Discover & Download


This segment is a special article on new music and artists to check out. I will feature submissions and artists that we have on circulation at Sacramento State’s student-run radio KSSU.com. This post will focus on Acid Dad, Fine China, and The Rubens.

Acid Dad:

Acid Dad consists of Kevin Walker (Drums), Sean Fahey (Guitar/Vox), JP Basileo (Bass) and Vaughn Hunt (Guitar/Vox). The upstate New York quartet delivers a Psychedelic Indie Rock sound with Punk elements in their music. Acid Dad’s self-titled release features some amazing music with conflicting sounds. The music starts out aggressive and changes style halfway through. It almost feels as if there were two EPs combined together. Overall the music is great and songs like 2Ci show the indie mellow vibe, while songs like Mistress show that indie punk aggressive sound. Some similar artist styles include Las Rosas, Ty Segal, Tame Impala, and King Tuff.

Fine China:

Fine China offers a nice indie rock sound that uses elements of 80’s pop and modern indie sound. The band is comprised of three members Thom Walsh (Drummer), Greg Markov (Bassist), and Rob Withem (Keyboardist/Vocals). The band originates from Phoenix, AZ. Songs like The Hymnal 1982 offer elements of dreamy synths and aggressive chords that work well together. Then you have songs such as Iron is Your Love, which showcases their 80’s indie rock tendencies.

The Rubens: 

The Rubens is comprised of band members Sam Margin (lead vocals), Elliot Margin (Keyboards), Izaak Margin(Guitar), Scott Baldwin( Drums), and William Zeglis (Bass). Yes, they are brothers and close friends hailing from Australia. The Million Man EP features previously released tracks such as the hit My Gun which has that alternative rock sound that features many elements of aggressive bass and guitar with soft pop vocals. The band plans to continue on their successful momentum to release a full-length album following the Million Man EP. Songs like Hoops give a good taste of the Rubens band we love and enjoy. The songs have that bass and keyboard synth that give emotion to the vocals. If you’re a fan of  The Black Keys and Cage the Elephant, then you will enjoy this band very much.

///RaspadoPapi

CUCO @ Sacramento State


Unique Programs really stepped up their game with their recently announced show with CUCO at Sacramento State on Thursday, April 26. The artist known as CUCO is from a predominantly Hispanic neighborhood in Los Angeles known as Hawthorne. His upbringing in Los Angeles has led to major influences in his style of music. CUCO is an artist that blends Future R&B, Indie Rock, and Spanish lyrics all in one style unique (no pun intended) to his upbringing. These influences seem like they would clash but actually compliment his style. The use of Ableton production software and bilingual lyrics help him to create these amazing songs of love, sadness, and infatuation that clearly reflect a style of the Indie culture associated with Los Angeles.

 

CUCO is probably most famous for his hit song Lo Que Siento, a bilingual love ballad that is a gaze of a daydream of young love and infatuation with a special girl he’s in love with. The song features elements of very dazed out synths and sing-a-long lyrics that everyone can get down with singing. Lyrics such as “Oye Carino solo pienso en ti” its hard not to dedicate this to that special someone in your life just for the well thought out and contemplative lyrics.

 

CUCO has other follow up hits such as Lover Is a Day and One and Only, which show his range in different sounds, but consistently staying his own style. Again, the lyrics are deeply reflective of friendship and pursuance of love and happiness. We see through his lyrics that ultimately the message is playful and youthful love and affection of another.

With over millions of plays on his SoundCloud and his Spotify profiles, we see that CUCO is fastly rising in success and popularity and it will only continue to grow as CUCO makes appearances on many youtube and radio outlets across the coast.

Make sure to pick up your tickets as they become available and check out the Facebook page [Here].

 

///VICTOR

Spooky Times-An Album Review


downloadWelcome again to spooky time—the one time of year society encourages the exploration into scarier things. This year, I have something special for you. Not just another scary movie review or haunted house breakdown, and for the love of all that is holy, this blog is going to have ZERO to do with Stranger Things.

No my friends…today, we will be exploring spooky tunes, where it’s all about the spook, the whole spook and nothing but the spook. If you reach deep down into the obscurest of genres you may stumble onto the delightfully haunting sound that permeates Trip Hop and none have more trip in their hop than the English electronic band Portishead. Straight out of Bristol, the band delivers a devastatingly dark sound punctuated with the eerie bleating of the Hammond organ and a clever use of samples including everything from War to Isaac Hayes.

In 1994, Portishead’s debut album Dummy took spooky to a whole new level and nothing as of yet has rivaled it. Looking for something to croon in the background of your life throughout the entire month of October as you wait impatiently for Halloween? This would be the album for you.

The lead vocalist Beth Gibbons sends her voice to slither down your spine, chilling your very bones with a downright creepy sound that grips your attention, forcing your body to sway. The music video for the second track on the album “Sour Times” actually features spooky scenes from a short film made by the band (now that is dedication).

Lyrically hypnotizing, Portishead sings of forgotten dreams and imparts sage advice.

“You don’t get something for nothing…gotta try a little harder”

Strongly recommend tracks: “Sour Times”, “It Could Be Sweet” and “Roads”.

Bands with similar sound: Massive Attack, Radio Head, and Bjork

Ashes by NateWantsToBattle: Song Review


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WARNING: Spoilers!!!

 

You ever have a song that you listen to one time, and end up keeping it on repeat until you get sick of it? Well, I’ve been a victim of this ever since I heard the song Ashes, by NateWantsToBattle.

Let me tell you a little about the artist, first.

His full name is Nathan Sharp, and he creates song covers. I’ve been listening to him for about a year now, and I haven’t hated a single song he’s remade. He is from Richmond, Virginia, and specializes in Alt/Indie and Rock songs.

This song- Ashes- in particular gives me chills because the lyrics are a mix of creepy yet have a beat that makes me want to head-bang in my car and sing out loud with the windows rolled down on the freeway.

I also really love this song because it’s actually about a video game. The game is called Undertale, and-for those who don’t know- it’s a “Choice” game.

This means that whatever choices you make in the game will determine how the game is played and how it ends. It can be played on PC, and is hours of fun with a very dark undertone. If you like that sort of thing.

One of the endings is called- SPOILER- “Genocide Route”, which can only be achieved if you kill everyone without mercy.

Pretty depressing, huh? But I promise; it’s a good game!

Anyways, one of the lines in the song is, “Made your decision now you’re gonna have a bad time.”

This line particularly stuck with me because one of the characters you meet and befriend is a skeleton named Sans, along with his brother Papyrus. Sans is meant to be the comic relief of the game; cracking jokes and making horrible puns. When Sans gets upset or angry, he tells others that they will have a “bad time.”

Near the end of the game, once you’ve killed everyone in Undertale, your last opponent is Sans.

In short, a talking flower manipulates you to kill all your friends.

NWTB’s song Ashes is about how you became this monster who only kills for enjoyment, rather than trying to see the good in people.

I honestly thought this song would be used in more AMVs on Youtube, but I wanted it for myself and ended up buying it on iTunes instead.

Anyways, I’ve had this song on repeat for the past 3 weeks, put it as my ringtone for everyone in my contacts, and made it my alarm song.

I regret nothing!

To further explain how much I enjoy this song, another like is, “And in the end they’re gonna fall and fall to your hand.”

This line is a direct description of the manipulative, talking flower- who’s name is Flowey. He tried very hard to get you to kill everything and everyone, but you do have the option not to listen to him.

If you enjoy listening to songs that sound like they would be played at the end-credits of games, I recommend listening to NateWantsToBattle. He’s a really great artist, and I hope this review has intrigued you even a little bit to go have a listen.

Follow Me Into Sweet Fields of Blue: a Tennis Review


Tennis came back last month with there latest album Yours, Conditionally. After a months out at sea, facing nature and the isolation of the vast ocean they’re back at it making dreamy surf pop.

The duo had worked together with Urban Outfitters as they tracked their adventures writing the album out on the high seas. The married couple of Alaina and Patrick Moore along with one other person took to the ocean on a sail boat. The couple have sailed before, often a method in their writing process. The album is the end result of love testing it’s limits against outside forces and inner struggles.

The duo can’t help but make me think back to Stevie Nicks and Lindsey Buckingham’s relationship. Although their love ended with a separation, it’s the brilliant way the two complimented each other that reminds me of the former. I’ve had the privilege of seeing Tennis live twice during their last tour and could feel the love between them from across the stage. It’s easy to see how much they support and encourage one another.

This album is a lot like their other albums, it’s warm and invokes that desire to head to the islands with your loved one. The songs feel like sunshine on your skin the very first day of spring. Alaina wrote this album as the result of her exploring and learning the limits of her love. As a wife, a lover, a partner and a friend she found herself challenging the roles she’s come into. Her marriage has taught her what it’s like to share a life with someone else yet still remain true to herself and be her own person. They’ve become a team but at the same time she understands how necessary it is to still be able to function on your own.

Ladies Don’t Play Guitar was their first release from the album. The song is her reflection on her experiences in the music industry and how being a female musician has affected her. She believes in feminism and how necessary it is for us to stand up for our beliefs and this song came at a time in her life where she’s felt the most empowered.

Other songs like Matrimony and My Emotions Are Blinding and 10 Minutes 10 Years display how her marriage has affected her life and their music. Matrimony was written as a reflection of the day they were married. Lines in the song were thoughts that crossed her mind that day. It’s personal and so incredibly sweet you can’t help but smile and wish you had been invited to their wedding.

Fields of Blue, personally my favorite off the album was inspired by the logbook or as Alaina put it, “her teenage diary”, of their days out on the choppy waters. Her findings came out sounding very stream of conscious and like that of the diary of young romantic. She became inspired by one entry in which she had written, “Follow me into sweet fields of blue”. One can’t help but yearn for their love and the sea all at once while listening to her dreamy, sentimental voice.

It’s refreshing to hear an album so consistent with its theme and quality. Often more and more artist feel like they’re trying to release singles rather than songs that flow together in an album. Yours, Conditionally takes us on a trip and leaves us wanting love and adventure out in open waters.

9 out of 10, oh what’s the use in resisting?

 

Album Review: Kings of Leon – WALLS


kingsofleon-walls-album-2016

The year of 2016 has marked the beginning and the end of a plethora of items and people.  Over the course of the year we have lost music icons such as David Bowie and Prince to name a few; however, we have also seen new releases by formidable artists and performers such as Green Day, The Weeknd, Metallica, Radiohead, etc.  One of such releases comes from American alternative-rock band Kings of Leon with their seventh studio album titled “WALLS” (We Are Like Love Songs).  Although arguably not a masterpiece, WALLS delivers familiar Kings of Leon staples reminiscent of their material eight years prior that are both energetic and relaxing.
Alternative-rock as a genre itself can be dismissed as one that is characterized by an overuse of delay, distortion, fuzz, power chords, and underdeveloped melodies that are forgettable; however, WALLS takes these familiar elements and blends them smoothly with subtle embellishments and instrumentation to offer a bit of variety.  In the opening track, “Waste A Moment”, listeners are presented with an upbeat, almost pop-oriented single that is full of energy and announces the band’s presence with their signature overtones and gain-filled rifts.  The result is a simple, yet fun way of demonstrating that this in part is the band listeners have come to enjoy over the years, yet they have changed slightly since the last time we have heard them.  The latter effect becomes apparent at the album’s midpoint with tracks such as “Find Me” and “Muchacho”, which introduce synthesizers, rhythmic sampling, whistling, and other subtle instrumental embellishments that diversify each individual tune.
Despite these small innovations, the tracks themselves are still characteristically Kings of Leon tracks that do not stand out among the discography that they have established over the years.  “Find Me”, for example, is primarily driven by a semi-complex guitar riff that appears at the track’s beginning and makes subsequent appearances with each chorus.  This is not particularly a bad thing; however, this focus on familiarity and on what we have come to expect is exactly what makes a majority of the tracks rather predictable.  Though the synthesizer usage is present briefly in the beginning and sporadically though each verse, it is a lack of utilization of these devices that makes tunes such as “Find Me” fun but relatively forgettable.  Aside from this, active listeners will also recognize a familiarity in structure.  Yes, I refer to the typical Verse-Chorus-Verse-Chorus-Verse-Chorus.  Though there is not necessarily anything wrong with this standard format, this additional limitation does not serve the band justice in these instances.  In this listener’s opinion: “I get that it works, cool, but I am getting bored”.
The Kings of Leon have always been a band that strikes me as not too innovative in regards to new styles of music, but rather, one that seeks to improve upon a genre that is adored and enjoyed by thousands throughout the world.  They have demonstrated time and time again that they are good at what they do, and I commend them for that; however, it is time to change.  What else does the Followill gang have to offer?  Until that time, enjoy more of the Kings of Leon you have come to love.

I give WALLS, a 3 out of 5.

DJ Alexx’s Pick for 2016


It is November; getting close to the end of the year.

2016 has been a year full of Hip-Hop, Electronica, and Dance. Many collaborations and features happened such as rapper Verbal Jint with ballad singer, Baek Ji Young and rapper Dean with Girls’ Generation Tiffany. This was a way to promote each other that worked well because there was always good response from the audiences. On the other hand, Rock/Indie, Ballad, and R&B are behind the scenes that slowly crept on music charts like ballad singer, Park Hyo Shin and rock band, Nell.

After this paragraph, there would be a list and description about the artist and album. This list is base off from my recommendations for 2016 releases. Right below after the recommendations, there would be upcoming releases listed to be prepared for the artists who are going to make a comeback soon. To give a hint, the albums mostly consist of Ballad, Rock/Indie, R&B, and Pop music from January to November. (This list is going to be based off from date of the album, min-album, and/or single released.)

1

UNDERWATER

Jung Joon Il | January 14

-Mini Album-

There are four tracks in his first mini album, Underwater, that was released the beginning of the year Jung Joon Il became a solo artist after the disbandment of Korean rock band, MATE. With the years of his success of his solo career, Jung Joon Il has showed a different side of him. Rather than going ballad with this mini album, he has shown the different music style. The second track, Plastic, is the title of this album that Jung Joon Il changed his vocal voice to an R&B and featured rapper, BewhY has lead us to a melancholy melody with the metaphor of, “I’m not a plastic.”

Recommended tracks: 02, 03, 04

2

White Night
Woo Yeon Soo | January 15

-Mini Album-

Woo Yeon Soo is a new artist that I’ve only discovered this year. She has a remarkable ballad voice that is really graceful. It is perfect to listen to when you are at need for relaxation. I immediately fell for her voice of how she sang for her tracks.

3

This Place

Subin (Dal Shabet) | June 20

-Mini Album-

Subin is from girl group, Dal Shabet. In honest, I’ve never listened to this group or if I did, I don’t remember any of their songs. However, member Subin caught my attention with her first mini album. She showed off a strong R&B and ballad voice the five tracks.

Recommended tracks: 01, 02, 03 (the rest are highly recommended to listen to)

¹«Á¦-1

Bye Bye My Blue

Baek Ye Rin | June 20

-Single Album-

Baek Ye Rin, similar to Subin, is from a duo group, 15&. However, this is her single album (which contains only three tracks). The music genre that Baek Ye Rin takes on is the soft rock. Her deep voice is soothing that is really enjoyable to listen to when it comes to the soft melodies. For this single album, I recommend all three tracks to listen to.

5

Pink Revolution

Apink | September 26

-Full Length Album-

After a year and two months, Apink (pronounced as the letter A and the color Pink > A Pink) has finally returned to the Korean music scene with their third full-length album with nine new tracks! Unlike before with their fairy-like concepts, the ladies have taken on the path to a mature concept.

The maturity is very much different from others mostly because of their fashion and style. The way they are dressed for this concept are two different colors of skirts and long sleeves turtle-neck tops that are tucked in. A fashion that has been popular among the 1990s where turtle-necks were the trend. Also, Apink has always been the group that resembles the first generation Korean groups such as S.E.S. and FINKL that their title track, Only One, brings out the melody that will reminiscence that feel.

Recommended tracks: 03, 06, 07, 09

6

I Am a Dreamer

Park Hyo Shin | October 3

-Full Length Album-

Park Hyo Shin has finally returned with his 7th album with twelve tracks since his single release in 2014. I like this album because of Park Hyo Shin naturally has a deep voice. But his voice can vibrate into a beautiful vocal that smoothens the melody. Besides, his album title, “I am a Dreamer” brings out the mood of the befriended and inspired emotions to you.
Recommended tracks: 01, 04, 06, 07, 09, 10

7

Wings

Bangtan Boys | October 7

­-Full Length Album-

Bangtan Boys has released their second full length album, Wings. A new concept that the boys has took a stab onto the music scene. Their title track “Blood, Sweat, and Tears” has a non-Hip-Hop style and more of a dance feel to it. A “gentleman” style because their outfits were suits rather than jeans, t-shirts, and jackets. There are five tracks that all of members sing, two intro/interlude tracks, and the rest of the seven tracks are member’s solo tracks. Like what Korean girl group, KARA did in 2012 for their Japanese collection album, Bangtan has done the same. This is how I started to know which music style is the key to the group from each member. For all members, they have similarities in R&B and Hip-Hop/Rap and that is how their group music genre are.

Recommended tracks: 01, 05, 06, 07, 09, 14

November releases: (Check them out!)

B.A.P “Noir” [November 7] – After two years of their first album released, B.A.P is ready to come into the music scene for a new style of music.

Standing Egg “Voice” [November 11] – Indie artist, Standing Egg is releasing the new mini-album soon, look forward to it.

Big Bang [November] – Not officially announced a specific date but Big Bang is going to release an album to celebrate their tenth year since debut.

S.E.S [November] – First generation K-pop girl group, S.E.S. is making a comeback somewhere this month to celebrate their twentieth year anniversary! This is said to be an 20th union, special album!

Blog Review: Jackie Gage”Live at The Commons” 3-song EP


If you love Neo-Soul and Jazz, I recommend giving Jackie Gage a listen. Gage grew up listening and singing to icons such as Billie Holiday and Dionne Warwick. She has always been a fan of big bands and odd-structured melodies. To be unique she mixes their modern sound into her own style of what “Jazz” is today.

She recently moved to New York City where she is growing and shaping her craft. Gage has opened for The Brand New Heavies and El Debarge. She has also performed  with Marc Cary. Her music is heard internationally on the airwaves on KCRW, KCSM, Jazz FM in England, and Hawaii’s CUH. She has performed at well-known venues such as Yoshi’s Oakland/The Sound Room in Oakland, The Freight and Salvage in Berkeley. She has been seen at annual festivals such as San Jose Jazz Summer Fest (2016, 2013, 2012), Fillmore Jazz Festival (2015), and Berkeley Juneteenth (2015, 2014).

She recorded her 3-song EP at The Commons in San Jose, California in May 2016. She delivers a soulful and smooth sound and vocal. Her first song, “Let me know” consists of herself and William Bohrer. It is an upbeat song with intricate drumming and feel good guitar solos that leave you feeling mellow and chill. She engages the audience with “repeat after me” lyrics.

Her song, “Afro Blue” is the definition of Jazz music. It is my favorite on the EP. The instrumentals encompass all the right instruments, that leave you feeling relaxed and enjoying life. Her vocals are soft and delicate, but delivers a strong Blues vibe.

Her song, “Sweet”, consists of herself, William Bohrer and Timothy Wat. It sounds like a relationship song. Pull at the heart even more, with this song, it will make you reminisce about past loves and hurts, but love is always worth it.

Also, on the new EP is Tim Wat, a Bay Area pianist and keyboard player. Wat has been performing with The Floorshakers for two years now. He is an active member of the Northern California jazz community. Wat plays frequently in San Jose, San Francisco, and the East Bay. His first love is jazz, but also has experience playing rock, pop, R&B, funk, worship, progressive rock, country, classical and even goth music throughout California and the United States.

As well as Wat, William Bohrer is a bass/guitarist, who is known for being a part of 7th Street Big Band from San Jose, California. 7th Street Big Band is an 18-piece jazz band that plays high energy songs that range from Funk, Latin, and Jazz.

Jackie is a well-rounded singer and songwriter that is making waves in the music industry. She is making a name for herself in Jazz music and making Jazz more mainstream and relevant. I thoroughly enjoyed the “Live at The Commons” EP. I think she has grown as a vocalist as I listen to each song. Her range is versatile and unique. You don’t hear her sound everything. I love finding unique artists that bring a new style or ingredient to the table.

You can follow Jackie Gage’s music at her website JackieGage.org.

 

Album Review: Tacocat – Lost Time


TacoCatAt first glance, Tacocat seems like a very innocuous thing. The four-piece band’s name comes across as disarming and playful with sunny instrumentation to match.

Yet, to overlook the depth of Tacocat’s music, their “bubblegum rock,” is to do the band a disservice.

“Lost Time,” an album made up of 12 poignant looks at life, picks up where Tacocat last left off in every regard.

The instrumentation on “Lost Time” feels largely similar to the band’s last album, “NVM,” it’s the writing that has become blunter. Singer Emily Nokes’ skill for introspection and observation elevates Tacocat where so many other bands falter.

In a perfect world we’d receive a balanced expression of both sides of gender politics within music, but in our messy reality Nokes’ willingness to address the social issues that others dance around or weakly acknowledge is refreshing.

“Lost Time” is never pandering and never hits you over the head. In fact, it’s fun through and through. Even as the world ends on “I Love Seattle,” as the city falls into the ocean succumbing to earthquakes and tsunamis, Tacocat will joyously tell you the city feels so much like home they’d never want to leave.

Though, the importance of what Tacocat is doing comes from their social commentary.

“Men Explain Things to Me” says it all starting with its title and carrying into its lyrics (“Don’t tell me what to do / My feelings won’t subdue / Just because you told them to”). Nokes directly addresses the clichéd roles of gender through smartly employed metaphors, such as moving off of a walkway for men who take up the entire sidewalk, and voices her frustration (“We get it dude / We’ve already heard enough from you / The turning point is overdue”).

Tacocat confidently offers a female perspective on topics we typically see addressed by men. “You Can’t Fire Me, I Quit” (a reference to the Nirvana song “Scentless Apprentice,” similar to their last album’s title paying homage to Nirvana’s “Nevermind”) involves Nokes asking for a past relationship to take her back, but only so she can break up with them in return.

Nokes’ gaze then falls on “The Internet.” Here, the “Hate from the basement / Hate from the insecure,” from the anonymous and from the “mosquitos” is addressed. It’s a song with a rhetorical question, asking what right a random individual has to make a judgement over another they’ve never met.

Conversely, “Talk” looks at the disconnect between two individuals within the same room (“Together, together, alone / Stay true, true to your phone”) and the all-too-common inclination for two individuals to sit next to each other entrenched in their own phones. Nokes points out that she simply wants to use the time to talk, maybe even dance if the situation allows.

“Lost Time” culminates in the song “Leisure Bees,” a well-executed metaphor reminding the listener to “Take your time because / It’s your time to take.” Here, Nokes wisely explains that success in life is an entirely subjective term. Success doesn’t have to be based on work, it can be something as simple as your happiness.

It’s a fitting closing to “Lost Time” because Tacocat is ultimately using the album to communicate the importance of the individual. After all, “the values that you want / Are the ones that you can make.”

 

Emiliano is a DJ at KSSU

The Power Hour Recap 4/5


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music

Good Afternoon KSSU listeners and readers! I’m DJ Ace and this my Power Hour recap for April 5th.

Basically I’ve been wanting to do this all semester, and finally had the time to sit down to hash one of these outs. These recaps are a way to go a little more in-depth about the music being played today and a chance to talk a little more about whats going on weekly. So without further ado, lets get into what music was played today!


 

  1. Fanfare – FFVII OST – As of two shows ago, this has been the new starting song every show and variations of this theme will be present every show. It especially works well as background music as I do my intro. For some history about the title, this fanfare has been used in Final Fantasy as victory music after completing a battle since the original FF released over 20 years ago. It has definitely become a staple of the franchise needless to say.
  2. Easy Lover – Phil Collins –  So our theme this show was more vocals and a little more classic sounds instead of our usual synth-wave approach. So firstly, this track also contains vocals by Phillip Bailey and the combination of both vocalists really brings the song along quite nicely. Oddly enough, the creation of the song came from a chance meeting between the two, and after a few jam sessions they decided to recorded the song in order to not forget it.
  3. Every Little Thing She Does Is Magic – The Police – Alright, so first things first, I have a huge love for The Police. Its a very influential group for me and one of the big artists I remember listening to as a kid. That being said, its hard to lock onto certain songs that really give you the listener a song that captures the groups sound, but I think this track does a great job of doing it. The Police typically create a very “ska” sound with their music, with fast tempos and strong beats. This song is no exception and I imagine by the middle of the song you are tapping your feet along with the beat.
  4. Off The Wall – Michael Jackson – Phew, another huge artist! Is my show becoming too mainstream for listeners? MJ was an artist I had the privilege of growing up to, when he was at his prime he was simply untouchable. I’m sure most agree that there will simply not be another artist who will have as big of an impact on the industry. Off The Wall is the self entitled track from one of his early albums, containing very disco like sounds. A very simple beat accompanies his already signature vocals, along with a smooth chorus. Like most of his tracks, this is very much a feel good track. As MJ states, “just enjoy yourself”.
  5. Maneater – Hall & Oates – Obviously you can’t have a 80’s playlist without some Hall & Oates. These guys wrote some of the most signature songs from the 80’s and you’ve probably heard them before and never even realized it. To keep the upbeat pace of the first half of the show, I went with Maneater. It keeps a very upbeat tempo, accompanied by a prominent bass line.

Well thats it for Part 1 of the Power Hour Recap. Tomorrow look forward to reading the second half!

– Ace

Ace is a Dj with KSSU