Tremaine Album Review


For this heavily anticipated new album Trey Songz comes back with a pretty solid album named Tremaine. Tremaine is an album Trey Songz wanted to show the listeners that he is still one of the best if not the best R&B artist in the game today. Trey Songz expressed in his interview with the Breakfast Club that he named his first track on his album named Playboy because of his current situation with women. He explained that being at the stature that he is in he feels that he can not trust a woman with his heart because, there is always more calling and does not fill the urge to be committed in one relationship.  The interview with the Breakfast Club he discussed his issues with Nicki Minaj and simply put he felt that it was weak on Nicki’s part to get at him for no reason over the allegations claimed in the Shether song. Once the interview was over the anticipation of this album has gone up. There are 15 total songs on this album. I will review the once that are highly recommended to check out and listen to on rotation.

#2 song- Come Over: This song is one of the best songs on this album that brings fans right in to show exactly why Trey Songz is one of the best in his group. A must download with great vibes, hooks, and chorus throughout the whole track.

#5 song- Playboy: A song with context and understanding where Trey Songz is coming from I feel that this song is a great song to listen to in certain moods. I enjoyed the sound the message of the song and Trey Songz delivered well on this track.

#6 song The Sheets…..Still: To me this best song on the album, with how great he switched up his flow and how smooth his voice changed talking about the experience with the woman in the song definitely makes this a favorite song on the album to me.

#10 song 1×1: This song instantly is a summer vibe song that could be a great radio song to play. Nice vibes and high upbeat rhythm to this track makes you want to vibe. Highly recommended song for those looking for a summer jam.

#12 song: What Are We Here For?: One of my favorite songs on the album that is an instant radio play. With the beat and rhythm this is a quality track that will be played a lot more in the summer.

Review Score: 7/10 Very solid album that will be played from time to time.

-DjLeodawnus

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Vote Our Own Adventure


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This is a Vote Our Own Adventure story. Read the story, then go to DJTraySquat on Facebook or e-mail me at djtraysquat@hotmail.com and let me know what our character should do next.

Terror struck. In a tiny room, a tiny walk-in closet sized room, Ben stood stunned. He is boxed into a bright white shoebox. Not knowing how he got here, Ben reached out his hand to touch the wall. Hoping to knock, find a weak spot in the wall, he 6 instead stirred up a cloud of swirling colors. It was like watching paint swirl, but creepier. This wispy smoke swirled around the spot he had put his hand. On instinct he reached up, tried to keep it contained. But, as he put up his hands, the colorful dust settled. And, there, was a window in front of him. Outside the window was just bright white. Ben turned to the side, and put out his hands. The side of the room expanded to a hallway. “Weird,” he marveled as he wondered what was done to him, that he is seeing this strangeness. A pure white hallway lay before him. He slowly braved the hall, step by step. Putting his hands out, to the side and in front of him to see what would happen. Yellows, blues, purples all followed him, wisping around him like food coloring diving into a glass of water. He paused to look back. Behind him was completed hall. It was dimly lit, and fully furnished now. Earth tones now decorated the space. Comfortable chairs, that begged to be rested on. A full suit of armor stood in the corner. Baffled, Ben slowly turned toward the direction he was walking. He stopped dead in his tracks. “What the-“ he exclaimed, because standing directly in front of him on the wall of the hallway in between where he’d been and where he was going, was half a fire place. And, it was burning. To one side of the hallway, bright white nothing, to the other, a room as lived in as anyone’s. Ben marveled at the dancing flames, that came to an abrupt, straight-edged, stop. It was as if something bright white was directly in front of the flames. Ben couldn’t stop staring. He ruined the effect, accidentally, as he raised his hand while amazed at what lay before his eyes. Suddenly the swirling colored mist filled in the other half. He turned toward the rest of the hallway, spinning and twirling, dancing along with the mist as the empty room had life breathed into it. BOOM. He hit the wall, or door rather. Because suddenly there was a door in front of him. Suddenly terror struck again, should he open it? Should Ben turn around, to the left, or right? Should he try and find a way up or down?

I’m DJ Tray Squat

If you liked this, listen to my show, Poli-Psycho, every wednesday night at 7pm on kssu.com. If you would like to vote for what our character should do next, or you would like to show off your own writing, musical talents, or anything that can be heard through the airwaves, contact me for a chance to be on my new segment: The Hornet Showcase. I’m DJTraySquat on Facebook, or you can e-mail me at djtraysquat@hotmail.com

Looking foward to Fallout 4


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I remember running to my family’s vibrant coloured Christmas tree in 2008 at 2:00AM and ripping open a Fallout 3 sized gift to find Fallout 3. I knew little about the game other than the fantastic reviews it was getting. I plopped in the game and was thrown into the “Capital Wasteland” with little know how and no equipment, surrounded by giant green super mutants and their grotesque multi arm-legged pets crawling around the refuse of the wasteland. While the Fallout universe is one that takes place in post nuclear holocaust setting it has never been a dreary pit of despair. Instead it is builds a hilarious alternate reality based on a 1950s future. What makes the Fallout series a fantastic play, other than the unique setting it creates, is its massive open world. The main story is a small percentage of the possible exportable area allowing for hours of new discoveries and sub-plots. I have been in love with the world since my first play through.

Now, seven years later, we are on the last few days before Fallout 4’s release. The first trailers brought back a rush of nostalgia as they felt just like Fallout 3 but better. Like a good sequel should, it seems that Bethesda took the best concepts and expanded on them without adorning it with needless pomp. Weapons are now customizable. Vertibirds are now ride-able, making it possible to rain terrible nukeage upon the towns below. Players have the option to build their own town that they live in, can trade in, and must defend against attacks by all types of enemies. So much has been changed, but not all of it is well received. One criticism I see often on discussion forums and articles is how Bethesda has changed the dialogue system. Instead of a box filled with varying intelligent, insulting, ignorant, hilarious, “screw talking lets fight” dialogue that characterizes the fallout series, they have opted for four options that seem to scale back the zaniness. This was likely done in order to incorporate the voices of Brian Delaney and Courtenay Taylor as the male and female version of the main protagonist. While it is interesting to have voices, most people are disappointed by this change. I still look forward to the game and do not believe the voices will take away from my enjoyment. Fallout 4 will still be an amazing adventure through a new world with a familiar feeling that everyone can experience on November 10, 2015.

Tex is a DJ with KSSU

The Moments that made TBD Fest


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My good friend Jerel and partner in crime for TBD Fest just put up his all encompassing TBD wrap up blog, which you can check out here. In it he covered all the broad strokes of the festival experience, highlighting all the different bands we saw, food we ate and artistic installations we witnessed. So in interest of not covering the same ground I bring to you a more microscopic look at TDB through the lens of my favorite individual moments of TBD. Each festival is a collection of miniature moments forged by the fires of the collective consciousness and frenetic energy that is unique to each individual event. This is a celebration of those moments which helped to make the second annual TBD Fest the powerhouse of artistic expression it ended up being.

I’ll start with the first and altogether funniest moment I experienced at TBD. During Joywave’s entire set they had kept the crowd entertained, not only with their killer and perfectly sequenced set but also with the jokes and witty charisma of lead man Daniel Armbruster. However, nothing that came before it was quite as funny as when Armbruster began the chants of “one more song,” essentially calling for his own encore. Armbruster feigned surprise at such an outpouring of support and proclaimed that this had to be the very first encore in TBD Fest history. Having got his laughs and the “encore” he wanted, Armbruster and his fellow band mates kicked off the last song and tore down the house in magnificent style.

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The next moment comes to you in the form of a song, more specifically a cover song. Even more specifically Tears for Fears cover of 1992 Radiohead mega-hit “Creep”. Now this moment really resonated with me for two reasons, even outside of how brilliantly it was performed. First and foremost, as any good rock historian will tell you, there is no way in hell you will hear “creep” performed by it’s original makers. With all the vitriolic hate Radiohead have for for the song it might even be best experienced as a cover. Despite all of the negative vibes surrounding this song it still holds a special place in my musical history and I’m glad to have seen it live in one capacity or another. Secondly and perhaps more deeply, I could not help but feel a sense of a changing of the guard occurring. No Tears for Fears are still clearly a cultural powerhouse being able to headline festivals in 2015 and Radiohead aren’t exactly the new kids on the block anymore but to me this cover signaled a nod of respectful appreciation from the 80s to the 90s. A retroactive vote of confidence and plea of appreciation for carrying the tradition of odd outsider music for the next generation. Perhaps that’s me just being sentimental though.

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This next chewy morsel of festival good will has less to do with a particular artist and more to do with the festival goers themselves. Allow me to set the stage. The Black Lips had been putting on quite the show for their whole set, talking in weird voices, shouting out to their potentially imaginary friend Luna, and generally being quality showmen. A bit of a light mosh pit had been forming and had slowly been gaining speed as the set went on. This caught the eye of someone who I assume was The Black Lips roadie, as he was up on stage with them at one point. This man, who was a larger individual, came down off the stage to provide a buffer between the rowdy moshers and the people near the front of the stage who had no interest in moshing. As The Black Lips counted off their last song Jerel and I jumped into the pit, correctly predicting it would be the final mosh of the festival. As we aggressively pranced about I noticed a particularly wild mosher continually slamming around and getting pushed back by the resident “larger man” mosh boss. As the song continued on they began exchanging heated words and I immediately smelled a fight brewing. The tension did not subside but managed not to boil over for the remainder of the fight. As The Black Lips said their goodbye and the crowd began to disperse, before I even knew what was happening both men were in an lovingly respectful embrace! I could not quite hear what they were saying but I imagine it was along the lines of “thanks for keeping me in line man, I really respect that,” “I respect you too man, take care of yourself and have a good festival.” Now that might be a little far off but the crux of why I liked this moment so much was the way in which festivals can bring out each person’s camaraderie and I certainty felt that camaraderie at TBD.

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Lastly but not leastly we come to none other than Chicago native Chance the Rapper. My personal favorite performer of the entire weekend. This moment ends up being a bit more aqueous than the previous moments but it started as soon as Chance kicked off his set. Bringing an energy and closeness to the audience unmatched throughout the whole festival, Chance immediately had us on his side. Even though I was not familiar with every Chance the Rapper cut, I would sing along every time that I could halfway catch on to the choruses.  The crowd seemed to be giving all the energy they had and Chance was dishing it right back at us in a monumental showing of skill and passion. Suddenly the mood slowed down as Donnie Trumpet and The Social Experiment began to chill down and vibe. Chance then proclaimed he was gonna play a song we never heard before but one we all knew the words to. I immediately assumed it would be an old school rap/R&B throwback, one of which I was hoping I would in fact know the words to so that I would not let my new found hero Chance the Rapper down.  However, I could not have been more wrong as Chance began to sing “And I said hey.” Now I will give you a second to ponder what that line might be from…but I myself immediately recognized it as being the Arthur theme song. For those that are not in the know Arthur was a PBS kids show in the 90s era and it had arguably one of, if not the best theme songs of the decade. Along with being a killer tune, the Arthur theme song has a wonderful message of learning to work and play and get along with each other. At this point I am ecstatic along with the rest of the crowd as Chance the Rapper, Donnie Trumpet, and The Social Experiment throw down a deconstructed and all around awesome rendition of one of my favorite childhood memories. Needless to continue to say, that was my favorite moment of TBD Fest.

California State Fair 2015: and Queen Nation


CalStateSignThis past week I visited the fair, I laughed, I cried, I learned to crochet, and fun facts about crocheting such as how crocheting was originally developed by fisherman to make nets. Fascinating stuff! I was probably one of the worst crocheters at the fair though, I was barely able to get things started without dropping everything.

Zoltar

I also really love the art exhibits, but because of certain copyright laws I couldn’t take pictures to share. My old friend Zoltar was there too! In the Science Fiction exhibit it was a pretty cool theme for this year it didn’t just cover old Science Fiction to the tune of old Lost in space shows from 50 years ago. There were also some relevant facts about historical figures in science such as Tesla, and apparently about how Google wanted to build an elevator to Space!

CheesePoppers

The fair food was a little disappointing in my mind, but that doesn’t mean it was lacking. You could get fried oreos to fried cheesecake. Personally I tried fried cheese curds for the first time and I found them to be a bit tasteless. Kind of like if I took mozzarella sticks and fried them, it was all just a bit flavorless. When I think about fair food what comes to mind is something very bizarre the unordinary, an escape from our everyday foods into a land of the unnatural or atleast something you can’t find at your local fast food place. I wanted something akin to fried scorpian or alligator. Or one of those donut burgers, but I couldn’t find anything like it. It is possible that I just happened to miss the stand I was looking for in favor of yet another place that sells garlic fries.

While I was there I saw a tribute band called Queen Nation. While I was waiting in line a full 90 minutes before they started I heard some people talking about them behind me. About how they had the mannerisms down and how they sounded just like Queen. Sitting in the crowd people had the anticipation of people who had seen Queen live, but I was not one of them, so I can’t say whether the act was faithful to the real deal. I have heard Queen many times though and I have to say the sound was pretty close, i’m sure they’d have some cheers in any karaoke setting.

All in all it was a riveting day, and I hope you all find the happiness that I did that day. Hanging out with Zoltar and eating cheese curds.

My name is Chris Diel and when i’m not at the fair i’m playing music on KSSU

“Matriarch” by Veil of Maya Album Review


 

Veil-of-Maya-Matriarch-artwork-600x600So here I am, chilling in my philosophy class before the professor shows up. I whip out my iPod and check out the channels I am subscribed too. I mostly use YouTube for finding new music and cool skate videos. Browsing through the videos, I noticed that Sumerian Records put out the whole new Veil of Maya album “Matriarch” and I about exploded. I had to sit for an hour and fifteen minutes anticipating the awesomeness of VoM. Luckily, I only stayed in class for about twenty minutes because class today was an optional Final Exam Study session. Who needs to study for finals anyways? I’ll just wait until the day before my finals.

So I had already heard a few songs from the Album and had already been in love. The rest of the album was fantastic as well. I did not even need to listen to the entirety of each song before clicking to the next and welcoming in frission (where you get goosebumps from good music). There was the usual VoM stuff; technical math-core (complicated song structure), drop tuned guitars, and ominous background sound effects. VoM threw in some new stuff such as clean vocals (in comparison to the low gutturals from the “Common Man’s Collapse” Album), guitar melodies in the higher registry, and an overall album theme, hence the name “Matriarch”. Before the album was released, my favorite of the leaked songs was Mikasa, which also had a music video. There was heavy breakdowns, awesome never-before heard clean vocals, and an overall empowering feeling brought forth by the entire band.

Looking at the track listing, each song is named after Matriarchs or powerful women, both fictional and non-fictional. In one of the YouTube comments, someone even mentioned that one of the song names is a very threatening character from an action anime. I took the Youtuber’s word and moved on to the music. I will have to say that my favorite song, other than the leaked ones, would have to be “Daenerys”. I have no idea where the name Daenerys comes from, but it did not spell check me on Microsoft Word, so it is legit. Anyways, the song starts out really light with some nice moving around on the guitar. It then goes into a two-measure guitar solo before the vocalist pops in and the song takes a more serious turn. With some power chords blasting right into a heavy breakdown, Veil of Maya shows off what they are known for. Right after are some clean vocals from their new vocals, which were pretty impressive by the way. The chorus is repeated throughout with some technical instrumentals in the background, before closing the song with a guitar solo build up to more cleans and a mini breakdown. Finally, a guitar playing a riff in the higher register ends out the song.

Most of the time I listen to music on YouTube except for when I really like a whole album, which I purchase to support the band. Veil of Maya, I’m going to support you and buy your new album “Matriarch” when I get home tonight.

Thanks for reading everyone!

I may or may not have a show during finals week due to, well, finals. However, check out www.kssu.com and listen to other DJs do their stuff!

Much Love,

DJGingerbeard

An Unexpected Inspiration


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Beginning Drawing, a class of few limitations. Never would I have imagined a college level art course to be as simple and as daunting as the one that I’m enrolled in.The class itself is founded upon freedom of expression–a concept that I have yet to master. I realized early on that this class would potentially be one of the more challenging courses I would take in my college career as an International Business and Pre-law student. Our final project quickly approached as we were given the requirements of a completely open ended assignment. We were to create a piece using any medium we desired of anything we desired.

Out of the endless avenues to choose from, how was I supposed to pick only one thing that inspired me? Thousands of inspirations find their way into my mind each and everyday, and now I was forced to channel one of them. Being the impulsive, ambitious, and impatient person that I am, I had much difficulty discovering a way to approach this nightmare of an exam. I went into this final project without a single clue as to what I wanted to create; I figured I should wait for inspiration to strike, however, I’ve found that inspiration only strikes when one allows it to. Like most assignments I take on, I realized I had to distract myself from directly analyzing the possibilities for this final, which would dig me in to a deeper hole. Once I began the in-class assignment of an unrealistic twist on an object in the class room, it occurred to me that I was trying too hard to make something that was not at all reflective of me. I was not pushing an idea that allowed me to express myself as an individual nor was I pushing an idea that I was completely comfortable with. In this, I had the opportunity to reflect on a manner of art I related to—one that I felt comfortable presenting as my final accomplishment in this course.

Historically, I gravitated to pieces that depict strong women in an unusual harmony with wildlife. While consulting with a fellow classmate regarding the endless possibilities of this project, I was given the idea to use my zodiac sign, Sagittarius, for inspiration. My mind had burst out into several directions; I had finally hit something that would satisfy my personal taste in artwork. The inspiration had finally struck. I began brainstorming different takes on the half-man/woman half animal properties of a Sagittarius by looking to sea creatures and potentially rearranging the traditional idea of this zodiac. I ended up playing it rather safe by going with a half woman, half deer  by utilizing black ink markers and water color paints to add contrast to the whiteness of the paper—a technique that I commonly visit. As demonstrated in the piece, I wanted to incorporate the sense of movement among the Sagittarius—demonstrating their desire for action, independence, and incessant ambition. The woman depicted in the piece is seen with her arms in the air which symbolizes her in pursuit of something unforeseen, a natural sense of curiosity and hunger for life. Being the impulsive, ambitious, and impatient person that she is, I realized that the Sagittarius that I had created was a twist on a portrayal of myself born from an unexpected inspiration.

 

When Mia isn’t drawing portraits of half deer half humans she’s a DJ for KSSU

Zelda Over Finals


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The best way to prepare for finals is not at all.

Just kidding.

That’s terrible.

I only have two “real” finals. “Real” meaning using scantrons, studying from a study guide, and bringing in a notecard. The real finals are for philosophy and geography, so it is probably a good idea to study and bring in notecards. However, I work two jobs, so studying does not really seem like a good idea when I could be sleeping or getting music for my show or even playing Zelda, because Zelda: Skyward Sword is taking too long to finish. I will probably study an hour before my classes and put some chicken scratch writing on a tiny index card. Seems like the best option.

For my other two classes, Music and Theatre, we have “different” assignments. “Different” meaning not using notecards, scantrons, or formal study guides. In theatre, we all passed around papers, writing one entry on a paper about a given dialogue. You cannot write your name, and you have to write about whatever the professor says. For example, he says write a name and greeting and you write “What’s up, my name is Gregorio.” You can make it normal or comedic. We did this for ten entries, then opened up the paper. There are a bunch of ridiculous things written, but for our final we have to tie in all ten entries and turn it into a monologue that makes sense. We then perform the monologue in front of the whole class. Good thing I have some experience acting, or else I would die. As for Music class, we have a choice of playing a solo or a duet. The duet has two options: two moderate songs or on hard song. The solo is just a choice of three hard songs.

So yeah, my finals are not going to be too hectic. I just have to make sure I beat Zelda before finals week so I can focus. If not, I will be tracing and retracing my steps trying to find the next dragon in my mind while I’m sitting in class.

Thanks for reading! For more shenanigans and random subjects to talk about (along with some great music) listen to my show “Shred the Gnar” on www.kssu.com every Tuesday morning at 8 o’ clock!

Much Love,

DJGingerbeard

Dissecting The Plot In You


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Lately I’ve been listening to a lot of “The Plot In You” because one of their new songs popped up in my feed on YouTube, and I opened up my brain to see what I can recall of TPIY. Basically, I liked one of their songs a whole lot, but never took the chance to really check them out. The Plot In You is a four piece metal-core band from Ohio, with One EP and two Albums out. Notorious for their harsh lyrics and calling out particular groups of people while keeping that metal vibe, TPIY quickly gained fame after releasing their debut song Wifebeater from the EP “Wifebeater” (which one could assume was about his father). The Plot In You is signed onto Invogue Records, and will be releasing a new album which currently has an unknown release date.

The song that popped up in my feed was called “Crows”, which is about Landon Tewer’s (the frontman) life and how he has changed, but so has everyone else. The “Crows” symbolizes death and how in the end, everyone faces it. This is emphasized with the line “The crows are waiting on me”. This song was an unreleased track from the b side a 7” they never released. My curiosity took me further, so I played the album stream from “Could You Watch Your Children Burn.” I had already heard tracks from their album “Firstborn” a long time ago, but this album really got to me. Most songs consisted of talking about how people who are hypocrites and live a mundane existence should separate themselves, or simply die, from society. Tewers talks about religious folk, lustful males, rapists, and his own family very unkindly. One of my favorite songs is “Troll” which I also saw live when TPIY was on the “About That Life Tour” with Attila. The song basically empowers the listeners individuality and gives the belief that you are a juggernaut and will not take any flack from anyone. Another song that was a favorite by TPIY on YouTube was the song “Premeditated”. In this song, Tewers talks about his plan to kill a rapist who violated someone very dear to him. With clean vocals, dark breakdowns, and the usual “I will destroy you” moments from TPIY, I could easily see why this was a favorite by fans.
All in all, TPIY is a very angry band. Their song “My Old Ways” that was released in a music video on February 23rd seemed to be quite lighter in comparison to “Troll”. To hear that kind of change and it still be a good song makes me very excited to hear their upcoming album. To make a long explanation short: The Plot In You is a band full of angry dudes, relatable stories, great songs, and a uniqueness that I have not heard from any other band. They are probably not sane people, but hey, who is really?

Thanks for reading you lovely people! If you want to hear music from The Plot In You and other bands that I just so happen to enjoy, tune into my show “Shred the Gnar” on www.kssu.com Tuesday mornings at 8 o’ clock!

Much Love,

DJGingerbeard

Soul Stealing Puppets, and other “Avenue Q” talk…


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I have a friend who is scared of puppets. So, of course, I invited her to Avenue Q. And, I think her fear may have rubbed off a little. There were some, normally inanimate, objects that sang. The way the mouth and eyes looked was scary, and resulted in title of this piece. Avenue Q is a musical for adults featuring puppets, which is a really strange mix. The show takes its look from Sesame Street. There are 3 types of characters: Humans, puppet humans, and puppet monsters. For this blog entry, I will refer to the actors that are not puppeteering as actors. I will refer to the actors that are puppeteering in this show, as just puppeteers. That’s just for simplicity’s sake, they are all talented actors.

Avenue Q is an exception to puppet shows being for kids. It is, delightfully, not for children. A lot of puppet shows I can recall don’t show the puppeteers, so I don’t know how much this is thought about: But, are the puppeteers doing their job if I’m focusing on them, or if I’m focused on the puppet? On one hand, the puppets are meant to be characters in the musical. The puppets are having the conversations. Kids are visually fixated on the colorful fuzzy characters. But, speaking for me, I look at the actors usually. It was a difficult transition for me to look at puppets, instead of the puppeteers. I remember consciously trying to focus on the puppets. The puppeteers in Avenue Q are all in black, so it seems I should be focused on the puppets. But, these are talented people, who are characters in plays and musicals. The focus would usually on them. Also, if they didn’t put energy into the performance, the puppets wouldn’t have it either. And, I can remember the body language that some of these puppeteers had, and it seemed like it was adding to the limited body language that the puppet could show. Taylor Grossman, for example was very kinetically emotive. The puppeteers used the same body language that their puppets had. I ended up watching the puppeteers a lot, because I liked their performance so much. So, they did a good job. But, did they do their job, as it pertains to me looking at the puppet?

Speaking of body language, some of the puppets were handled by two puppeteers. But, only one could be the voice of the character. The other puppeteer would provide just the body language of the character. This was odd but necessary. Having someone on stage doing only the body language of a character, while the character is talking, is a special kind of entertainment. I loved taking some time to watch the other puppeteer. I think this supports the idea that the puppeteers added lent their body language to the puppet. They had the facial expressions, the character movements, and all while puppeteering.

And, about that puppeteering, it looks brutal. Having one person puppeteer one puppet, that doesn’t seem too bad. But, add one more person, and I was amazed at their lack of falling. Have you ever watched ice skating, and were in awe that they don’t trip all over each other? That was me every time I saw two puppeteers and one puppet. Just puppeteering the puppet seems ridiculous. The puppets’ mouths open up, so at least one of them controls that. And, each of the puppeteers use one of their hands for the puppets hands. So, the person on the left is the puppet’s left hand. The person on the right, is the puppets right hand. I can’t think of how I could manipulate the puppets hand, and make it look like it was connected to the same body as the other hand. Also, the hand movements would be strange. Then, you have to move around like that. There are song and dance numbers, and the two puppeteers need to be connected at the hip. Some of the choreography had them moving around quickly, and moving back and forth around other puppeteers. The whole thing amazed, and perplexed, me.

I did just enjoy the show. Avenue Q is a great show, and this cast and crew did really well with it.

Tracy is a DJ with KSSU