Weekly Staff Picks #1


kssu staff pick

Welcome to KSSU’s inaugural weekly staff picks! This is where our DJs pick their current favorite song and artist from recently released music. We will feature 5-6 songs that are currently on our radar. Stay tuned every week to see what we pick, maybe your favorite track will be selected.

 

Staff Pick 1: Lucy Morales

Boss Selection – Wouldn’t it be wild, Volume 1

Boss Selection is the moniker for the seasoned world wide producer Sunny Levine. With Quincy Jones as his grandfather, he certainly is no stranger to living up to large expectations. Under Boss Selection, he has produced a mixtape inspired album with 12 different artists successfully using crowdfunding for all the costs. My personal favorite from the album is “wouldn’t it be wild” featuring Orelia. It’s an unboastful chillwave like track that becomes infectious without even being conscious about it. It’s the best kind of song to pop into your car to relax after a long day.

 

Staff Pick 2: Jerel Labson

Kanye West – Ultralight Beam, The Life of Pablo

Of course this has to be somewhere on the first KSSU’s Picks Of the Week! Hearing this first track play at the Yeezy Season 3 fashion show really set the bar and got me ready to hear the rest of TLOP. The instrumental is beautiful. The occasional drums also really get me going. Having The Dream, Kelly Price, and the choir literally taking us to church was amazing to hear. Chance the Rapper’s verse was possibly the BEST verse on the album as well. Donnie Trumpet backing the second half His flow and biblical references (“Got my ex looking back like a pillar of salt”), just DOPE. I could go on, but I have no more words. Just listen to it. One more note… Can I consider this as a Christian song??

 

Staff Pick 3: Cole Nelson

Stone Sour – Love Gun, Meanwhile in Burbank

My song of the week comes from the album Meanwhile in Burbank… by Stone Sour. Released in April of 2015, this album features hard rock covers of classic rock and metal artists. My favorite out of the album is their rendition of KISS’ classic song, “Love Gun.” Stone Sour’s version features heavy use of a grunge sounding guitar along with a strong drum line while still retaining that classic rock/disco vibe that KISS is known for. “Love Gun” is one of the better covers of a song I’ve heard recently and recommend it to those who like the original tune with a bit of a kick to it.

 

Staff Pick 4: Angelina Rios

Bomba Esteré – Soy Yo, Amacer

Bomba Esteréo is a Colombian band that formed in 2005. With the recent release of their new album Amacer, the track Soy Yo is nothing short of excellent. With a catchy beat, its traditional Colombian instruments have a contagious effect and it’s hard to resist dancing in your chair. This track represents respecting and accepting one another for who they are. While the band does not wish to conform to one genre of music, they can best be described as having an electro base with Cumbia and dance elements as well.

 

Staff Pick 5: Anne Thorp

Daughter – New Ways, Not To Disappear

Daughter is the name of a three-person, London-based indie rock group, together since 2010. Their EP ‘Not To Disappear’ came out in 2014, and this March they start an already mostly sold-out North American tour in major cities across the U.S. and Canada. New Ways is the first track of the EP, and soundly embodies all that is good about the entire album. It’s moody, the vocals ethereal, with an edge of grit in the guitars and drums that speaks of the kind of disjointed, worn cynicism modern life frequently brings. It reminds us, as singer Elena recites, that sometimes we all feel we need new ways.  

 

Staff Pick 6: Claudia Rivas

Charlie Hilton – 100 Million, Palana

Charlie Hilton, lead singer for Blouse,  released her debut solo album Palana on January 22 via Captured Tracks. The album was produced by Unknown Mortal Orchestra’s Jacob Portrait. The album includes “100 Million”, which I’ve been playing on repeat for much of this week. The track was produced by, the band Woods’, Jarvis Taveniere. The song features vocals and music by Mac DeMarco. The track sounds folk-like, similar songs by Beach House and She & Him. Hilton’s vocals are much like Zooey Deschanel in this song, light and dreamy. Lots of simple guitar chords and settle drum background occur as well. Reminds me of a tune that would play at a modern Woodstock, hippie festival. It’s a song that will keep most fans of this type of music in a good mood.

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Beautiful Noise, Exquisite Tastes, and Creative Minds: The Complete TBD Fest 2015 Experience


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This past weekend TBD Fest has left a mark of music, art, design, food, and ideas in the city of Sacramento. The festival drew in thousands of diverse people, locals and visitors alike, to experience the unique Sacramento festival that is TBD.

To start off, this weekend was incredible. Everything from the acts to the food was something to look back on. The lineup fit the flow of the weekend; starting Friday off with bang, reaching a pinnacle of epicness on Saturday, and concluding with a sure sense of satisfaction on Sunday       (sorry for the tongue twister).

 

Festival Grounds

A vital part of any festival is to get a feel of where you will be for the next few days. The first thing to do is find a schedule and a map. They weren’t readily available, but the customer service tent had no problem handing out printed schedules (nothing too fancy, just a print out). Since there was no map, the only option was to explore the grounds.

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Having fun with the displays!

The grounds weren’t too vast and the layout was simple: a main stage on opposing sides with smaller stages near them. In between there was the “Rise + Create” space. A vendor village, complete with local vendors selling food, drinks, art, and clothing. All the food and drink being carefully crafted, the clothes being hand-made or hand-pressed, and beautiful pieces of art being created. This section of the festival truly shows the creative and tasteful minds of Sacramento. Near and around the “Rise + Create” space there were some awesome displays. Changing pillars of light, painted pyramids, murals, and the great display by PORTAL SAC. the perimeters of the grounds had the bars and food trucks. The festival even had it’s own giant ferris wheel (which all the proceeds from went to helping those recently affected by the California wildfires). There was a lot to see and do at TBD Fest besides watch the musical acts.

 

Demolicious Derby

If none of the musical acts were catching your attention or it was just too hot for you to be standing outside, then the “Demolicious Derby” was the place to go! It took place under a shaded tent with a nice patch of grass (I’m assuming so none of the dirt or dust flies into your food). It’s a cook off between two Sacramento chefs of the fine dining scene. They both have to use a certain ingredient. They also have to cook and serve out of a food truck. The food was completely free and completely delicious.

While waiting for the food, festival goers could watch the cooking from a live video feed screened on a large screen outside. The visuals and smells would make the audience even more hungry. Some moves such as adding the spice would make the audience “ooo” and “ahh.” A comedic MC would be hosting the event so it’s not just two dudes cooking food. Attendees would have to partake in both dishes and place their used forks in their respective choices. Both competitors were always good and humble chefs.

A little example of a cook off: both chefs had to use lamb. One made street tacos, but instead of a tortilla, he a used flattened and fried pork bun. The other made a greek style lamb poutine. Drooling yet? We were.

 

The Music

As mentioned  earlier, each day had a lineup that made a great flow for the weekend. Little disclaimer: I’m not really a big fan of EDM, so I didn’t catch much of the DJ sets.  

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Toro Y Moi

Friday was explosive. The first artist was the band, Cathedrals. With their chill, new wave sound, and heavy bass, Cathedrals gave the crowd something great to vibe to. Then I was able to catch Towkio, Chicago based rapper associated with Save Money and Vic Mensa. Even though the crowd didn’t know the words, Towkio and his DJ were able to pump up the crowd. Head back to the main stage and you would be able to catch the dreamy set of Toro Y Moi. This was one of the artists I was looking forward to watching the most, and they did not disappoint. Playing a good blend of the newest album, What

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Tyler, The Creator

for?, and their older stuff, the set was great. Ty Dolla $ign got the entire crowd dancing or jumping to his songs. The best part of his set was when he pulled out a bass and started groovin out (I didn’t know he could even play instruments). He was even able to stage dive into the crowd during the end of his set. The only EDM set I caught on Friday was some of was RL Grime’s. Playing a heavy trap set for the festival, he had everyone moving. The craziest crowd goes to the set of Sacramento native, Death Grips. The experimental industrial noise rap group made the biggest mosh pit of the weekend, bringing the first big dust cloud into the air. Being in the mosh, I breathed in a little too much dirt. The night ended with Tyler the Creator bringing  energy to the stage. Although he couldn’t bring the visuals he wanted, the set was still crazy. The crowd moshed, jumped, and sang along to the words. It wouldn’t be a Tyler the Creator set without his comedic side comments. The day really set the mood for the rest of the weekend.

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Chance the Rapper

Saturday was big. With the longest day of TBD Fest, there was a lot to do. Although the day was spent mostly walking around the grounds, eating, and hanging out, all the musical acts were great. Dark pop duo, ASTR, started the day off for me. They gave an electrifying performance with some heavy bass hits, melodic scales and licks, and some crazy dance moves. I even had the pleasure of interviewing them backstage (interview coming soon, really cool people). Joywave, an electronic indie band, drew one of the larger crowds for the small stages. Before playing, they took time to perfect their sound and it was worth it. The crowd was very responsive with each song and it was awesome to be apart of. Ratatat was one of my favorites for the weekend. The electric guitar duo had holograms and lasers, putting on one of the best visuals for the weekend. Porter Robinson had some nice visuals as well. Although I couldn’t really vibe to the music, he still put on a good show equipped with anime graphics and massive confetti shots. The crowd loved it. I was able to catch the tail end of Magic Man’s set on the opposing small stage. Although there weren’t that many people watching the set, they still gave it their all and ended with their hit, Paris. Chance the Rapper was the main act I was looking forward to for the whole weekend. The set was amazing. He came with his full band, Donnie Trumpet and The Social Experiment, which made for a much fuller sound. The visuals weren’t top notch, but it didn’t matter because the music and energy put out from the performance was, to me, the best for this weekend. Sing alongs, jumping around, crowd participation, amazing trumpet solos, it had it all. Even though he admit to go out of order of their intended set due to excitement (Chance would become a father two days later) they still made it the best. Saturday had something big for fans of all different music genres.

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Tears For Fears

Sunday was a great way for the weekend to wind down. Up and coming rap/r&b artist (who recently made a song with Kanye West) Post Malone put on a good five song set to start off our day. Although he has blown up due to the success of his hit song, White Iverson, Post Malone still kept it humble, and kept it entertaining. He even performed White Iverson again for his closer, having the crowd sing the entire last verse to closer. After, we were walking and on the nearby small stage, this band O began to play. They were able to keep us and the others for their whole set. They’re an indie band from San Francisco, do check them out. I was sad to have missed Dr. Dog and A Place to Bury Strangers due to attending a Demolicious Derby, but I heard the sets were amazing. Right when we got to A Place to Bury Strangers, the lead singer had just smashed his guitar to end his set. Sad to have missed that, but it was on to the 90’s alt rock band, Dinosaur Jr.! Although they are getting old, they can still play flawlessly. With great

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Madeon

tunes and heart reaching solos, Dinosaur Jr. had a high-caliber set. After, Black Lips took the smaller stage. This goofy garage rock outfit from Georgia had a really fun set. After some jokes and moshing ensued, it was time for the OG (an older act, usually more famous in the 80’s)  headliner (every festival has to have one amiright?), Tears for Fears! Watching their set was like jumping back into the past, a time where most of the people attending TBD were either not alive or too young to go to a concert. Of course, the crowd sang along to classic hits such as Everybody Wants to Rule the World and their closer, Shout. They even surprised the audience with a slower yet full version of Creep by Radiohead. Madeon electrified the crowd as the last EDM performance of the weekend. I had to jump around a few times for that performance. I wasn’t able to stay, but I heard and read that crowd favorite Chromeo properly wrapped up TBD Fest with their funky tunes.

 

Closing Remarks

2015-09-22 04.01.12Overall, TBD Fest is a must-go for anyone in Sacramento, the surrounding Northern California area, or anyone in the world that wants to have a good time. Although not as big as famous festivals such as Cochella, TBD Fest is able to provide some of the top acts in music today in a comfortable yet enthralling environment. Everyone from the acts to the volunteers to the workers to the security to everyone else helped make this weekend what it was. It wasn’t just  about the music, but about the local artistic minds and tastemakers coming together to bring entertainment to Sacramento. It’s exactly what this city needs, a positive driving force in today’s creative culture.

 

 

Check out our mini Instagram Vlogs of the Festival!

If you liked this article, be sure to tune into KSSU.com on Wednesdays from 6:00pm-7:00pm for the 30/30! 30 minutes of music followed by 30 minutes of talk with me, Jerel Labson! 

Also be sure to follow my personal blog, jmbldup.wordpress.com!  

 

The Ghost Inside/ Attila/ Volumes Album Reviews.


I want to take a moment and talk about some news albums that came out recently, and by recently I mean within the last six months. The Ghost Inside, Attila, and Volumes all dropped some heavy stuff and I checked out all their new albums. Holy snap crackle and pop, they were extravagant. The Ghost Inside with some hardcore melodies, Attila with their IDGAF in-your-face attitude, ad Volumes with a melodic change for the better.

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Once again, the Ghost Inside have proven themselves to be one of the leading bands in the hardcore scene. To all those who say they went “mainstream” and are not underground anymore, I say to you, screw that. If a band can make it big and get paid more so they can actually afford nice things instead of sticking to the underground and getting paid diddly squat for a run down apartment, I say go for it and get big. The first song “Avalanche” straight up pumps up the mood for everybody with a nice build up in the beginning and gang vocals to breakdown as a finisher. The debut song “Dear Youth” covers all aspects of a great song; powerful riffs, relatable lyrics, empowering breakdowns, and a harmony that is off the chain. Well done The Ghost Inside.

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First off, Attila is not a band meant to be taken as “meaningful” or important to your life goals. They are a party hard, DGAF kind of band with a new album called “Guilty Pleasure”. With a mix between brutal exhales and rapping, Fronz (vocalist) has multiple virtuoso moments throughout the song. Some tracks make me shake my head and say “what the heck is this” but tracks like “Guilty Pleasure” and “Horse Pig” get me throwing chairs and flipping tables. Again, they are not very deep and philosophical, but they kill it live. I speak from past experiences when i say they put on a fantastic show with lights, and 8O8 drops. This new album will take their concerts to the next level. I saw an Instagram video of a huge wall of death to one of their new songs and that is enough to convince me that this new album is worth purchasing.

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Last but certainly not least, Volumes. Volumes is a Djent band well-known for their breakdowns, but their album “No Sleep” was not what fans expected this album had a lot of lighter, more melodic tracks on it. Don’t get me wrong, the tracks are amazing and I am happy to hear that Volume’s use of music theory and desire to do less heavy music in their future, but Volumes received a lot of fire. In their song “The Mixture”, the lyrics say “you can have metal back” and in an interview, the vocalists said they are dropping from their label to pursue music on their own path. The album “No Sleep” is the first step in Volumes new style and wave of music, and I love every bit of it.

Thanks for reading, I am DJGingerbeard and to hear music from The Ghost Inside and Volumes (Attila is too vulgar) tune into my show “Shred the Gnar” every Thursday at 9am on http://www.kssu.com.

Favorite Albums of All Time: Kanye West, Kaskade, Settle, and Last Dinosaur


kanye

My favorite album of all time is a hard question to necessarily answer. I actually have four different ones, one each representing my favorite album for that particular genre.

[Read more…]

Drake: Nothing Was The Same Album Review


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If you were looking for Drake to get back to his rapping roots on his latest effort, you’re going to have a bad time.

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Electro Music


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Ok so I have to admit that I’m starting to really enjoy listening to electro music.  Four years ago some of my DJ friends would play this kind of music during their sets and I would get so annoyed.  Then, they would always tell me “Lorie, you better get used to this, pretty soon this kind of music is going to be played on main stream radio”.  And sure enough, they were right.

[Read more…]

10 Reasons Why “The Yeezus Tour” is a Big Deal


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Kanye West will be going on tour this month and yes, it is a big deal! But why, you may ask? Here, I compiled 10 reasons why it is, so go read it fans/haters!

10. Hasn’t done a solo headliner in 5 years 

The poster says it all. Kanye hasn’t done a solo tour in 5 years, the last one being the “Glow in the Dark Tour”. He skipped out on a supporting tour for what can be argued as his best album yet, “My Beautiful Dark Twisted Fantasy,” so he could be making up for lost time. Although he has done Coachella, the Made In America Music festival, and went on tour with Jay-Z to support “Watch the Throne” over these last five years, nothing is quite the same as your own headline tour. Especially with Kanye at the helm, and no one else, who knows what can happen.

[Read more…]

Music Review: Frank Ocean “channel ORANGE”


“channel ORANGE” is one of my most anticipated albums for this year, and probably my most anticipated albums in a long, long, long time.  I can’t remember the last time I sat to myself and thought “I can’t wait for that album.”  I generally practice patience and can wait.  Good thing comes to those who wait.  I still had to wait for this album, but man was it such a build up.

Some of you, if not many, should have heard of Frank Ocean.  Either by the songs he has written, the albums he has helped produced, or a few songs he has been featured on.  Most strongly, for those into the pop/hip hop scene will obviously have heard of Jay-Z and Kanye West’s album “Watch the Throne” that had a crazy amount of hype around it (deserving of course, but still a lot of hype).  Frank Ocean is directly featured on the songs “No Church in the Wild” and “Made in America.”  Indirectly, fans of Justin Bieber, Brandy, or John Legend may have heard a few of his contributions in lyrics.

Last year Frank Ocean released his mixtape “nostalgia, ULTRA” (starting the lower-case, upper-case titling of albums, mixtapes, etc.).  Off of that mixtape, “Novacane” and “Swim Good” became solid singles. [Read more…]

Roc-A-Fella Appreciation


By Rehab

As I was interviewing with Aly Music on my show recently, I discovered there was one thing we shared in common about hip hop. We both shared a huge affinity for the entire Roc-a-Fella movement that jumped off in the early 2000s. If anyone knows me, they would tell you I’m a huge ROC fan. You could even call me a ROC stan, and I wouldn’t argue with you about that. Who would have thought the label that began as a subsidiary to Priority Records in the mid 90s would grow into one of the biggest forces anyone has ever seen in music? [Read more…]

New this week to KSSU Loud Rock – 10.17.2011


Masters of Misfortune

17th Street has a very diverse collection of songs that pulls from influences throughout time and the world. At first listen, Hammers Of Misfortune even sound like a quasi-folk metal band from one of the more icy regions of Europe which makes it hard to believe that the band is actually rooted in San Francisco. The album touches on doom, thrash, folk, NWOBHM, and even bits of black metal all with a very classic prog rock attitude. This is certainly a disc, nay, a band worth giving your time to.

Pick up 17th Street by Hammers of Misfortune via Metal Blade Records. [Read more…]