staff Picks #1


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Welcome to KSSU’s inaugural weekly staff picks! This is where our DJs pick their current favorite song and artist from recently released music. We will feature 5-6 songs that are currently on our radar. Stay tuned every week to see what we pick, maybe your favorite track will be selected.

 

Staff Pick 1: Lucy Morales

Boss Selection – Wouldn’t it be wild, Volume 1

Boss Selection is the moniker for the seasoned world wide producer Sunny Levine. With Quincy Jones as his grandfather, he certainly is no stranger to living up to large expectations. Under Boss Selection, he has produced a mixtape inspired album with 12 different artists successfully using crowdfunding for all the costs. My personal favorite from the album is “wouldn’t it be wild” featuring Orelia. It’s an unboastful chillwave like track that becomes infectious without even being conscious about it. It’s the best kind of song to pop into your car to relax after a long day.

 

Staff Pick 2: Jerel Labson

Kanye West – Ultralight Beam, The Life of Pablo

Of course this has to be somewhere on the first KSSU’s Picks Of the Week! Hearing this first track play at the Yeezy Season 3 fashion show really set the bar and got me ready to hear the rest of TLOP. The instrumental is beautiful. The occasional drums also really get me going. Having The Dream, Kelly Price, and the choir literally taking us to church was amazing to hear. Chance the Rapper’s verse was possibly the BEST verse on the album as well. Donnie Trumpet backing the second half His flow and biblical references (“Got my ex looking back like a pillar of salt”), just DOPE. I could go on, but I have no more words. Just listen to it. One more note… Can I consider this as a Christian song??

 

Staff Pick 3: Cole Nelson

Stone Sour – Love Gun, Meanwhile in Burbank

My song of the week comes from the album Meanwhile in Burbank… by Stone Sour. Released in April of 2015, this album features hard rock covers of classic rock and metal artists. My favorite out of the album is their rendition of KISS’ classic song, “Love Gun.” Stone Sour’s version features heavy use of a grunge sounding guitar along with a strong drum line while still retaining that classic rock/disco vibe that KISS is known for. “Love Gun” is one of the better covers of a song I’ve heard recently and recommend it to those who like the original tune with a bit of a kick to it.

 

Staff Pick 4: Angelina Rios

Bomba Esteré – Soy Yo, Amacer

Bomba Esteréo is a Colombian band that formed in 2005. With the recent release of their new album Amacer, the track Soy Yo is nothing short of excellent. With a catchy beat, its traditional Colombian instruments have a contagious effect and it’s hard to resist dancing in your chair. This track represents respecting and accepting one another for who they are. While the band does not wish to conform to one genre of music, they can best be described as having an electro base with Cumbia and dance elements as well.

 

Staff Pick 5: Anne Thorp

Daughter – New Ways, Not To Disappear

Daughter is the name of a three-person, London-based indie rock group, together since 2010. Their EP ‘Not To Disappear’ came out in 2014, and this March they start an already mostly sold-out North American tour in major cities across the U.S. and Canada. New Ways is the first track of the EP, and soundly embodies all that is good about the entire album. It’s moody, the vocals ethereal, with an edge of grit in the guitars and drums that speaks of the kind of disjointed, worn cynicism modern life frequently brings. It reminds us, as singer Elena recites, that sometimes we all feel we need new ways.  

 

Staff Pick 6: Claudia Rivas

Charlie Hilton – 100 Million, Palana

Charlie Hilton, lead singer for Blouse,  released her debut solo album Palana on January 22 via Captured Tracks. The album was produced by Unknown Mortal Orchestra’s Jacob Portrait. The album includes “100 Million”, which I’ve been playing on repeat for much of this week. The track was produced by, the band Woods’, Jarvis Taveniere. The song features vocals and music by Mac DeMarco. The track sounds folk-like, similar songs by Beach House and She & Him. Hilton’s vocals are much like Zooey Deschanel in this song, light and dreamy. Lots of simple guitar chords and settle drum background occur as well. Reminds me of a tune that would play at a modern Woodstock, hippie festival. It’s a song that will keep most fans of this type of music in a good mood.

The Zombie 5 Tour Review


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Last Sunday, I went and saw (in order) Secrets, Born of Osiris, Word Alive, and the Devil Wears Prada at the Ace of Spades in Sacramento. The name of the tour was the “Zombie Five Tour” because it has been five years since the Devil Wears Prada released their “Zombie Ep”- one of their greatest achievements. There was laughing, crying tears of joy, and a lot of sweat in a human sardine can. Here’s how my night went.

Started off with the usual tradition- Dutch Bros. drive thru coffee in Davis. Got myself a strawberry and lime iced Rebel, which is their trademark energy drink, so I was ready for the long night ahead. Accompanying me was my girlfriend while the rest of my crew was saving us a spot at the front of the line. Walking to our spot in line, I could feel the teenage angst staring me down while everyone is decked out in gear ranging from Goth streetwear to gym clothes with band logos. I myself went in some nice khakis and a windbreaker. After hanging out in line and farting on some teens behind me, we quickly hurried inside the venue when the doors opened.

Usually, Ace of Spades has a band open up for the other bands, but Secrets was the first band to go on. The last time I saw Secrets was also at the Ace of Spades, but when they had their old vocalist. For being the first band, Secrets did great. They played some classics, some new stuff, and even a song that has yet to be released. Aside from some ear-piercing highs from the singing, they did a good job.

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Born of Osiris came next and they straight up murdered the stage. Stage presence out the ying-yang, sound effects on point, and the heavy/technical guitar skills from Lee McKinney reminded me why Born of Osiris is one of my favorite bands. Born of Osiris was like a shot of espresso after the creamer, started off sweet and escalated to a level of strength that even Goku would be impressed by. Well done BOO, well done once again.

The last time I saw The Word Alive was at Warped Tour, and they were all hyped about their newest release, the “Real.” Album. Some of those songs are pretty light, so I thought, “Aw man, I’m gonna see the same performance twice.” I was proven wrong. The Word Alive played a lot of heavy songs, including oldies like “2012” and “House of Anubis”. Before the breakdown to 2012, Telle Smith (the frontman) split the whole entire front half of the crowd like the Red Sea and told them that when he counts the breakdown in, that everyone run at each other as fast as possible. This is what we call a “Wall of Death” and the last Wall I partook in ended up with my shirt getting ripped in half, fighting some fat guys, and almost passing out in the crowd. Fun fact: that was also during a Word Alive set in that very same venue.devil wears prada

Last but certainly not least, the men of the hour, The Devil Wears Prada. I thought that TDWP would only play their EP and a couple more songs. Then I found out from an outside source that their set list was 16 songs. 16 SONGS. The first five were some classics, then the next five were the Zombie EP all in order, all with the sound effects in between the songs as well. After the EP, I did not stay for the whole set list, but I was okay with that. Also, the stage had crazy light displays, including a giant symbol from their album 8:18. The Devil Wears Prada was the very first band that got me into Metal, and to see them live almost eight years after I heard their first album made the night all worth it. They were the best band up on that stage, and I cannot wait to hear what they have next.

Speaking of that, I heard a rumor (which has yet to be confirmed) that The Devil Wears Prada is back on Rise Records and is going to release a Space Ep.

We will just have to wait and see.

Thanks for reading my lengthy memory written onto this blog! If you want to hear more music from these bands and bands alike, or if you know of a band you want on my show, listen in on Tuesday mornings at 8 o’clock on www.kssu.com or contact me via Instagram @gingerbeardthefoot

Much love,

DJGingerbeard

Album Review: “Lost Isles” by Oceans Ate Alaska


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is a metal-core band the United Kingdom with a unique taste. Some flavors of Djent, Thrash, Death, Pop Punk, and even Electronica float around in this UK Combo. When I first listened to Oceans Ate Alaska, they were a scene/emo kid band performing the class “screamo” music with open note breakdowns. This album “Lost Isles” has been a metamorphosis for Oceans. They started out as puny, long-haired caterpillars and evolved into fire-breathing dragons. Here’s my take on “Lost Isles”.

The intro, “Four Thirty Two” is an instrumental with some radio and television broadcasts on natural disasters playing in the background. Great work done in this song, piece and also in the instrumental interlude. The pure talent and raw sound during these pieces show how the band has progressed in accordance to music theory. Tempo changes, experimental tuning, drum variety, all sorts of vocals (both clean and screamed), and of course some master guitar shredding amplify this bands talent ten-fold. You can tell how much work they put into this album just by these pieces alone.

But wait! It gets even better. Oceans Ate Alaska released three tracks before the actually full length release date, which was February 24th. These songs are “Blood Brothers” (Lyric video), “Floorboards” (Lyric Video), and “Vultures And Sharks” (Music Video). One thing you will notice is how thick the accent is coming out of the front-man. It works really well because with the knowledge of where these guys came from, you can match up the style with the accent. With technical drops, crazy good melodies, and use of techno in the background (but not overdone) made me so excited for the release of the full length. Maybe a little too excited because I listened to “Blood Brothers” about five times a day for a week.

Other songs worth mentioning are “High Horse”,”Linger”, “Entity”, and the debut hit “Lost Isles”. “High Horse” is heavy as frick and is similar to Attila’s lyric style. Basically, we are better than you and will hurt you if you try to take us down. With a little bit of Djent influences, this song made me sweaty and flexed out while just sitting in class, which probably made it uncomfortable for the shy girl next to me. “Linger” and “Entity” cannot be fully appreciated without deciphering the lyrics. I will not ruin the surprise, but your mind will be blown. Also, “Linger” as both clean and distorted guitar throughout, which is strange for metal, but it worked out fantastic! Last but certainly not least is “Lost Isles” which is pretty much everything I have just written, but precisely placed together in one masterpiece. I feel like this should have been on the last song on the album just to give listeners those last tears of joy and bliss before popping the album out their car radio.

To hear some new stuff from Oceans Ate Alaska and a variety of other bands, go listen to my show “Shred the Gnar” on http://www.kssu.com Tuesdays at 8 o’clock!

Thanks for reading, DJGingerbeard out.

Album Review: “The Night God Slept” by Silent Planet


SP.CoverThe very first song I heard from Silent Planet was “Tiny Hands (Au Revoir) off their EP titled “Lastsleep (1944-1946)” was love at first listen. I thought, “Gee, these guys already sound experienced and professional.” Turns out, they have only released a demo CD and one self-recorded EP. The album that just came out titled “The Night God Slept” is their first album- ever. Silent Planet is a Christian Metalcore band from Los Angeles. Although they are christian, they do not like to have labels on them and during an interview, their guitar player claimed that they do not want to play in churches, “but we want to play for the broken.” The link to the interview is at the bottom. With this new album, Silent Planet has been signed to Solid State Records and already have some recognition. Bands like For Today and August Burns Red are backing up the release of this new album and on eight of the eleven tracks there are featured christian artists. Silent Planet is coming into 2015 hot with no signs of braking.

Let’s break this album down real quick. First off, the lyrics are amazing. All the lyrics are direct quotes, paraphrases, or interpretations by the vocalist of other sources. These sources include philosophical books, historical events, the Bible, and many more other things. Not only that, but the lyrics all flow together around a central main idea while also remaining connected to all listeners. All instruments at one point do show their max amount of talent, but they remain humble when needed. The instruments are not focused on being the heaviest or most technical, but they are very talented and get crazy at times. The keep the song entertaining while also complementing the vocalist. Also, one of the guitar players sings to bring in that “clean” aspect to the Metalcore genre. By the way, it is good singing not like a girly man kind of singing either.

My favorite songs (in order of appearance) are XX (City Grave), Native Blood, Tiny Hands (Au Revoir), and Wasteland. “XX (City Grave) talks about the objectification of women as sexual beings instead of equals to men and how that is wrong. The song explains how we should treat all women as sisters and abolish pornography, regardless of profit being lost or desires that men have. “Native Blood” is about how Native Americans were kicked out their land by people who claimed to be Servants of God. Silent Planet retaliated against the idea of the settlers being servants by explaining what it really is to be a Servant. They then compare the idea of False Servant-hood to most preachers today. “Tiny Hands (Au Revoir)” is a Holocaust survival story about a Jewish woman who escaped a Synagogue being burned by Nazis by jumping out a giant window into a garden. There are also topics such as the Garden of Eden and the existence of both forces of Good and Evil. Finally, the song “Wasteland”. This song is about the rise of Joseph Stalin and his attempt to abolish God completely, making himself the new supreme figurehead that everyone are supposed to worship. The song also looks at the lives of the soldiers under Stalin who were dying unnecessary deaths after losing their faith on the battle field, hence the name “Wasteland”.

I can go on and on, but you should go check it out for yourself. I highly recommend that you check out the album playlist on youtube (which I have provided a link) and read the lyrics while the songs are playing. I promise you will not regret it and your mind will be blown.

Thanks for reading! If you want to hear more music like Silent Planet and other great artists, tune into my show “Shred the Gnar” Tuesdays at 8am on http://www.kssu.com

Much Love, DJGingerbeard

Links:

Playlist= https://www.youtube.com/watch?v=7d9HHQqtguY&list=PLCslpjrb7cYjhht_4wASD6IGoivkLfD-z&index=10

interview= https://www.youtube.com/watch?v=gi_VYGnuHl8

“Shred the Gnar” Version 2.0


For those of you who do not know me, my name is DJGingerbeard and I have a metal/random show Tuesday mornings at 8am called “Shred the Gnar” on KSSU. When I started at KSSU, I wanted to play music that people would not typically hear in the mainstream, or music that when it comes up in conversation would make them cringe. Examples are metal, death metal, post-hardcore, Djent, etc. Last semester I found myself sticking to one type of metal and even replaying songs from already popular artists. My original intent on becoming a DJ had vanished. Two events made me realize i must return to my Alpha Form.

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I was checking out some bands on Instagram when I saw a band that I thought was already great and pretty well-known had released a new album. That album is titled “The Night God Slept” by a Southern Californian Metal band called “Silent Planet.” The lyrics are all direct quotes, paraphrases, or interpretations of the vocalist cited from historical events, intellectual books, and scriptures. I was blown away by the awesome creativity on this album so I looked up an interview with the band. I found out that this album was their first album ever and they just got signed to a record label (which happens to be Solid State Records). That’s when it hit me. One of the things I wished to do as a DJ was to find great bands in the heavy music industry that are not well known and give them exposure.

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The other event that made me realize what I have become was a few days ago in my girlfriend’s car. We were having a nice day going out to eat, when two songs back to back played in her radio from a mix CD. One was from Underoath in their more recent years, so the music was not that heavy. The other was a pop-punk song by a band called “Knuckle Puck”. I loved both songs so i told my girlfriend “I would play this stuff, but it’s too light”. She replied, “You tell your listeners that you play a wide variety of metal and other stuff, but you seem to only stick to a select type of music.” She was right, so now I am changing my ways.

“Shred the Gnar” version 2.0 will not have just metal, but also thrash, djent, hardcore, punk, post-hardcore, electro-metal, pop-punk, and all other sub-genres. Not only that, I will try harder to find not-so-known bands like “Silent Planet” and play them on my show to give them the credit they deserve. I promise you fellow musicians and music lovers alike, Spring Semester for DJGingerbeard will be better than ever.

Listen in for some great stuff at http://www.kssu.com

Tuesday mornings at 8am

Much love, DJGingerbeard

Tomorrow We Die Alive Tour @ The Assembly Music Hall


One week ago, I attended a brutal, skull-crushing, highlighted hair, tight pants wearing, metal concert with (headlining) Born Of Osiris, Thy Art Is Murder, Betraying the Martyrs, ERRA, Within the Ruins, and Before You Fall.

Oh mah gawsh

Let me tell you a story on how my day went.

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First off, I had to drive to Sacramento twice that day; once for school and once for the concert because I had to pick up people from my hometown. We get to the venue called “The Assembly” at 1000 K Street in downtown Sac. The parking is cheap, only $5 for the whole night. While waiting in line, there are some pretty strange, yet welcoming characters. Mothers with vulgar shirts, kids with hair longer (and thicker) than my legs, pentagram shirts everywhere, straightened hair, and a love for brutality- everywhere.

We get inside and the venue is typically bigger, but that night the stage was an extension of the regular stage. This meant the venue was smaller. I hung around in the back with my girlfriend. Normally, I am a pit kind of guy. I go in, throw a few hugs, take a few hugs, then get out and catch my breath behind someone else’s sweaty back. Good times. But that night I was already super tired from school all day, and my girlfriend does not typically go to these kind of shows, so I stayed with her.

The first band “Before You Fall” is a decent band, except when they play live; they were terrible. Everything sounded like mush due to feedback, the clean vocalist was screeching way too high while drumming, and there was a lot of random intense stage presence.

After that disaster was “ERRA” and “Within the Ruins”. Both of these bands killed it, and their vocalists were super ripped! Every time they let out a guttural scream they flexed, and it seemed like even their shirts wanted to fight me!

Then, the moment I was waiting for, “Betraying the Martyrs” came on. I have been a HUGE fan of BTM since their first EP, but I have not seem them live until last Thursday because they are from France. I went berserk, alongside my good friend Ramon. At the last song, Betraying the Martyrs did a “Wall of Death”.

Wall of Death: Separation of the entire front half of the audience, who then all run at each other at the drop of the breakdown.

Ramon, this mexicano delgado, went in. I did not seem him come out.

Afterwards was “Thy Art Is Murder.” The thing is, I thought Thy Art Is Murder was one of those Atheist bands who use pentagrams to be a little heavier.

I was so wrong.

Their vocalist was twitching out like a possessed man, said he was “drawing power” from the audience’s praise, and called out God screaming profanities My girlfriend walked out. Today, I no longer listen to Thy Art Is Murder. I mean, I am Christian, they are Satanic. I can’t get mixed in with that.

Finally, after hours of sore feet, sweaty backs, and a body odor filled atmosphere, Born Of Osiris played.

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They were the best band out of all of them and I love them, but they played 8 songs. Each of those songs, was verb long.

We left after song seven to partake in our usual “After Show” tradition-

We pigged out at Denny’s.

Overall, three people dragged out by security, one fight, two people passed out, and some fantastic memories made at the “Tomorrow We Die Alive” Tour.

 

Thanks for reading, check out my show “Shred the Gnar” on Thursdays at 9am on kssu.com for some Broot Broot Metal!

DJGingerbeard

http://www.kssu.com

Re-Introduction of DJGingerbeard


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Hello beautiful people! It is a new year; this means new eyes to see this blog and new ears to listen to KSSU. Most of the DJ’s here play a mix of music, mainly consisting of hip-hop, Alternative, or Indie.

I play “Heavy Music”. What is Heavy Music you ask? Anything ranging from Post-Hardcore (Singing, double-bass pedals, drop tuned guitars) to death metal (blast beats, pig squeals, crazy sweeps). Music is all subjective, but i like to play both mainstream and unknown or unsigned metal artists. Heavy Music is not created to be a fad, a phase, a trend, or a revolt. It is meant to surge power into your veins. The euphoria is meant to make you instantly grow out your hair and head-bang or sing til your throat is dehydrated. Frission takes over your skin! Sounds great, right?

In between each song I speak for about thirty seconds. My narratives are filled with many things. For example, I talk about the bands, albums, CSUS spider problems, digestion, memories of injuries at concerts, cats, food, the love/hate relationship with water, deep philosophical ideas, and many more things that sound interesting and may never concern you. It develops a sense of entertainment and reflection on your own life to be spontaneous and happy. Speaking of spontaneous, my show is unscripted, unplanned, and never outlined. The only thing I plan ahead is my playlist.

Every playlist I try to play a mixture of Heavy Music. Also, I will play music from three bands who like and/or follow me on Instagram. Each show I post a picture, add information on my show, hash-tag the bands I play, and also tag the bands. So, any similar bands who like my music follow and/or like me. In turn, I can check out their stuff and if I like it, they will end up on my show.

I guess the main reason why you should listen in on “Shred the Gnar” is because my show is heavy, random, funny, and meaningful to metal lovers, musicians, and hippie-folk.

Check me out on Thursday mornings at 9 o’ clock yo!

“Shred the Gnar” with my DJGingerbeard on kssu.com!!!