2018 NBA All-Star weekend


*This article was written prior to the event*

The 68th annual NBA All-Star game will take place this Sunday Feb. 17 in Charlotte, North Carolina when Team Lebron will take on Team Giannis.

The starting line-up for Team Lebron consists of: Lebron James, Kevin Durant, Kyrie Irving, Kawhi Leonard and James Harden. The starters for Team Giannis are: Giannis Antetokounmpo, Steph Curry, Joel Embiid, Paul George and Kemba Walker.

When I was watching the All-Star draft, it honestly shocked me that James was able to get this good of a team. The All-Star game is a game where little defense is played, so you need to get top scorers. The starting lineup for Team Lebron averages 141.4 points per game while Team Giannis averages 136.8.

The difference comes down to one man, James Harden, who is currently averaging 36.5 points per game this season and has 30 consecutive games of scoring at least 30 points. In 16 of those games, he went for over 40. You need a prolific scorer like Harden if you are to come away victorious in the All-Star game. Expect him to get the ball a lot and have a big game.

So what about the bench players? Once again Team Lebron dominates on this front with players such as Anthony Davis, Klay Thompson and Bradley Beal. The only person on the reserves for Team Giannis who I believe will have an impact is Russell Westbrook. With that being said, I personally believe that Team Lebron will not only win, they will dominate Team Giannis in this game and emerge victorious by at least 15 points.

Not only will All-Star weekend consist of the game on Sunday, on Saturday there will be the traditional dunk contest and 3 point shootout. I’m not a huge fan of the dunk contest and haven’t found the last two contests to be even remotely exciting. The last time it was entertaining was when Zach LaVine and Aaron Gordon went head-to-head in 2016.

This years’ competition consists of: Dennis Smith Jr., Miles Bridges, Hamidou Diallo and John Collins. I feel like this is going to flop once again which is why I don’t even plan to watch this event live.

The 3 point shootout has always been my favorite event of the weekend. To me, there’s nothing more exciting than seeing a guy find his groove and make five, six, even seven or more shots in a row. The competition this year consists of: Devin Booker, Stephen Curry, Seth Curry, Danny Green, Joe Harris, Damian Lillard, Buddy Hield, Khris Middleton, Kemba Walker and Dirk Nowitzki.

Booker won the 2018 competition after scoring 28 points in the championship round. Expect this to be the best competition of All-Star weekend as eight of the ten participants have made over 120 3-point shots and four have averaged over 40% from outside the arc. As much as I would love to see this come down to a brother vs brother shootout with Stephen facing Seth in the championship round, my prediction is Hield will emerge victorious.

Overall, the 2019 All-Star weekend is something I am looking forward to. Hopefully, everyone can deliver a great performance for the fans.

2019 WWE Elimination Chamber review


World Wrestling Entertainment put on its tenth annual Elimination Chamber pay-per-view Sunday, an engaging event that ended with an instant classic.

There were seven matches on the card, five of which I found entertaining.

Kickoff Show   

Before the main show began, the kickoff show featured cruiserweight champion Buddy Murphy defending his title against challenger Akira Tozawa.

The first half of the match lacked in action, picking up in the second half as Tozawa hit multiple high-flying moves. Tozawa attempted to lock Murphy into a submission, but he got out of it, hitting back with his finishing move, the “Murphy’s Law slam,” for the win.

This was a very solid match to get fans amped up for the main show.

Sasha Banks and Bayley win the inaugural WWE Women’s Tag Team Championship   

The main show began with the first of the two Elimination Chamber matches and featured strong showings from multiple tag teams.

Billie Kay and Peyton Royce, also known as The IIconics, entered the match fourth and eliminated the team of Carmella and Naomi before getting eliminated themselves after the team of Nia Jax and Tamina each delivered a “Samoan drop” to pin them for the three count.

The match ended with the two teams who started — Sasha Banks and Bayley versus Sonya Deville and Mandy Rose.

Banks ended with her Banks Statement crossface submission move, forcing Deville to tap out. After the match, the crowd at the Toyota Center in Houston was chanting “You deserve it” to the new champions.

The Usos defeat Shane McMahon and The Miz to win the Smackdown Tag Team Championship   

The next match on the card presented many aerial maneuvers. McMahon hit a coast-to-coast leap from one side of the ring to the other on Jimmy Uso, but got superkicked when he tried it on his brother Jay.

Jay hit a splash from the top rope and Miz came in to break up the pin. Once McMahon regained his composure later in the match, he hit a diving elbow drop on Jay through the announcer’s table, taking himself out in the process.

Miz later hit his finisher, the skull-crushing finale, on Jimmy. However, Jimmy kicked out and rolled up Miz for the victory, making him and Jay six-time champions.

Finn Balor defeats Bobby Lashley and Lio Rush in handicap match to win the Intercontinental Championship    

Lashley and Rush tormented Balor throughout the bout until an unexpected tag in by Rush changed the match. After taking down both men outside the ring, Balor brought Rush back in to perform the diving stomp Coup de Grace for the victory, leaving Balor to once again get a run as champion.

Ronda Rousey defeats Ruby Riott to retain the Raw Women’s Championship   

During what felt like the definition of a squash match, Riott spent ample time outside the ring looking anxious to go inside the ropes. Rousey made quick work hitting her signature Piper’s Pit maneuver and then submitting Riott with the armbar for the victory.

After the match, Charlotte Flair was watching the contest at ringside and came in and stared down her Wrestlemania opponent. It was at this time both women noticed an injured Becky Lynch on crutches making her way down to the squared circle.

Lynch took down both women with her crutches before being taken away by security. Lynch is currently undergoing a storyline 60-day suspension and was replaced by Flair last Monday as Rousey’s opponent for her title at Wrestlemania.

Baron Corbin defeats Braun Strowman in No Disqualification match   

In the only boring match on the card, Lashley and Drew McIntyre interfered, helping Corbin assault Strowman The men would triple powerbomb the so called “monster among men” through two stacked tables to help give Corbin the victory.

Daniel Bryan retains the WWE Championship

In the best contest of the night, AJ Styles entered the match fourth and hit his phenomenal forearm finishing move on Samoa Joe to score the first elimination.

Later in the match, Bryan eliminated Jeff Hardy with a running knee after Hardy performed a swanton bomb dive to Styles off the top of the pod. Styles was next eliminated after Randy Orton hit him with an RKO off the top rope.

Orton tried the same with Kofi Kingston, who countered and hit his finisher, the Trouble in Paradise kick, to eliminate Orton. Kingston, who replaced an injured Mustafa Ali in the match, was now in the final two and had champion Bryan in his sights.

Both men hit their respective finishers and kicked out, leaving fans on the edge of their seats. Bryan hit the running knee once more, retaining his title.

This was the most exciting Elimination Chamber match since 2010, when Shawn Michaels took out the Undertaker. The 2019 match brought me back to the past and got me genuinely excited, even though I would have preferred Kingston to come away with the victory.

Overall, Elimination Chamber 2019 was a solid pay-per-view. For a show that isn’t even advertised as one of the biggest of the year, this event was very enjoyable and is definitely worth a watch if you get the chance.

Let’s Talk About Hip Hop – Lyrics For The Soul


With the hip hop making it’s way into mainstream popular culture, the overall view of hip hop can easily be centered around a few themes in music. Hip hop today can feature lyrics and stories about Guns. violence, pimping, and selling drugs. As well as, having a difficult childhood and becoming rich by “making it” in the rap game.

Being a fan of the hip hop genre for as long as i can remember, I always grew up hearing the same songs over and over again on the radio. During the early 2000’s, rappers like Lil Wayne, Rick Ross, and J Cole dominated the radio waves. However, there were two artists that stood out as outliers to the mainstream audience; Kid Cudi and Lupe Fiasco.

Kid Cudi’s “Day ‘N’ Nite” was a hit single off of his breakout mix tape “A Kid Named Cudi” that was released by a New York City street wear brand named “10.Deep” and it was also pushed at released by an independent record label “Fool’s Gold Records” founded by the legendary DJ A-Trak  in 2008.

During that era of hip hop and rap in 2008, Day ‘N’ Nite was a very original sound, that had a nostalgic feel to it almost. The first time I herd the song, I felt so attached to it. I replayed over and over, just to  vibe to the overall sound. It wasn’t till about my senior year, that I connected the lyrics to my own hardships and the song had a deeper meaning to me.

“I look for peace but see I don’t attain” ( Kid Cudi, Day ‘N’ Nite).

Just hearing that one line as a teenager struck me in a way that no song has ever done before up until I came across this song. I feel that for a lot fans who were teenagers at the time of this release felt the same way. When I was finishing up my high school career, I didn’t really have the same motivation as the other seniors in my class to go to college. Whenever my friends and I would talk about what’s next, it was always so depressing to know that most of us just couldn’t afford it at the time. But through music, dance, and just HIP HOP, we bonded. We “embraced the suck” as our friends called it. It was almost as if my friends and I could all agree that we could all relate to this one specific song.

Looking back at this song, I don’t think there was another artist that was around during that time who dared to make a song with this kind of sound. Kid Cudi was able to rap about depression and mental health through his lyrics and I think that is one of the main reasons why a lot of fans became so attached to this song.

Overall, I think Kid Cudi is one of biggest advocates for mental health in the rap community. Even in his current work, his song with Kanye West “Reborn(Kids See Ghosts)”, Kid Cudi goes back to his melodic flow as he sings about finding his peace within his self. The same flow and almost the same feel that fans haven’t herd since his earlier songs.

NBA All-Star Weekend, What About It?


With the NBA All-Star Weekend behind us, I thought I’d share my opinion on the annual All-star weekend.

Now let me start off by saying that I don’t consider my self an NBA fan. I watch NBA for pure entertainment value. I grew up tuning into All-star weekend for the side events, specifically, the Slam Dunk Contest.

This years dunk contest was more hype than last year. Hamidou Diallo jumping over Shaquille O’Neal, to dunk elbow deep in the rim before revealing a Superman logo under his jersey was one of the craziest things I’ve ever seen. Mind you Shaq’ is 7′ 1″!

However, with only 4 participants I think the league should expand to at lease 7 each year. Not to say that the dunk contest is stale, but for a casual fan like myself, I’d be more entertaining to watch a variety of different dunks being showcased.

While I didn’t care much for the skills competition, I found the 3-point shot contest entertaining. Granted I didn’t know every single player during  this segment of the All-star break, it was still fun to watch.

Overall, I could see why the die-hard fans of the NBA can appreciate the All-star break. It’s seen as a celebration for all of the talent in the NBA, as well as a break for the athletes. I also think that across all professional sports, having an All-star break is healthy for their respective leagues.

On the flip side of things, I fallow Esports pretty heavily. The League Of Legends Championship league specifically. Their version of All-stars is typically heavy catered to the fans.  Fans vote in their favorite players to represent their country and participate in a number of special games modes. I think it’s interesting when Esports titles try to replicate traditional sports broadcasts but that’s a discussion for another day.

Let’s Talk About Hip Hop


When fans of music talk about Hip Hop and Rap, most people will start to think about who’s the hottest rapper, or who has the best selling records on the charts. Hip Hop fans can also be quick to tell you their opinion on the newest sneaker releases and juicy celebrity gossip in the scene.

Many popular social media outlets that look to bring hip hop culture to a more mainstream audience, like New York-based Complex, never really seem to talk about the essence of Hip Hop culture.

The Zulu Nation along with Afrika Bambaattaa were one of the original pioneers to ever speak about the four elements of hip hop culture. I would be surprised if the generation of today’s hip hop fans can name the 4 elements that make up hip hop culture that date back the the early 90’s, so I’ll list them here for you:

DJing

Image courtesy of DJ AM

Any club-goer, or hip hop fan would know that DJs are responsible for keeping the crowd moving. That’s done either by playing a set before a rapper comes on to perform, or maintaining the pace while rappers take stage like the legendary DJ A-trak, who toured with Kanye West during the early 2000’s. Another great example is the famous DJ Adam Goldstein, best known as DJ AM, who was one of the first pioneers to bring celebrity status to the DJs of today.

MCing

Otherwise known as rapping, is one of the clearest elements of hip hop culture in today’s age of the culture. Who can forget the line; “Wu-Tang Clan ain’t nothing to f**k with!”, as well the timeless track of “Rapper’s Delight” when thinking about the early emergence of hip hop music. Sugarhill Gang’s “Rapper’s Delight” is arguably the first rap song to ever be recognized as a hit when it hit Billboard’s Hot 100, and peaked at No. 36 in 1980.

Image courtesy of SHG

Graffiti 

The overall aesthetic of the culture can be highlighted through graffiti murals. Graffiti culture is one of the most “slept on” aspects of hip hop culture. Back then, tt wasn’t just about vandalizing subway cars in New York; It was about self-expression and rebellion against cultural norms during the emergence of the sub-culture. Though graffiti is responsible for much national revenue being spent on cleaning trains and billboards, I still believe that graffiti and its art style is one of the most ignored elements. Its influence still lives on today through streetwear brands like Stussy, and The Hundreds.

Image courtesy of Stussy

Break dancing (Also referred to as, breaking)

Break dancing was a huge movement in the early days of hip hop. Music videos during the 80s almost always featured break dancing. Fast forward to the 90s and into the early 2000s and dancers became one of the highlights of music videos on MTV. When MTV launched America’s Best Dance Crew it was a huge deal both in the break dance world and the urban dance community.

Image courtesy of Red Bull

Overall, I feel like hip hop has finally made its mark on mainstream culture. With the rise of Soundcloud too, it is becoming easier for independent artists to display their talents to the world. The sneaker culture has also seen a rebirth and is making its way into the mainstream media as more celebrities are seen wearing the latest Jordan and Yeezy brand sneakers. Hip hop is here to stay, if you like or not. I just hope that as we move forward, we can appreciate its roots.

I hope to expand on each of these elements throughout the month and share with you all why hip hop means so much to me. Each of these elements have played an important role in my life through the roughest and happiest times. Stay tuned! ‘Till then, be easy.

-MiggySB

album1 by San Holo Review


While I am so thankful for every person, lesson, and opportunity that comes into my life, I can’t help but let certain scenarios get the best of me when I think about things that went wrong in the past; or better yet, ponder the unknown future- my future, and how it is entirely dependent on my daily choices. Sometimes I wish I could go back to rewrite my feelings and apologize for not listening enough, for not loving enough.

But I am an entirely different person today, and sometimes I find it difficult to forgive myself for my actions and the words that I said to others, and also to myself. During the dark hours and mini solitary road trips between Sacramento and my hometown, it’s thoughts like these that invade me from every crevice of my vividly twisted mind.

On one particular drive back home, I had no idea that a simple album could bring me immediate peace and comfort within my own vulnerability.

That particular album was, and still is, album1 by San Holo.

Some might be familiar with some of San Holo’s popular tracks and remixes which include “Light”, “The Next Episode (San Holo Remix)”, “Right Here, Right Now”, and “The Future”.

Don’t get me wrong; I love these songs. I’ve experienced them at beautiful raves where other DJs have snuck a San Holo song or two into their set, and they were completely amazing. But I think what differentiates this project apart from the rest is how it is honest, compelling, dramatic, reassuring, and peaceful all at the same time.

Close my eyes so I can see

All these lights are blinding me

This line from “show me” particularly resonates with me, and I instantly get goosebumps every time the wistful, euphoric melodies flow effortlessly into my ears. I see it as a comment on how the noise of society detracts from genuine and personal human interactions, and trusting your intuition.

Furthermore, I continuously look to find truth and meaning in my own personal life, searching for reality. I think I know what I want and how I want it, but most of the time, I am wrong because I often mistake other voices for my own. And I like to believe that others may experience this as well.

San Holo’s previous lyrics to an older song mirrors this paradigm as well:

Even if it makes me blind

I just wanna see the light

(“Light” | 2016)

Some other personal favorites from album1 include “everything matters (when it comes to you)”, “love (wip)”, “go back in time”, and “surface”.

This album means so much to me, and it reminds me to sit in the present and make peace with each conscious moment. I recognize that my unique path has led me to where I am, who I am, and who I will be tomorrow. Every time I listen to this album, it is as if time stops and melts into one giant channel of beautiful experiences that must be cherished before they escape into the universe once my time on Earth reaches its maximum.

San Holo created an incredible collection of enjoyable pieces with this work of art. I am so happy and thankful that I came across it in the box of CDs for reviews, and I hope you give it a listen as well.

Night of the Blue Swan IV: Hail The Sun


Night of the Blue Swan IV is the Swan-Core event of the year.

You have a lineup that has heavy hitters such as The Fall of Troy and Hail The Sun. The lineup features acts such as Royal Coda, Icarus The Owl, Wolf & Bear and Adventurer.

The roster features the many talented bands from Will Swan’s label, Blue Swan Records. You may know Will Swan as the Guitarist for Dance Gavin Dance. Will Swan with the help of Hail The Sun Frontman, Donovan Melero has succeeded in creating the perfect event for those fans of Post-Hardcore and the conveniently coined “SwanCore” sound.

Hail The Sun offer up some of the most refreshing yet thoughtful songs from their latest releases. The title track on their latest album Mental Knife describes the deep understanding of dealing with addiction, insecurity, and “being able to strip away parts of yourself that you wish you could part with” Melero said.

The album deals with looking at the mirror and coping with the problems of recreational substance use. Melero is very open about his obstacles and the path to recovery. Many artists often rely on substances to find creativity. Sometimes they aren’t able to find that creativity again. Mental Knife really showcases that creativity can be achieved without substance abuse.

Hail The Sun has gone on many tours with everyone from the Post-Hardcore scene and it’s interesting to wonder how to have these friendships developed their sound. Beau Burchell, Guitarist of Saosin helped produce Mental Knife and it definitely helped create a more complex and creative album. Songs such as “Glass Half Empty” reflects on the striving to achieve what you don’t have. seeking to attain what you can’t have.

The song “The Stranger in Our Pictures” really goes deep into Melero’s period of addiction and choosing to get clean for his family. Melero speaks on the process of becoming clean and seeing a whole new person in his sobriety. The song touches on the unconditional love from friends and family.

It’s really exciting to see such a success story for Donovan Melero. An artist in multiple bands, record label director, and all around creative person. It’s quick to see why Hail The Sun is such a successful band.

The lineup for Blue Swan will guarantee a night of intense energy and excitement. Many know Fall of Troy. Their major success on Guitar Hero and tons of releases has propelled their band. Personally, the excitement lies with Hail The Sun and the supporting acts from Blue Swan Records.

The night of Blue Swan IV will be happening locally at the Ace of Spades in Sacramento. The Ace of Spade’s event doors will open at 5pm on Saturday, December 15th. Tickets are about $25 and will be well worth it. Make sure to have extra cash on hand for the merchandise.
You can find out more information [HERE] 

Hail The Sun:
Facebook | Twitter | Instagram 

///VICTOR

Event Review: Slander – Headbangers Ball


Don’t let the name fool you! Headbangers Ball is not what you’re thinking. MTV’s classic late-night television show is long forgotten. Instead the heavy bass duo, Slander adopts the name to headline their own US tour.

Image courtesy of Headbangers

Prior to the 2-week long campus closure, I had the pleasure of stopping by the San Jose City National Civic Center to attend their show. With it being titled “Headbangers Ball”, it did not disappoint. The show feature supporting acts by Wavedash, and Eprom. Both supporting acts were able to live up to the event’s name by spinning nothing but heavy bass tracks, mixed with melodic dub-step and even some Future House records.

The venue itself reminded me of a mini-scale Bill Graham Civic Auditorium. It featured a large floor area filled with bodies head banging all night long, and the seating up top on the 2nd floor was no different. Upon arriving I was shocked to see the diversity in the demographic of the audience. I noticed a wide variety of ages, some looking like young college students attending their first rave, while others looked to be in their early to late twenties.

After making it past ID and security check points I was pleasantly surprised to see how packed the venue was. Up first was EPROM.

EPROM was a refreshing, yet heavy sound. Most notably he dropped his own remix of Porter Robinson’s “Sad Machine” that set the tone for the rest of his set. I was most impressed by the way EPROM was able to shuffle the pace of his set by bouncing back and forth between heavy Trap and Bass sounds, to melodic dub-step and house music.

Fallowing EPROM was Wavedash. I had little to no knowledge on what kind of music this duo puts out, but I found it to be a little too heavy for my taste. Wavedash played a set filled with what felt like, all Dubstep and Trap records. Within the first two songs of his set, there were many mosh pits going on all around the dance floor. While his set was over the top for my taste, I found it to be enjoyable after retreating to the balcony to avoid getting sucked into a mosh pit.

Now let’s talk about the headliner, Slander. I have been following their music since the release of their “Nuclear Bonds” EP that featured the track “Gud Vibrations” with the artist Nghtmre. “Gud Vibrations” was the summer festival anthem for the year 2015 and since then I have fallen in love with all the remixes that they have put out. Slander is a unique combination of emotional lyricism and HEAVY drops. The stage production would switch between heartfelt images during their softer records, then would immediately switch to a darker, almost devilish themes for their harder tracks.

While Slander began his set, I sat in the balcony seats. I was in awe at the production value. The crowd had so much energy, I almost felt as if I could feel building shaking every time, I heard a bass drop from his records. Seeing the crowd collectively singing along his remix of Post Malone’s “Fall Apart” was something I’ll never forget.

Overall, the Headbangers Ball did not disappoint! Originally, I was a little worried that I wasn’t going to have a good time, but I was glad that I attended. It was such a positive way to bring in the start of my birthday.  

GRIMES: Bracing us for Robot Takeover One Song at a Time


https://apis.mail.yahoo.com/ws/v3/mailboxes/@.id==VjN-iWKhVKzShwo683ZeMBHZZSfaKvqcb_bKg0z_6YPNwYxnob8fk7N9kUyRJsa4TzRt4QS589m2ULn4HOf3kMCF_g/messages/@.id==AMTrBMosUnWKXAHErw0H8FsVd4Q/content/parts/@.id==4/thumbnail?appId=YahooMailNeo&downloadWhenThumbnailFails=true&pid=4

Grime’s new single, “We Appreciate Power” is an ode to Artificial Intelligence and how our future might look pretty soon.

In this technological age, progression is happening at turbo speeds, making our measly mortal bodies seem so primitive in comparison to the infinite potential of mechanization. In this track, Grimes seems to be propagating the fatalistic attitude of a future where AI will have unbounded power over us silly little human beings.

Now, I love Grimes and everything she does, but I personally don’t know if I’ll ever want to upload my consciousness onto a computer drive to last for all of eternity. I’m kinda just cool with having my brief human experience and peacing outta here when it’s time for me to go, ykwim? But then again, who knows what we’ll discover if we do choose to stay.

The eeriness of her vocals encouraging us to submit to our robot overlords is amusing in the best of ways. We’re meme-ifying and laughing about it now, but maybe in a few years when the robots finally do take over we’ll be looking back on this track thinking, “Damn, she was right. Oops.”

The industrial sounds on this track have drawn a lot of comparisons to Nine Inch Nails, which is understandable. People are questioning if this is going to be the catalyst of a nu-metal revival, and judging by the responses to the lyric video, they’re not mad about it.

A lot of fans were hesitant to embrace the energetic pop-nature of Grimes’ last album, Art Angels, but this new single was so left-field that you can’t help but be drawn to it. Grimes’ recent media attention with her new boo, Mr. Elon freaking Musk the billionaire certainly had some influence, but longtime fans will know that she has always been one to discuss AI progression and its integration with our own species. Despite the new sounds she’s experimenting with, the Grimes DNA in this track is evident in Claire Boucher’s high-pitched, melodic, alien vocals. The way she layers her tracks in the production process has always been innovative, and she has mentioned that she likes being an engineer more than a singer.

As a forever Grimes stan, this post is obviously biased to a degree. Still, Grimes will always be an artist to be admired as she continues to push new boundaries in her music. I love her so much because she’s never been afraid to explore her creativity in her usual nerdy, quirky, techie ways. If this is gonna be the new age of cybernetic punk rock, there’s really no one better than Grimes to ring it in.

Overall, this is one catchy-ass track and will definitely be on heavy rotation for my gym playlist. Sure, the lyrics might be questionable but I take it as a tongue-in-cheek statement towards our future synthesis with the technology we have created. Or maybe we really are destined to be engulfed by the superior Artificial Intelligence Gods, and in that case, oh well. We had a good run here on earth I guess. ¯\_()_/¯

You can listen to the track down below:

Shoutout to Lucy for encouraging me to write this post! This was my first time writing about a new music release so hopefully it was somewhat palatable lol. Good luck on your finals everyone!

-Ezzie

Travis Scott – Sicko Mode (Skrillex Remix) Review


Skrillex just guaranteed that “Sicko Mode” will be played at every club, festival and party.

Not too long ago, he remixed Kendrick Lamar’s “Humble” and transformed it into heavy rotation-track.  The remix feels more like 4 edits on the drums with a remixed middle part that has more of the Skrillex-sound we know. It feels very minimal and that works in this track’s favour because it will guarantee more plays in the clubs for its lack of experimentation. The best part has to be the Jersey Club section that comes in at 4:25.

The Jersey Club section has me wondering if we’re going to hear some Jersey Club collaborations with Skrillex. It would be a smart move and hopefully, he has something in the works with DJ Sliink or even some other producers from the Club community. Skrillex is definitely smart and obviously will benefit from riding this wave, but it feels much more like one of those shout-outs to the culture of Club sound.

The placement of the Club section of Sicko Mode is placed at the end; ensuring that it got the last attention of the listener. Overall, this track was already good and we all have been playing this song multiple times. Thankfully, you can now add to your party playlist an even more uptempo remix. This song will do well with those people who like to dabble in EDM (there’s a difference) and those who like the Heavy Bass, Jungle Terror, Jersey Club and Dubstep elements.

If you haven’t heard the “Humble” remix yet, well you need to. Skrillex has much success with his Rap remixes, and we saw how successful “Wild for the Night” with A$AP Rocky was, So we can only expect even more of this style to come out.

///Victor M.