Album Review: Satan’s graffiti or God’s art?


Black Lips’ new album is just like any other album they’ve released in the past 15 years, exciting and very different than any other release out there right now. In Satan’s graffiti or God’s art?, they’ve introduced a full time saxophonist Zumi Rosow, while two long-time members, Joe Bradley and Ian St. Pé, left the band. Black Lips’ sound has been altered since the original drummer and long time guitarist have left, but their reckless and eclectic sound has shown itself in this album as well.

Points are given to their attempt of making Satan’s graffiti or God’s art? a conceptual album, but it wasn’t quite executed in a creative and consistent way. Had there not been short interlude tracks that feel like filler songs and no sense of consistency, it would have definitely exceeded expectations. Even though it was produced by Sean Lennon and had background vocals from Yoko Ono, it felt like they were just hanging out; you couldn’t feel their presence throughout the album. Maybe they were just there as a big names to get people to listen to this release?

As a conceptual album, I didn’t feel the vibe of a overarching theme or influence. Most of the tracks had okay vocals, but nothing throughout the album excited me to be a repeat worthy album. I would give “Can’t Hold On” and “Crystal Night” a listen when you first dive into the album. They’re easy listening tracks that had a road-tripping kind of sound but have them in the background at a party as well.

All in all, I didn’t love Satan’s graffiti or God’s art?. It feels like Black Lips need to evolve their sound and change it up a bit. A few songs are worth listening but definitely not my go-to for hot new albums of 2017.

 

 

Follow Me Into Sweet Fields of Blue: a Tennis Review


Tennis came back last month with there latest album Yours, Conditionally. After a months out at sea, facing nature and the isolation of the vast ocean they’re back at it making dreamy surf pop.

The duo had worked together with Urban Outfitters as they tracked their adventures writing the album out on the high seas. The married couple of Alaina and Patrick Moore along with one other person took to the ocean on a sail boat. The couple have sailed before, often a method in their writing process. The album is the end result of love testing it’s limits against outside forces and inner struggles.

The duo can’t help but make me think back to Stevie Nicks and Lindsey Buckingham’s relationship. Although their love ended with a separation, it’s the brilliant way the two complimented each other that reminds me of the former. I’ve had the privilege of seeing Tennis live twice during their last tour and could feel the love between them from across the stage. It’s easy to see how much they support and encourage one another.

This album is a lot like their other albums, it’s warm and invokes that desire to head to the islands with your loved one. The songs feel like sunshine on your skin the very first day of spring. Alaina wrote this album as the result of her exploring and learning the limits of her love. As a wife, a lover, a partner and a friend she found herself challenging the roles she’s come into. Her marriage has taught her what it’s like to share a life with someone else yet still remain true to herself and be her own person. They’ve become a team but at the same time she understands how necessary it is to still be able to function on your own.

Ladies Don’t Play Guitar was their first release from the album. The song is her reflection on her experiences in the music industry and how being a female musician has affected her. She believes in feminism and how necessary it is for us to stand up for our beliefs and this song came at a time in her life where she’s felt the most empowered.

Other songs like Matrimony and My Emotions Are Blinding and 10 Minutes 10 Years display how her marriage has affected her life and their music. Matrimony was written as a reflection of the day they were married. Lines in the song were thoughts that crossed her mind that day. It’s personal and so incredibly sweet you can’t help but smile and wish you had been invited to their wedding.

Fields of Blue, personally my favorite off the album was inspired by the logbook or as Alaina put it, “her teenage diary”, of their days out on the choppy waters. Her findings came out sounding very stream of conscious and like that of the diary of young romantic. She became inspired by one entry in which she had written, “Follow me into sweet fields of blue”. One can’t help but yearn for their love and the sea all at once while listening to her dreamy, sentimental voice.

It’s refreshing to hear an album so consistent with its theme and quality. Often more and more artist feel like they’re trying to release singles rather than songs that flow together in an album. Yours, Conditionally takes us on a trip and leaves us wanting love and adventure out in open waters.

9 out of 10, oh what’s the use in resisting?

 

Album Review: Kings of Leon – WALLS


kingsofleon-walls-album-2016

The year of 2016 has marked the beginning and the end of a plethora of items and people.  Over the course of the year we have lost music icons such as David Bowie and Prince to name a few; however, we have also seen new releases by formidable artists and performers such as Green Day, The Weeknd, Metallica, Radiohead, etc.  One of such releases comes from American alternative-rock band Kings of Leon with their seventh studio album titled “WALLS” (We Are Like Love Songs).  Although arguably not a masterpiece, WALLS delivers familiar Kings of Leon staples reminiscent of their material eight years prior that are both energetic and relaxing.
Alternative-rock as a genre itself can be dismissed as one that is characterized by an overuse of delay, distortion, fuzz, power chords, and underdeveloped melodies that are forgettable; however, WALLS takes these familiar elements and blends them smoothly with subtle embellishments and instrumentation to offer a bit of variety.  In the opening track, “Waste A Moment”, listeners are presented with an upbeat, almost pop-oriented single that is full of energy and announces the band’s presence with their signature overtones and gain-filled rifts.  The result is a simple, yet fun way of demonstrating that this in part is the band listeners have come to enjoy over the years, yet they have changed slightly since the last time we have heard them.  The latter effect becomes apparent at the album’s midpoint with tracks such as “Find Me” and “Muchacho”, which introduce synthesizers, rhythmic sampling, whistling, and other subtle instrumental embellishments that diversify each individual tune.
Despite these small innovations, the tracks themselves are still characteristically Kings of Leon tracks that do not stand out among the discography that they have established over the years.  “Find Me”, for example, is primarily driven by a semi-complex guitar riff that appears at the track’s beginning and makes subsequent appearances with each chorus.  This is not particularly a bad thing; however, this focus on familiarity and on what we have come to expect is exactly what makes a majority of the tracks rather predictable.  Though the synthesizer usage is present briefly in the beginning and sporadically though each verse, it is a lack of utilization of these devices that makes tunes such as “Find Me” fun but relatively forgettable.  Aside from this, active listeners will also recognize a familiarity in structure.  Yes, I refer to the typical Verse-Chorus-Verse-Chorus-Verse-Chorus.  Though there is not necessarily anything wrong with this standard format, this additional limitation does not serve the band justice in these instances.  In this listener’s opinion: “I get that it works, cool, but I am getting bored”.
The Kings of Leon have always been a band that strikes me as not too innovative in regards to new styles of music, but rather, one that seeks to improve upon a genre that is adored and enjoyed by thousands throughout the world.  They have demonstrated time and time again that they are good at what they do, and I commend them for that; however, it is time to change.  What else does the Followill gang have to offer?  Until that time, enjoy more of the Kings of Leon you have come to love.

I give WALLS, a 3 out of 5.

Blog Review: Jackie Gage”Live at The Commons” 3-song EP


If you love Neo-Soul and Jazz, I recommend giving Jackie Gage a listen. Gage grew up listening and singing to icons such as Billie Holiday and Dionne Warwick. She has always been a fan of big bands and odd-structured melodies. To be unique she mixes their modern sound into her own style of what “Jazz” is today.

She recently moved to New York City where she is growing and shaping her craft. Gage has opened for The Brand New Heavies and El Debarge. She has also performed  with Marc Cary. Her music is heard internationally on the airwaves on KCRW, KCSM, Jazz FM in England, and Hawaii’s CUH. She has performed at well-known venues such as Yoshi’s Oakland/The Sound Room in Oakland, The Freight and Salvage in Berkeley. She has been seen at annual festivals such as San Jose Jazz Summer Fest (2016, 2013, 2012), Fillmore Jazz Festival (2015), and Berkeley Juneteenth (2015, 2014).

She recorded her 3-song EP at The Commons in San Jose, California in May 2016. She delivers a soulful and smooth sound and vocal. Her first song, “Let me know” consists of herself and William Bohrer. It is an upbeat song with intricate drumming and feel good guitar solos that leave you feeling mellow and chill. She engages the audience with “repeat after me” lyrics.

Her song, “Afro Blue” is the definition of Jazz music. It is my favorite on the EP. The instrumentals encompass all the right instruments, that leave you feeling relaxed and enjoying life. Her vocals are soft and delicate, but delivers a strong Blues vibe.

Her song, “Sweet”, consists of herself, William Bohrer and Timothy Wat. It sounds like a relationship song. Pull at the heart even more, with this song, it will make you reminisce about past loves and hurts, but love is always worth it.

Also, on the new EP is Tim Wat, a Bay Area pianist and keyboard player. Wat has been performing with The Floorshakers for two years now. He is an active member of the Northern California jazz community. Wat plays frequently in San Jose, San Francisco, and the East Bay. His first love is jazz, but also has experience playing rock, pop, R&B, funk, worship, progressive rock, country, classical and even goth music throughout California and the United States.

As well as Wat, William Bohrer is a bass/guitarist, who is known for being a part of 7th Street Big Band from San Jose, California. 7th Street Big Band is an 18-piece jazz band that plays high energy songs that range from Funk, Latin, and Jazz.

Jackie is a well-rounded singer and songwriter that is making waves in the music industry. She is making a name for herself in Jazz music and making Jazz more mainstream and relevant. I thoroughly enjoyed the “Live at The Commons” EP. I think she has grown as a vocalist as I listen to each song. Her range is versatile and unique. You don’t hear her sound everything. I love finding unique artists that bring a new style or ingredient to the table.

You can follow Jackie Gage’s music at her website JackieGage.org.

 

Weekly Staff Picks #3


Hello hello wide world web! We have congregated here again to choose on your behalf  what you should listen to. I know, how kind of us to do. No need to thank us, we do this for the sake of finding something we love and nothing more.

 

Staff Pick 1: Claudia Rivas

The Last Shadow Puppets – Everything You’ve Come to Expect, Aviation

The Last Shadow Puppets have finally released their sophomore LP, Everything You’ve Come to Expect, eight years after debuting, The Age Of The Understatement, in 2008. The brilliant collaborative duo of the Arctic Monkeys’ Alex Turner and former The Rascals’ front-man Miles Kane have a new batch of songs ready to take on their scheduled upcoming tour. Turner and Kane have created a LP that not only mixes guitar-rock and classical-violins seamlessly, but also rendered a collection of songs that clearly serve as a soundtrack for dangerous summer romance. In their single “Aviation”, these themes are clearly portrayed. Backed by somber strings, the tune plays out like a dramatic vintage spy film. The opening graduation of noise and dissonance of heavy guitar riffs and fluttering string arrangements that give it a Bond-like quality. Sounding like music that would be the centerpiece for a early-00s’ spy movie similar to Mission Impossible, “Aviation” is the opening song that sets the dramatic romantic tone for the entire LP, well worth the listen.

 

Staff Pick 2: Emiliano Martin

Frankie Cosmo – Fit Me In, Next Thing

Frankie Cosmos’ EP “Fit Me In” shouldn’t be overlooked in light of her newest album this year, “Next Thing.” The track “Young” and the EP itself are a departure from her earlier work with its drum machine and synth combo in place of her earlier bedroom-recorded guitar and microphone. Like a lot of her songs, “Young” is simple but serves to communicate a thought Cosmos had in a particular moment. Her music is able to deliver a sense of comfort while contemplating what it means to be “young,” “fun,” and “alive.”

 

Staff Pick 3: Lucy Morales

Club Cheval – Discipline, Legends

When you gather different and brilliant minds together into one collective, the end result is either disastrous or exceptional.  Canblaster, Sam TibaMyd and Panteros666 are four French DJs who have conjoined their electronica expertise to form the dynamic Club Cheval. Their track “Legends” is an exceptional place to start for those new to their R&B and house blended sound. The smooth croonings of Rudy seamlessly interchanges with swaggering beats and deeply penetrating basslines. What propels forward the energy and eventually settles the the direction of the track is the premature climax of dark chorus of children boldly announcing “fight for life… live to fight… ”. Easily, “Legends” has all the necessary elements to cross into American EDM territory.

 

Staff Pick 4: Lucas Oliveira

Quilt – Roller, Plaza

Are you as sick of hearing new music that sounds like updated versions of the schlocky pop songs of the 80’s as I am? Well, lucky for us, Quilt draws its inspiration from an earlier time, shirking the shotgun-snare synth-pop that many indie bands are turning to in favor of tremolo-heavy psychedelia. But while their last album wore its Jefferson Airplane and Syd Barrett influences on its sleeve, their latest release is less obviously indebted to the late 60’s. The first thirty seconds or so of “Roller” would sound perfectly at home on a Spoon album, with its chugging guitar and bass and wavering vocal-like synth harmonies. Come the chorus, the noodly bassline and chiming guitars reveal that Quilt hasn’t completely abandoned its psychedelic roots. The result is a sunny, swaying mid-tempo track that merges the music of the late 60’s with 21st century indie, and I definitely recommend it.

 

Staff Pick 5: Andrew Garcia

Tacocat – Lost Time, Dana Katherine Scully

The three words I can find to best describe Tacocat’s sound are feminist, bubblegum, punk. They harness the power of all three of these adjectives to create my new favorite song “Dana Katherine Scully,” a musical letter of adoration for the fictional FBI Agent of the X-Files department. Tacocat groove out to the charming sonics of surf punk affability and the hilarious yet fully sincere nerd love usually reserved for the most dedicated of fan-fic writers. However, they skirt obsession, in favor of endearing respect of the way in which Agent Dana Scully sees the world through logic and rational. As Tacocatputs it, “She wants to know what’s out there/but she need to know why”. It’s a groovy good time.

 

Weekly Staff Picks #2


Welcome back to another installation of KSSU’s Staff Picks! We have for you 5 recent songs that are resonating with everyone at the station. Now that we are all back from the almighty spring break, we have plenty of music to grace your ears. May these songs also become your new favorites. Cheers.

 

Staff Pick 1: Lucy Morales

James Supercave – Better Strange, Better Strange

The trio consisting of Joaquin Pastor, Patrick Logothetti, and  Andrés Villalobos bring to us from Echo Park, CA their debut LP “Better Strange.” Having released their debut EP “the Afternoon” in 2015, and now going on tour to support Wild Belle, the synth pop group is riding on unstoppable momentum. Their featured track Better Strange is ethereal and hypnotic with its use of harmonizing synthesizers. While sonically it’s zany, the song also celebrates the intrinsic value of eccentricity. Certainly, James Supercave has revitalized the indie electronic scene when there are overwhelming amounts of oversaturation.

 

Staff Pick 2: Anthony Parenzin

Basement – Lose Your Grip, Promise Everything

Basement’s classic grunge sound persists on half the tracks but the other half sound like they were written for a Nicholas Sparks movie. Needless to say my favorite song, “Lose Your Grip,” in all its glorified angst sounds like it could have come straight off their sophomore album Colourmeinkindness. It is also the only song on the album were we get a little screaming, so enjoy it because it is short-lived moment. Despite their newest album being hit or miss Basement is still a band that people should turn out to see. They are currently on finishing a European tour and they kick off a month long U.S. tour with Turnstile and Defeater in April. Don’t miss out! I’ll be at their Orangevale show on April 10th.

 

Staff Pick 3: Jared Torrez

Wet – Deadwater, Don’t You

Wet is a fairly new band within the Alt/Indie genre coming out of New York, and were called the most promising group by The Fader in 2015.  They just recently dropped their first official studio album called “Don’t You,” as well as finished their North American album tour in February.  Wet has been a favorite band of mine for a few years now and I have gotten the chance to see them live multiple times.  At the last concert of theirs I attended, they performed my favorite song from the album, “Deadwater” .  The lyrics are genuine and really bring out the feels as you can hear the vulnerability in the lead singer’s voice.  This is definitely a band you do not want to miss out on.

 

Staff Pick 3: Brianna Swain

Saul Williams – Think Like They Book Say, MartyrLoserKing

If you can expect one thing from Saul Williams, it’s that he will make politically and socially conscious music that you can dance to. The song starts with energetic drums reminiscent of 90’s breakbeat and slowly builds into controlled anarchy with pulsing synths, echoed bleeps and crunchy guitars. Personally, I’ve been following his work since he released “The Inevitable Rise and Liberation of NiggyTardust!” in 2007. Williams always has something relevant to say and just as he doesn’t pigeonhole himself into one mode of expression, (actor, singer-songwriter, musician, poet, writer) his music defies categorization as well.

 

Staff Pick 5: Emiliano Martin

DIIV – Under The Sun, Is The Is Are

DIIV’s most recent record, “Is the Is Are,” is a sunny shoegaze album that feel like it may have been better suited for a spring release. Though the gloomier backdrop of a winter release might make more sense given the context; this is DIIV’s first record since singer, guitarist and producer Zachary Cole Smith, left rehab for drug addiction. It’s overall a brighter album, perhaps signaling a change for the better. So, with the seasons soon changing and the last of the heavy winter rains coming to a close, the track “Under the Sun” is the perfect lighthearted song to help wish away those clouds quicker.

 

 

 

 

Weekly Staff Picks #1


kssu staff pick

Welcome to KSSU’s inaugural weekly staff picks! This is where our DJs pick their current favorite song and artist from recently released music. We will feature 5-6 songs that are currently on our radar. Stay tuned every week to see what we pick, maybe your favorite track will be selected.

 

Staff Pick 1: Lucy Morales

Boss Selection – Wouldn’t it be wild, Volume 1

Boss Selection is the moniker for the seasoned world wide producer Sunny Levine. With Quincy Jones as his grandfather, he certainly is no stranger to living up to large expectations. Under Boss Selection, he has produced a mixtape inspired album with 12 different artists successfully using crowdfunding for all the costs. My personal favorite from the album is “wouldn’t it be wild” featuring Orelia. It’s an unboastful chillwave like track that becomes infectious without even being conscious about it. It’s the best kind of song to pop into your car to relax after a long day.

 

Staff Pick 2: Jerel Labson

Kanye West – Ultralight Beam, The Life of Pablo

Of course this has to be somewhere on the first KSSU’s Picks Of the Week! Hearing this first track play at the Yeezy Season 3 fashion show really set the bar and got me ready to hear the rest of TLOP. The instrumental is beautiful. The occasional drums also really get me going. Having The Dream, Kelly Price, and the choir literally taking us to church was amazing to hear. Chance the Rapper’s verse was possibly the BEST verse on the album as well. Donnie Trumpet backing the second half His flow and biblical references (“Got my ex looking back like a pillar of salt”), just DOPE. I could go on, but I have no more words. Just listen to it. One more note… Can I consider this as a Christian song??

 

Staff Pick 3: Cole Nelson

Stone Sour – Love Gun, Meanwhile in Burbank

My song of the week comes from the album Meanwhile in Burbank… by Stone Sour. Released in April of 2015, this album features hard rock covers of classic rock and metal artists. My favorite out of the album is their rendition of KISS’ classic song, “Love Gun.” Stone Sour’s version features heavy use of a grunge sounding guitar along with a strong drum line while still retaining that classic rock/disco vibe that KISS is known for. “Love Gun” is one of the better covers of a song I’ve heard recently and recommend it to those who like the original tune with a bit of a kick to it.

 

Staff Pick 4: Angelina Rios

Bomba Esteré – Soy Yo, Amacer

Bomba Esteréo is a Colombian band that formed in 2005. With the recent release of their new album Amacer, the track Soy Yo is nothing short of excellent. With a catchy beat, its traditional Colombian instruments have a contagious effect and it’s hard to resist dancing in your chair. This track represents respecting and accepting one another for who they are. While the band does not wish to conform to one genre of music, they can best be described as having an electro base with Cumbia and dance elements as well.

 

Staff Pick 5: Anne Thorp

Daughter – New Ways, Not To Disappear

Daughter is the name of a three-person, London-based indie rock group, together since 2010. Their EP ‘Not To Disappear’ came out in 2014, and this March they start an already mostly sold-out North American tour in major cities across the U.S. and Canada. New Ways is the first track of the EP, and soundly embodies all that is good about the entire album. It’s moody, the vocals ethereal, with an edge of grit in the guitars and drums that speaks of the kind of disjointed, worn cynicism modern life frequently brings. It reminds us, as singer Elena recites, that sometimes we all feel we need new ways.  

 

Staff Pick 6: Claudia Rivas

Charlie Hilton – 100 Million, Palana

Charlie Hilton, lead singer for Blouse,  released her debut solo album Palana on January 22 via Captured Tracks. The album was produced by Unknown Mortal Orchestra’s Jacob Portrait. The album includes “100 Million”, which I’ve been playing on repeat for much of this week. The track was produced by, the band Woods’, Jarvis Taveniere. The song features vocals and music by Mac DeMarco. The track sounds folk-like, similar songs by Beach House and She & Him. Hilton’s vocals are much like Zooey Deschanel in this song, light and dreamy. Lots of simple guitar chords and settle drum background occur as well. Reminds me of a tune that would play at a modern Woodstock, hippie festival. It’s a song that will keep most fans of this type of music in a good mood.

U Sung Eun’s 2nd Mini Album


U Sun EunU Sung Eun: Mini 02 | Date released: 2015.10.12

Thoughts: At first, I was looking for more new Korean music to listen to. I didn’t care what type of genres, so I happened to come across U Sung Eun’s 2nd Mini Album when I saw her cover. She looks interesting because of her title, “Nothing”. I was just wondering how she would sound like and when I listened to this album, I was surprised that how come I didn’t noticed her past songs until now. I wished that I could have heard her before, but I didn’t. To be honest, hearing U Sung Eun for the first time impressed me. Even if the language is unfamiliar to most ears, she holds attitude in her voice brings the songs out even more. U Sung Eun chose great music to fit with her R&B voice.

About the Artist: Yoo Sung Eun (or U Sung Eun) participated in 2012 MNET’s ‘The Voice of Korea’; the Korean version of America’s the Voice. She came in second place in the contest and made her debut (song: “Be OK”) into the music industry in July 2013.

Review: U Sung Eun released this mini album Mini 02 contains her R&B and Soul style. She recaptures a new sensation feel in the industry for the month of October. This album is full of emotions that fit well in the Autumn season; the season where everything can start new. In other words, since Autumn is the season where school starts, it’s a new beginning for most people because they come new as students or they are adjusting to a new college life, just like the spring time. I found her music flows in the sense of the “fall” season. Her songs are well with her strong voice vibes through the lyrics. Recommended Tracks: 1, 4, 5, and 6

The lyrics of “Nothing” expresses a breakup between a couple and the memories they had, which are now worthless. U Sung Eun plays as the heartbroken girl in the music video who sits down in the kitchen with a chef. In the scene, the camera focuses on the food dishes are being cooked for audience to see. The significance, which I believe, shows a new happiness she can look forward to instead of just thinking about her breakup. At the end of the video, she is able to have a smile when she has a first bite of the dish. The smile represents the end of her slow sorrow. (Check out the Music Video: https://www.youtube.com/watch?v=laY_bhwpDBM!)

Term: Mini Album: A half album that usually consists with five to six tracks only.

Track list:

  1. Nothing (ft. 문별 of 마마무) | Translation: Nothing (ft. Moon Byul of Mamamoo)
  2. 일이 먼저지| Translation: Work Comes First
  3. Fix Me (ft. 루이 of 긱스) | Translation: Fix Me (ft. Louie of Greeks)
  4. 아차피 한번은 아파야해 (E. Piano Version) | Translation: You Need to Get Hurt Once Anyway
  5. 오늘밤에 뭐해요 | Translation: What Are You Doing Tonight?
  6. Nothing (Live Session Version)

By the way, since this month the month for Turkey craze, this music video is perfect for that. The food in this story shows the happiness that brought U Sung Eun to smile. So, listen to this mini album and feel grateful for the upcoming holiday.

Alex is a dj for KSSU

“Matriarch” by Veil of Maya Album Review


 

Veil-of-Maya-Matriarch-artwork-600x600So here I am, chilling in my philosophy class before the professor shows up. I whip out my iPod and check out the channels I am subscribed too. I mostly use YouTube for finding new music and cool skate videos. Browsing through the videos, I noticed that Sumerian Records put out the whole new Veil of Maya album “Matriarch” and I about exploded. I had to sit for an hour and fifteen minutes anticipating the awesomeness of VoM. Luckily, I only stayed in class for about twenty minutes because class today was an optional Final Exam Study session. Who needs to study for finals anyways? I’ll just wait until the day before my finals.

So I had already heard a few songs from the Album and had already been in love. The rest of the album was fantastic as well. I did not even need to listen to the entirety of each song before clicking to the next and welcoming in frission (where you get goosebumps from good music). There was the usual VoM stuff; technical math-core (complicated song structure), drop tuned guitars, and ominous background sound effects. VoM threw in some new stuff such as clean vocals (in comparison to the low gutturals from the “Common Man’s Collapse” Album), guitar melodies in the higher registry, and an overall album theme, hence the name “Matriarch”. Before the album was released, my favorite of the leaked songs was Mikasa, which also had a music video. There was heavy breakdowns, awesome never-before heard clean vocals, and an overall empowering feeling brought forth by the entire band.

Looking at the track listing, each song is named after Matriarchs or powerful women, both fictional and non-fictional. In one of the YouTube comments, someone even mentioned that one of the song names is a very threatening character from an action anime. I took the Youtuber’s word and moved on to the music. I will have to say that my favorite song, other than the leaked ones, would have to be “Daenerys”. I have no idea where the name Daenerys comes from, but it did not spell check me on Microsoft Word, so it is legit. Anyways, the song starts out really light with some nice moving around on the guitar. It then goes into a two-measure guitar solo before the vocalist pops in and the song takes a more serious turn. With some power chords blasting right into a heavy breakdown, Veil of Maya shows off what they are known for. Right after are some clean vocals from their new vocals, which were pretty impressive by the way. The chorus is repeated throughout with some technical instrumentals in the background, before closing the song with a guitar solo build up to more cleans and a mini breakdown. Finally, a guitar playing a riff in the higher register ends out the song.

Most of the time I listen to music on YouTube except for when I really like a whole album, which I purchase to support the band. Veil of Maya, I’m going to support you and buy your new album “Matriarch” when I get home tonight.

Thanks for reading everyone!

I may or may not have a show during finals week due to, well, finals. However, check out www.kssu.com and listen to other DJs do their stuff!

Much Love,

DJGingerbeard

Dissecting The Plot In You


tpiy

Lately I’ve been listening to a lot of “The Plot In You” because one of their new songs popped up in my feed on YouTube, and I opened up my brain to see what I can recall of TPIY. Basically, I liked one of their songs a whole lot, but never took the chance to really check them out. The Plot In You is a four piece metal-core band from Ohio, with One EP and two Albums out. Notorious for their harsh lyrics and calling out particular groups of people while keeping that metal vibe, TPIY quickly gained fame after releasing their debut song Wifebeater from the EP “Wifebeater” (which one could assume was about his father). The Plot In You is signed onto Invogue Records, and will be releasing a new album which currently has an unknown release date.

The song that popped up in my feed was called “Crows”, which is about Landon Tewer’s (the frontman) life and how he has changed, but so has everyone else. The “Crows” symbolizes death and how in the end, everyone faces it. This is emphasized with the line “The crows are waiting on me”. This song was an unreleased track from the b side a 7” they never released. My curiosity took me further, so I played the album stream from “Could You Watch Your Children Burn.” I had already heard tracks from their album “Firstborn” a long time ago, but this album really got to me. Most songs consisted of talking about how people who are hypocrites and live a mundane existence should separate themselves, or simply die, from society. Tewers talks about religious folk, lustful males, rapists, and his own family very unkindly. One of my favorite songs is “Troll” which I also saw live when TPIY was on the “About That Life Tour” with Attila. The song basically empowers the listeners individuality and gives the belief that you are a juggernaut and will not take any flack from anyone. Another song that was a favorite by TPIY on YouTube was the song “Premeditated”. In this song, Tewers talks about his plan to kill a rapist who violated someone very dear to him. With clean vocals, dark breakdowns, and the usual “I will destroy you” moments from TPIY, I could easily see why this was a favorite by fans.
All in all, TPIY is a very angry band. Their song “My Old Ways” that was released in a music video on February 23rd seemed to be quite lighter in comparison to “Troll”. To hear that kind of change and it still be a good song makes me very excited to hear their upcoming album. To make a long explanation short: The Plot In You is a band full of angry dudes, relatable stories, great songs, and a uniqueness that I have not heard from any other band. They are probably not sane people, but hey, who is really?

Thanks for reading you lovely people! If you want to hear music from The Plot In You and other bands that I just so happen to enjoy, tune into my show “Shred the Gnar” on www.kssu.com Tuesday mornings at 8 o’ clock!

Much Love,

DJGingerbeard