The Weeknd: My Dear Melancholy,


The Weeknd just dropped his latest musical project titled My Dear Melancholy, which comes out just in time for his headlining performance at Coachella weekend. The EP’s title shows a possible message towards Tesfaye’s former lover Selena Gomez, with whom Tesfaye had a tumultuous relationship. There are many points being made that the title of songs, the lyrics, and the timing of the release refer to Selena Gomez.

This latest release shows a change from the more pop-centric sounds that we are known to hear from The Weeknd, yet keeps the style seen on Starboy. The sound, in general, keeps a darker R & B sound while keeping a similar style to the Daft Punk produced tracks.

The opening song Call Out My Name sets the tone with lyrics such as “I helped you out of a broken place,” which is possibly a reference to former girlfriend Gomez dealing with a breakup and dealing with Lupus. Then goes on to say “Falling for you was my mistake” which reflects the hurt that The Weeknd felt. The song is currently number 4 on the Billboards top 100.

Tracks like Hurt You have a similar sound to Starboys’ I Feel It Coming and it makes sense. Gessalfelstein and Daft Punk are often collaborators in music, we noticed this in the production credits for YEEZUS album. The sound seems like a transition from The latest album and Tesfaye’s first mixtape.

Every track from the EP is charting on the Billboard top 100 and there is no doubt as to why. Every song delivers a hit with a range of emotions such as regret, anger, sadness, and acceptance.  The production speaks as much as Tesfaye’s words and the credits on this EP include Mike Will Made it, Skrillex, Guy Manuel (Daft Punk), Nicolas Jaar, Frank Dukes, and Gesalfellstein.

 

///BIGTAPATIO

Introducing: Metropolis Festival


Sacramento isn’t known as the haven for electronic music, but times have been changing. San Francisco isn’t the only place in Northern California for forward-thinking Electronic Dance Music. The events production company Torque has been expanding its reach and is producing the highly anticipated event, Metropolis. The lineup includes Funtcase, Gentlemen’s Club, Ray Volpe, and many more supporting acts. The sound of the nights will be bass music driven and offer an immersive electronic music festival experience. The Metropolis music festival will be taking place March 9-10 at Sacramento’s CWH Center, which features free water stations, full bars, and 21+ VIP sections. Make sure you buy tickets [here]

 

Check out some of the music you can expect to here below:

The lineup is extremely bass driven and the sound will be heavy. One can definitely expect dancing but also a good amount of mosh pits. Funtcase, a UK producer will be leading the assault of bass on your ears and we can even expect to hear Drum N’ Bass and possibly a heavy rock song thrown into the mix. MUST DIE! is another act that has heavy dubstep with the heavy screeches and even heavier bass drops. MUST DIE! isn’t just all dubstep but has been known to drop some bouncy and fun bass house tracks that get the floor dancing. Even the supporting acts have quality tracks and mixes, that this lineup is so stacked and will be an amazing lineup from start to finish.

Thanks to events like this, we will see a prospering music scene in Sacramento that wasn’t here a few years ago. We can expect to see more events by Torque and others that are sure to make Sacramento a powerhouse for not just music, but more specifically Electronic music such as Riddim, Dubstep, House, and future bass. I look forward to being a part of this growing scene and I hope you do as well! See you there in March!

 

///VICTOR

Young Thug: Young Martha [EP Review]


carnage-young-thug-1-800x600Young thug and EDM DJ Carnage deliver not just another banger collaborative track, but a whole EP titled Young Martha. The EP has some really standout tracks. The EP is titled after Martha Stewart, who is respected amongst many rappers and those in the Hip-Hop community because Martha Stewart made millions and even did jail time. The first track features Meek Mills and delivers a nice flow and an original sound to Rap music. You even get alternate vocal tone shifts by Young Thug himself. Songs like Liger has more of a traditional party track sound by Thugger, but what makes it an interesting song is the mention of buying a Liger, a much rarer animal than even Tigers. This is a reference to his style and rap skills being unique and one of a kind. Then you close up with a club-friendly, EDM track titled Don’t Call Me and it has a bass house vibe. The EP is well constructed with party anthems for the House Party and even the club. It’s a must download/stream
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The direction Carnage has taken as a producer has gone more of a Hip Hop-friendly EDM sound which has helped to close the gap between contemporary pop rap and EDM. This sound is heavily prevalent in the percussion and synths with this EP. We can expect to hear more of Carnage collaborating with many rap artists because it has become clear its a winning formula. This formula is often most popularized by major EDM producers like Diplo and Brodinski. The former having worked with everyone from M.I.A. to Travis Scott, while Brodinski brought that Atlanta Trap and Techno EDM fusion with such rappers as 21 savage and has pushed the barrier of the sound.

Young Thug is pushed lyrically and presents a picture of growth and reflection with mentions of growing up due to his parental responsibilities as a teen. Mentions of surrounding himself with “Homies” who have his back in not just physical confrontations, but with regards to snitchin’, financially, and supportively.

This whole collaboration between Carnage and Young Thug came forth because of a year old track called Don’t Call Me featured on Carnage’s Soundcloud account and culminated with this EP. This EP is stylized after a similar project of Young Thugs to create a trilogy of releases that culminate with an album. So we can anticipate much more from the two pushing the pop rap and EDM scenes into a head-on collision; Which shall push the boundaries of the two respective music cultures. Young Martha barely scratches the surface of what we can expect to hear from both collaborators.

The first single released for the EP is Homie which showcases a visual illusion that rolls through an infinite series of ceiling and floor with no real distinguished ceiling. The video is ultimately weird but reflects the eeriness of the music itself by the two collaborators.

Review of Caracal and Art in General


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Before I write a review of a new album, I sit down and read a few other reviews to check to see if there was anything I missed.

I did that in preparation to write my thought on Disclosure’s most recent release, Caracal. What I found was several reviews expressing that Caracal is more of the same from the electro-pop bothers, but I spun this record again this week and realized that music critics don’t cut artists any slack.

For the record, I wouldn’t classify myself as a critic, just a musician sharing his humble thoughts.

This record was incredibly well crafted. Disclosure is consistent and leaves no stone unturned in their production. It’s ultra-clean and brutally crisp. The way they produced this record is what they know. It’s what they do best. So why criticize them for not pioneering a completely new sound? Their subdued beats and subtle bass allows for the intensity to build to an intense degree without getting exceedingly loud or obnoxious like dubstep. Another thing I admire is the limited amount of sounds they employ. At any one time I can only identify up to five or six different sounds. And yet, they are able to paint an incredibly intricate soundscape. Who cares if their record sounds similar to the last one? Does that even count as a bad thing? Settle changed pop music forever – and for the better. Bob Dylan released five records before he went electric.

Similar to settle, Disclosure recruits a cast of A-list artists as features on their tunes; among them Sam Smith, Lorde, and Gregory Porter. Sam Smith comes back with the track, Omen, a seemingly somber and equally as groovy sequel to Latch. Lorde’s track Magnets straight swings, man. How Disclosure achieved such a laid-back groove with computers is beyond my knowledge. Gregory Porter’s appearance on this record makes me intensely happy. Porter is a contemporary jazz singer fairly popular on the jazz circuit. For a musician in the jazz world, this is an incredibly huge break for him. The optimist in me would like to think that people would hear the track, research the singer, listen to some of his music, and become an everlasting jazz nerd. A boy can dream. Overall, is seems as though this record was made to be a catalyst of dancing. Nothing is too fast and the average song length is just under five minutes. But nothing ever gets boring, the brothers seem very careful about adding and subtracting textures when needed to catch the ear and keep the crowd interested.

Speaking of catchy, every track has a great thematic melody that has its own hook. Sometimes it sounds like they borrow ideas but, hey, what is art but the synthesis of preexisting ideas? Everybody has their own musical vocabulary.

As for me, it is clear that Disclosure knows what they are doing and do it well. Sounding like yourself is not a crime. The real offense is when you do not.

Devan is a dj with KSSU

Sylvan Esso – A Concert Experience


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Just a couple weeks ago I went to a concert I think you guys should know about. And I’d like you to know that I will check my jazz snobbery at the door. The group is called Sylvan Esso, an indie pop duo from Durham, North Carolina composed of Amelia Meath on the mic and Nick Sanborn producing, and they are currently blowing the socks off of the indie AND dance scene. Their eponymous record has been out for a year and it is easily my favorite record of 2014. It’s unique beats, harmonic complexity and utter danceable nature made me watering at the mouth to see these two at the Fillmore Theater in the city.

For starters, the Fillmore is an awesome venue. It fits about 1,200 underneath the many chandeliers in a mostly standing room space so no spot is a bad spot. However, my lady and I got there early and snagged an excellent piece of front row real estate.

The opener was a group from Oakland called Naytronix. They were a quirky duo sporting jump suits and playing spacey, trance, yet oddly danceable electro-pop perfect for your music loving buddy. Being right in front, this means you bear the full the brunt of the speakers so if you don’t want your ears to sound like there’s a mosquito stuck in them, bring a pair of earplugs along to dampen the noise – or stuff paper towel in them like yours truly.

Then Sylvan Esso came on and absolutely nailed it. Their tunes were even cooler with all their improvised sections and additional layers that made the air wet with sound. It was especially neat to see the two of them look up and smile at each other when they did something the other hadn’t heard before. It gave the music a fresh quality. I walked away with a whole new appreciation for their music. At the end, everyone in the place was dripping with sweat because they left you with no choice but to get down.

But let’s not forget Amelia’s stellar dance moves. Damn, that girl can work it.

Devan is a dj with KSSU

Album Review: “The Mindsweep” (Enter Shikari)


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Enter Shikari is a four man band from England with music that dabbles in multiple genres including, hardcore, alternative rock, and even electronica. Known mostly for songs such as “Arguing With Thermometers” and “Sssnakepit”, Enter Shikari focuses their music on problems within the environment, the government, and social norms that should be exposed as evils to the planet and even humanity. With three albums and four EP’s, Enter Shikari has got quite a lot of experience in what they do. Signed on with Hopeless Records and winners of several awards including “Best Band in the U.K.” and “Best Album”, Enter Shikari did not hold back at all when writing their newest album, “The Mindsweep”.

Enter Shikari really experimented around with this album. One song sounds really fast and punk-ish, while another is slowed down and sounds like a theatre musical accompanied by electric guitars. Regardless on how far left or right they go with their music, it stays consistently good; not just in a technical sense, but also an emotional and philosophical way. My two favorites off this album would have to be “The Appeal & The Mindsweep I” and “The Aenesthatist”which are two of the first three songs on the album, but are the best in my opinion.

“The Appeal & The Mindsweep” kicks off the album just right. It talks about treating humans as humans, not a means to an end such as pleasure and profit. It calls to the listener to rise up above everyday occurrences, to get rid of hate, and to figuratively re-wire your mind hence the line repeated in the song”I am a Mindsweeper. Focus on me.” With a slow beginning of some electro and a spoken word dialogue that gets people’s’ minds thinking that then escalates into a faster beat with faster techno, this song is perfect to start the album with. It later goes into some hardcore beats with harmonized vocals that everyone can sing too. One thing that went right through my head when listening to this song was, “I have to see them play this live before I die.”

“The Anaesthetist” is the first music video from the album. In the video, it shows a man who is ill and coughing up blood, presumably walking to a hospital. At the hospital, there is a waiting room full of sick and angry people. I am kind of biased, because  il ike heavier music. This song includes along of hardcore beats, yelling, but also some rap-rock parts that emphasize the meaning behind the song. “The Anaesthetist” talks about how people in England are denied healthcare due to lack of means or those who do have money are just used for profit and are prescribed medications without an actual doctors treatment lest that doctor be the Anaesthetist to put you to rest. With powerful instrumentals and a powerful message, this song is, well, powerful.

The rest of the album is great as well, but for Americans, Enter Shikari may be an acquired taste. Enter Shikari is one fo the biggest bands in the U.K., but are not quite popular in the United States. However, that all may change with this new album.

Thanks for reading! To hear music like Enter Shikari and listen to more of my rambling, listen to my show “Shred the Gnar” Tuesdays at 8am on http://www.kssu.com

Much love, DJGingerbeard

Album Review: “Ethnotronica” by Ireesh Lal


EthnotronicaThe turn of the millennium introduced the rise and eventual dominance of electronica in the U.S.  Sure it has existed before and there was a niche who followed it.  But its mass consumability was born post 2000.  Ethnotronica by Ireesh Lal is an interesting addition in the electronica world that may go sadly unnoticed because it isn’t “main stage”-esque, or dubstep, trap, deep house, etc.  What is it?  It is art.  It is music that paints a picture.  It is music that sets various tones, moods, and feelings depending on the track you hear.

The lead off track for the album is “ElectroLounge”.   [Read more…]

The Electric Run – Sacramento 2014


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On May 30th 2014 The Electric Run makes its return to Sacramento. Its a 5k run that will let you express yourself in any and every way. This year’s event will be held at Cal Expo and will start around 8:45 PM. What can you expect from the event? It will include glowing trees that will change color to match the beat of the music playing during the run. All tunnels will have dancing figures and patterns that will cover the walls from top to bottom. There will be color,  psychedelic cacti, and a cliff that will be in each area that will be lit up with a spectacular display of dancing lights.

[Read more…]

Favorite Albums of All Time: Kanye West, Kaskade, Settle, and Last Dinosaur


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My favorite album of all time is a hard question to necessarily answer. I actually have four different ones, one each representing my favorite album for that particular genre.

[Read more…]

EDM and Pop Culture


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Tiesto, Afrojack and Calvin Harris are very well known EDM (electronic dance music) DJs that are going to be headlining this years Electric Bounce House in San Jose California. If you are an EDM fanatic, you really do not wanna miss this event. These three DJs/producers are only a few of the most popular DJs out there at the moment, alongside David Guetta and Avicii, just to name a couple more. The real question is, how many of you would have known any of these DJs if it wasn’t for our current popular culture? How many people would know that some of these “DJs” are behind some of the most popular tracks performed by Rihanna or Chris Brown?

[Read more…]