The Moments that made TBD Fest


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My good friend Jerel and partner in crime for TBD Fest just put up his all encompassing TBD wrap up blog, which you can check out here. In it he covered all the broad strokes of the festival experience, highlighting all the different bands we saw, food we ate and artistic installations we witnessed. So in interest of not covering the same ground I bring to you a more microscopic look at TDB through the lens of my favorite individual moments of TBD. Each festival is a collection of miniature moments forged by the fires of the collective consciousness and frenetic energy that is unique to each individual event. This is a celebration of those moments which helped to make the second annual TBD Fest the powerhouse of artistic expression it ended up being.

I’ll start with the first and altogether funniest moment I experienced at TBD. During Joywave’s entire set they had kept the crowd entertained, not only with their killer and perfectly sequenced set but also with the jokes and witty charisma of lead man Daniel Armbruster. However, nothing that came before it was quite as funny as when Armbruster began the chants of “one more song,” essentially calling for his own encore. Armbruster feigned surprise at such an outpouring of support and proclaimed that this had to be the very first encore in TBD Fest history. Having got his laughs and the “encore” he wanted, Armbruster and his fellow band mates kicked off the last song and tore down the house in magnificent style.

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The next moment comes to you in the form of a song, more specifically a cover song. Even more specifically Tears for Fears cover of 1992 Radiohead mega-hit “Creep”. Now this moment really resonated with me for two reasons, even outside of how brilliantly it was performed. First and foremost, as any good rock historian will tell you, there is no way in hell you will hear “creep” performed by it’s original makers. With all the vitriolic hate Radiohead have for for the song it might even be best experienced as a cover. Despite all of the negative vibes surrounding this song it still holds a special place in my musical history and I’m glad to have seen it live in one capacity or another. Secondly and perhaps more deeply, I could not help but feel a sense of a changing of the guard occurring. No Tears for Fears are still clearly a cultural powerhouse being able to headline festivals in 2015 and Radiohead aren’t exactly the new kids on the block anymore but to me this cover signaled a nod of respectful appreciation from the 80s to the 90s. A retroactive vote of confidence and plea of appreciation for carrying the tradition of odd outsider music for the next generation. Perhaps that’s me just being sentimental though.

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This next chewy morsel of festival good will has less to do with a particular artist and more to do with the festival goers themselves. Allow me to set the stage. The Black Lips had been putting on quite the show for their whole set, talking in weird voices, shouting out to their potentially imaginary friend Luna, and generally being quality showmen. A bit of a light mosh pit had been forming and had slowly been gaining speed as the set went on. This caught the eye of someone who I assume was The Black Lips roadie, as he was up on stage with them at one point. This man, who was a larger individual, came down off the stage to provide a buffer between the rowdy moshers and the people near the front of the stage who had no interest in moshing. As The Black Lips counted off their last song Jerel and I jumped into the pit, correctly predicting it would be the final mosh of the festival. As we aggressively pranced about I noticed a particularly wild mosher continually slamming around and getting pushed back by the resident “larger man” mosh boss. As the song continued on they began exchanging heated words and I immediately smelled a fight brewing. The tension did not subside but managed not to boil over for the remainder of the fight. As The Black Lips said their goodbye and the crowd began to disperse, before I even knew what was happening both men were in an lovingly respectful embrace! I could not quite hear what they were saying but I imagine it was along the lines of “thanks for keeping me in line man, I really respect that,” “I respect you too man, take care of yourself and have a good festival.” Now that might be a little far off but the crux of why I liked this moment so much was the way in which festivals can bring out each person’s camaraderie and I certainty felt that camaraderie at TBD.

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Lastly but not leastly we come to none other than Chicago native Chance the Rapper. My personal favorite performer of the entire weekend. This moment ends up being a bit more aqueous than the previous moments but it started as soon as Chance kicked off his set. Bringing an energy and closeness to the audience unmatched throughout the whole festival, Chance immediately had us on his side. Even though I was not familiar with every Chance the Rapper cut, I would sing along every time that I could halfway catch on to the choruses.  The crowd seemed to be giving all the energy they had and Chance was dishing it right back at us in a monumental showing of skill and passion. Suddenly the mood slowed down as Donnie Trumpet and The Social Experiment began to chill down and vibe. Chance then proclaimed he was gonna play a song we never heard before but one we all knew the words to. I immediately assumed it would be an old school rap/R&B throwback, one of which I was hoping I would in fact know the words to so that I would not let my new found hero Chance the Rapper down.  However, I could not have been more wrong as Chance began to sing “And I said hey.” Now I will give you a second to ponder what that line might be from…but I myself immediately recognized it as being the Arthur theme song. For those that are not in the know Arthur was a PBS kids show in the 90s era and it had arguably one of, if not the best theme songs of the decade. Along with being a killer tune, the Arthur theme song has a wonderful message of learning to work and play and get along with each other. At this point I am ecstatic along with the rest of the crowd as Chance the Rapper, Donnie Trumpet, and The Social Experiment throw down a deconstructed and all around awesome rendition of one of my favorite childhood memories. Needless to continue to say, that was my favorite moment of TBD Fest.

Beautiful Noise, Exquisite Tastes, and Creative Minds: The Complete TBD Fest 2015 Experience


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This past weekend TBD Fest has left a mark of music, art, design, food, and ideas in the city of Sacramento. The festival drew in thousands of diverse people, locals and visitors alike, to experience the unique Sacramento festival that is TBD.

To start off, this weekend was incredible. Everything from the acts to the food was something to look back on. The lineup fit the flow of the weekend; starting Friday off with bang, reaching a pinnacle of epicness on Saturday, and concluding with a sure sense of satisfaction on Sunday       (sorry for the tongue twister).

 

Festival Grounds

A vital part of any festival is to get a feel of where you will be for the next few days. The first thing to do is find a schedule and a map. They weren’t readily available, but the customer service tent had no problem handing out printed schedules (nothing too fancy, just a print out). Since there was no map, the only option was to explore the grounds.

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Having fun with the displays!

The grounds weren’t too vast and the layout was simple: a main stage on opposing sides with smaller stages near them. In between there was the “Rise + Create” space. A vendor village, complete with local vendors selling food, drinks, art, and clothing. All the food and drink being carefully crafted, the clothes being hand-made or hand-pressed, and beautiful pieces of art being created. This section of the festival truly shows the creative and tasteful minds of Sacramento. Near and around the “Rise + Create” space there were some awesome displays. Changing pillars of light, painted pyramids, murals, and the great display by PORTAL SAC. the perimeters of the grounds had the bars and food trucks. The festival even had it’s own giant ferris wheel (which all the proceeds from went to helping those recently affected by the California wildfires). There was a lot to see and do at TBD Fest besides watch the musical acts.

 

Demolicious Derby

If none of the musical acts were catching your attention or it was just too hot for you to be standing outside, then the “Demolicious Derby” was the place to go! It took place under a shaded tent with a nice patch of grass (I’m assuming so none of the dirt or dust flies into your food). It’s a cook off between two Sacramento chefs of the fine dining scene. They both have to use a certain ingredient. They also have to cook and serve out of a food truck. The food was completely free and completely delicious.

While waiting for the food, festival goers could watch the cooking from a live video feed screened on a large screen outside. The visuals and smells would make the audience even more hungry. Some moves such as adding the spice would make the audience “ooo” and “ahh.” A comedic MC would be hosting the event so it’s not just two dudes cooking food. Attendees would have to partake in both dishes and place their used forks in their respective choices. Both competitors were always good and humble chefs.

A little example of a cook off: both chefs had to use lamb. One made street tacos, but instead of a tortilla, he a used flattened and fried pork bun. The other made a greek style lamb poutine. Drooling yet? We were.

 

The Music

As mentioned  earlier, each day had a lineup that made a great flow for the weekend. Little disclaimer: I’m not really a big fan of EDM, so I didn’t catch much of the DJ sets.  

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Toro Y Moi

Friday was explosive. The first artist was the band, Cathedrals. With their chill, new wave sound, and heavy bass, Cathedrals gave the crowd something great to vibe to. Then I was able to catch Towkio, Chicago based rapper associated with Save Money and Vic Mensa. Even though the crowd didn’t know the words, Towkio and his DJ were able to pump up the crowd. Head back to the main stage and you would be able to catch the dreamy set of Toro Y Moi. This was one of the artists I was looking forward to watching the most, and they did not disappoint. Playing a good blend of the newest album, What

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Tyler, The Creator

for?, and their older stuff, the set was great. Ty Dolla $ign got the entire crowd dancing or jumping to his songs. The best part of his set was when he pulled out a bass and started groovin out (I didn’t know he could even play instruments). He was even able to stage dive into the crowd during the end of his set. The only EDM set I caught on Friday was some of was RL Grime’s. Playing a heavy trap set for the festival, he had everyone moving. The craziest crowd goes to the set of Sacramento native, Death Grips. The experimental industrial noise rap group made the biggest mosh pit of the weekend, bringing the first big dust cloud into the air. Being in the mosh, I breathed in a little too much dirt. The night ended with Tyler the Creator bringing  energy to the stage. Although he couldn’t bring the visuals he wanted, the set was still crazy. The crowd moshed, jumped, and sang along to the words. It wouldn’t be a Tyler the Creator set without his comedic side comments. The day really set the mood for the rest of the weekend.

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Chance the Rapper

Saturday was big. With the longest day of TBD Fest, there was a lot to do. Although the day was spent mostly walking around the grounds, eating, and hanging out, all the musical acts were great. Dark pop duo, ASTR, started the day off for me. They gave an electrifying performance with some heavy bass hits, melodic scales and licks, and some crazy dance moves. I even had the pleasure of interviewing them backstage (interview coming soon, really cool people). Joywave, an electronic indie band, drew one of the larger crowds for the small stages. Before playing, they took time to perfect their sound and it was worth it. The crowd was very responsive with each song and it was awesome to be apart of. Ratatat was one of my favorites for the weekend. The electric guitar duo had holograms and lasers, putting on one of the best visuals for the weekend. Porter Robinson had some nice visuals as well. Although I couldn’t really vibe to the music, he still put on a good show equipped with anime graphics and massive confetti shots. The crowd loved it. I was able to catch the tail end of Magic Man’s set on the opposing small stage. Although there weren’t that many people watching the set, they still gave it their all and ended with their hit, Paris. Chance the Rapper was the main act I was looking forward to for the whole weekend. The set was amazing. He came with his full band, Donnie Trumpet and The Social Experiment, which made for a much fuller sound. The visuals weren’t top notch, but it didn’t matter because the music and energy put out from the performance was, to me, the best for this weekend. Sing alongs, jumping around, crowd participation, amazing trumpet solos, it had it all. Even though he admit to go out of order of their intended set due to excitement (Chance would become a father two days later) they still made it the best. Saturday had something big for fans of all different music genres.

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Tears For Fears

Sunday was a great way for the weekend to wind down. Up and coming rap/r&b artist (who recently made a song with Kanye West) Post Malone put on a good five song set to start off our day. Although he has blown up due to the success of his hit song, White Iverson, Post Malone still kept it humble, and kept it entertaining. He even performed White Iverson again for his closer, having the crowd sing the entire last verse to closer. After, we were walking and on the nearby small stage, this band O began to play. They were able to keep us and the others for their whole set. They’re an indie band from San Francisco, do check them out. I was sad to have missed Dr. Dog and A Place to Bury Strangers due to attending a Demolicious Derby, but I heard the sets were amazing. Right when we got to A Place to Bury Strangers, the lead singer had just smashed his guitar to end his set. Sad to have missed that, but it was on to the 90’s alt rock band, Dinosaur Jr.! Although they are getting old, they can still play flawlessly. With great

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Madeon

tunes and heart reaching solos, Dinosaur Jr. had a high-caliber set. After, Black Lips took the smaller stage. This goofy garage rock outfit from Georgia had a really fun set. After some jokes and moshing ensued, it was time for the OG (an older act, usually more famous in the 80’s)  headliner (every festival has to have one amiright?), Tears for Fears! Watching their set was like jumping back into the past, a time where most of the people attending TBD were either not alive or too young to go to a concert. Of course, the crowd sang along to classic hits such as Everybody Wants to Rule the World and their closer, Shout. They even surprised the audience with a slower yet full version of Creep by Radiohead. Madeon electrified the crowd as the last EDM performance of the weekend. I had to jump around a few times for that performance. I wasn’t able to stay, but I heard and read that crowd favorite Chromeo properly wrapped up TBD Fest with their funky tunes.

 

Closing Remarks

2015-09-22 04.01.12Overall, TBD Fest is a must-go for anyone in Sacramento, the surrounding Northern California area, or anyone in the world that wants to have a good time. Although not as big as famous festivals such as Cochella, TBD Fest is able to provide some of the top acts in music today in a comfortable yet enthralling environment. Everyone from the acts to the volunteers to the workers to the security to everyone else helped make this weekend what it was. It wasn’t just  about the music, but about the local artistic minds and tastemakers coming together to bring entertainment to Sacramento. It’s exactly what this city needs, a positive driving force in today’s creative culture.

 

 

Check out our mini Instagram Vlogs of the Festival!

If you liked this article, be sure to tune into KSSU.com on Wednesdays from 6:00pm-7:00pm for the 30/30! 30 minutes of music followed by 30 minutes of talk with me, Jerel Labson! 

Also be sure to follow my personal blog, jmbldup.wordpress.com!  

 

TBD Fest Preview


tbd-fest-2014-1557452-regularComing on October 3rd, 4th, and 5th, Sacramento will be sonically assaulted by the biggest musical festival the 916 has yet to see.  From the makers of the Launch Festival comes to newly re-branded TBD Fest!

The Launch crew is seven years deep in experience with providing Sacramento with their SXSW-inspired festival.  For a number of years, Launch was a one day ordeal.  In 2012, Launch expanded into a two-day extravaganza.  Last year, Launch was a two-day party at Cesar Chavez Park, with a pre-party being held the Friday before at Ace of Spades.  Those three days last year was probably the most fun, enhancing, and artistically filled days of my life on the best coast.  Last saw headlining acts of Wallpaper on Friday at the pre-Launch Party at Ace of Spades, and Girl Talk and Imagine Dragons on Saturday and Sunday night at Cesar Chavez Park in Downtown Sacramento.   [Read more…]

Aftershock Festival Review


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On the weekend of September 13/14, 2014, Discovery Park in Sacramento hosted the 3rd year of the annual Monster Energy Aftershock Festival. I was excited to be one of the KSSU radio personalities to go to this event.

Last year’s lineup consisted of Avenged Sevenfold, Five Finger Death Punch, and, one of my personal favorites, Megadeth. With such a great lineup, the festival brought in over 30,000 people.

So how did this year’s festival compare to last year’s fantastic performances and results? There were a lot more bigger named bands playing this year, as well as what seemed like more bands in general. Overall, I was very interested in going to this year’s festival, more than last year’s, which indicates we can expect bigger and better things from this festival year after year.

Day 1:

For Day 1, due to illness, my personal schedule consisted of headliners The Offspring and Weezer.

I was very happy The Offspring did not play a lot of their newer music; in fact, they only played You’re Gonna Go Far, Kid and went right back to older music. I remember being into the band when I was younger, so I am a bit biased when it comes to the older stuff vs. their newer stuff. They ended up playing their album Smash in its entirety as well as a few other older songs such as Pretty Fly (for a White Guy) and Why Don’t You Get a Job?. They even included the voice overlay that is included on the albums of the man that makes you imagine a guy in a robe, by a fireplace, playing The Offspring record on his old-fashioned record player (for example, Intermission allowed them a short break and was hilarious to someone who remembers it fondly). The kindest moment of their performance was when Dexter Holland (the vocalist) made sure when a person fell that people around him/her checked to make sure he/she was ok. This shows they are still human and not the egotistical rockstars many seem to become.

Weezer picWeezer was on their game!!! Such a great performance! They also played quite a few older tracks, including a more intimate, more ballad-like rendition of Island in the Sun, which I thoroughly enjoyed. They also shared a song called Back to the Shack off their upcoming album. It sounded like Weezer mixed with one of my favorite So Cal bands Sprung Monkey. To make things a little more interesting, it seemed there were no pauses between songs, but bluesy fade-ins from one song to the other. This show really presented how great of musicians these guys are, especially Rivers Cuomo.

Day 2:

For Day 2, my personal schedule consisted of: Buckcherry, Pennywise, Mastodon, Rise Against, Five Finger Death Punch, and Rob Zombie.  

Having seen Buckcherry before, I was very excited to see them again. They played a mix of new and older songs, with more emphasis on older songs. They had one of the guys from 1980s metal band Skid Row filling in on guitar, and he did a fantastic job. On top of their own songs, the band also did a slightly altered cover of Icona Pop’s I Don’t Care (a fantastic cover!) and AC/DC’s Big Balls.

Pennywise!!! Oh man, what bad things can ever be said?!?!?! They ALWAYS deliver a great show filled with antics and Pennywise Picperfect music. They were probably the best performance of the entire festival since they were one of the most energetic and most in time bands. They did mini covers of a bunch of songs based off shirts worn by audience members, such as AC/DC’s TNT and Van Halen’s Ain’t Talkin’ ‘Bout Love. They also dedicated the song My Way of Life to the infamous Jay Adams. Being a big lover of Dogtown culture myself, I thoroughly appreciated the dedication and acknowledgment of the creative genius who passed away just last month. And, of course, they ended the show with Bro Hymn.

Rise Against, like Buckcherry, did a good mixture of new and old songs, with an emphasis on older songs. At first, I was a little harsh on the band. I saw them a couple years ago at Warped Tour, and they were phenomenal! This performance left more to be desired from Tim McIlrath. The rest of the band was perfect and in time, however vocalist Tim seemed to be having a little trouble. However, when he talked between songs, I noticed that he sounded to be a little sick. Poor Timmy!!! After that, I was very understanding (having been a vocalist at one point in time), and thought he did a very good job for being sick.

I am a Way of the Fist type of girl when it comes to Five Finger Death Punch, however, their set was really solid!!! A lot of newer stuff was played, but I enjoyed it nonetheless. I think the most precious moment of the entire concert was when vocalist Ivan Moody pulled a couple of families with kids on stage to get water, watch from a better view, and even join in on a song. Awwwwwwww. How sweet is that???? The only suggestion I have for their performance was to not go off stage faking everyone out that they were done playing, just to come back FOUR TIMES! One time is fine, four times is not, especially when the Rob Zombie stage right next to their stage is lit up looking like it’s ready to go any time.

Rob Zombie was flawless! They started with a fantastic cover of American Band by Grand Funk Railroad. During their set they even did a mini cover of James Brown’s Sex Machine, which I have to say, I think I like it better than the original. With lots of red lights, monster-themed backgrounds, and a hellacious drum solo at one point, everything desired from a Rob Zombie show as delivered.

Make sure you check out my show Roll Outta Bed With Brittany on kssu.com Tuesdays at 11am. I play a lot of the same stuff that was at Aftershock as well as other genres.

SXSW with DJ Mappquest


What is SXSW? It is a film, interactive, and musical festival held annually in Austin, Texas – the music capital.

What do you do there? Too much to say. But to name a few, attend lectures, sessions, seminars to learn a few new things, attend panels to hear what the experts in the field have to say, see exhibition halls filled with tons of businesses and artists and what they have to provide, make and/or watch film/products, and, what I did primarily, go to showcases and concerts for MANY artists. You can also network with like-minded individuals and other professionals, make new friends, and much more. [Read more…]