Tremaine Album Review


For this heavily anticipated new album Trey Songz comes back with a pretty solid album named Tremaine. Tremaine is an album Trey Songz wanted to show the listeners that he is still one of the best if not the best R&B artist in the game today. Trey Songz expressed in his interview with the Breakfast Club that he named his first track on his album named Playboy because of his current situation with women. He explained that being at the stature that he is in he feels that he can not trust a woman with his heart because, there is always more calling and does not fill the urge to be committed in one relationship.  The interview with the Breakfast Club he discussed his issues with Nicki Minaj and simply put he felt that it was weak on Nicki’s part to get at him for no reason over the allegations claimed in the Shether song. Once the interview was over the anticipation of this album has gone up. There are 15 total songs on this album. I will review the once that are highly recommended to check out and listen to on rotation.

#2 song- Come Over: This song is one of the best songs on this album that brings fans right in to show exactly why Trey Songz is one of the best in his group. A must download with great vibes, hooks, and chorus throughout the whole track.

#5 song- Playboy: A song with context and understanding where Trey Songz is coming from I feel that this song is a great song to listen to in certain moods. I enjoyed the sound the message of the song and Trey Songz delivered well on this track.

#6 song The Sheets…..Still: To me this best song on the album, with how great he switched up his flow and how smooth his voice changed talking about the experience with the woman in the song definitely makes this a favorite song on the album to me.

#10 song 1×1: This song instantly is a summer vibe song that could be a great radio song to play. Nice vibes and high upbeat rhythm to this track makes you want to vibe. Highly recommended song for those looking for a summer jam.

#12 song: What Are We Here For?: One of my favorite songs on the album that is an instant radio play. With the beat and rhythm this is a quality track that will be played a lot more in the summer.

Review Score: 7/10 Very solid album that will be played from time to time.

-DjLeodawnus

My Portal Into Yesteryear


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If you have listened to my show on KSSU or have taken the time to get to know me, there is one thing that you’ll probably discover, and that is that I love  jazz music from the 1930s and 40s. I get several questions about my strange taste in music. Why do you like such old music? How did you get into this music?  Well, that’s what I plan to tell you guys about, my portal into yesteryear.

It must have been 2007 or so and I was in visiting Disneyland down in Anaheim with my family. Our next destination was the Twilight Zone Tower of Terror. As we approached the giant, art deco themed building, ghostly sounding music started fading into my ears. For me, it was as if I was entering a different time. It started with this wonderful trumpet solo that wasn’t like anything I have heard before. As we moved deeper into the line, the louder the music got and the more I was mesmerized by the music. As the trumpet solo ended and the orchestra joined the trumpeter and created an even more mesmerizing melody. It was a new, pure sound that I never thought I would enjoy and it became more sentimental as a ghostly vocalists filled the halls of the Tower of Terror. I knew at that second that I enjoyed this music and had to find out the name of that song.

After weeks of searching (smartphones weren’t  around yet so I couldn’t just open Shazam to identify the song), I found the song on iTunes and got to enjoy the performance once again. It was titled, “I Can’t Get Started,”by Bunny Berigan & His Orchestra. Bunny Berigan, the talented vocalist and trumpeter, masterfully used his talents to bring me to in a new world. From there, I found other songs like “Moonlight Serenade” and “Lets Dance”and artists like Frank Sinatra and Doris Day. As I listened to more music, I then realized that jazz was my kind of music.

When people ask me why I like jazz, I give them a variety of answers, but the answer I use the most is that it is different. Jazz is relatively simple, yet elegant. I liked the elements of jazz from the trumpets, to the saxophones, and the occasional crooner. Sure, a lot of the music is old and can be considered “elevator music” by many, but the material is fantastic. I enjoy the sentimental lyrics and the sound of each instrument. Sure many of my favorite songs are 70+ years old, but recorded music is made to last forever.

For anyone who wants to get into jazz or anyone interested in the 1930s, 40s, or 50s, I would suggest to just find a few songs and give them a careful listen. Listen to the sounds of each instrument, the lyrics, and ( if you’re listening to a 78rpm record or an old recording) the scratches and old radio sound. In fact, here are songs I recommend. Some of these songs have lyrics and some are instrumental:

 

  1. “Moonlight Serenade” by Glenn Miller & His Orchestra
  2. “I Can’t Get Started” by Bunny Berigan & His Orchestra
  3. “Long Ago (And Far Away)” by Glenn Miller & The Army Air Force Band
  4. “Ciribiribin” By Harry James & His Orchestra
  5. “Saturday Night is the Loneliest Night of The Week” by Frank Sinatra
  6. “Let’s Dance” By Benny Goodman

Enjoy and let me know what you think.

Griffin does music on KSSU

KSSU Celebrates 25 years of Student Run Radio


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Sacramento, CA: KSSU, Sacramento State’s student run radio, turns 25 years old this semester. Although the actual anniversary is on May 14th, the official celebration is slated for April 15th in the University Union from 10:00am to 8:00pm.

KSSU is an online radio station that broadcasts live 24/7 on KSSU.com. It is run entirely by Sac State students. Being the only student radio station of Sacramento State, KSSU provides the opportunity for Sac State students to learn about broadcast media with no prior experience necessary. KSSU is a non-commercial and free format radio station, which allows students the ability to express themselves with each show. This brings a diverse selection of programming to the station, which reflects the diverse interests of the Sac State student body. KSSU is a Student Engagement and Outreach (SEO) program of Associated Students, Inc., (ASI) at Sacramento State. For more information on KSSU and its history, go to kssu.com/about.

The celebration of being a radio station on campus for 25 years will happen throughout the day on April 15th in the University Union. KSSU alumni will be taking over the airwaves in honor of the anniversary. Various alumni from the past 25 years will program radio shows throughout the day for all to listen on KSSU.com. Some highlights of the day include: a student-produced video presentation on KSSU’s history, and a panel discussion with the founders Jim Bolt and Chris Prosio. At their panel discussion, the founders of the station will discuss their journey to start what is now known as KSSU. Following the panel discussion will be a Q&A. At the conclusion of the day, there will be a reception for attendees. Music will be provided by KSSU Alumnus, DJ Mappquest. The reception also features a photo booth. Food will be provided by Epicure Catering. A photo slideshow highlighting the achievements of KSSU alumni will be on display. The specific schedule for the day is as follows:

  • In-studio sessions with KSSU Alumni: 10:00am – 3:00pm, 5:00pm – 8:00pm, live on KSSU.com.
  • Panel discussion and presentation with KSSU Founders: Jim Bolt and Chris Prosio: 3:30pm – 5:00pm, Delta Room in the University Union
  • Reception: 6:15pm – 7:45pm, University Union Ballroom 1.

More on KSSU: To stay updated with the anniversary and KSSU, follow us on social media. Follow @KSSUsparky on Instagram and Twitter or like KSSU, Sac State Student Run Radio on Facebook. Go to KSSU.com for more information and to listen to KSSU live.  

 

Depression Cherry Review


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Starting on August 28th, friends and social media have been going nuts for a recent record from a band that has previously flown under my radar. My inner hipster reacted typically by avoiding the band altogether. Praise for this record got louder and louder and I ultimately gave in to my curiosity. Now you can add my voice to the cacophony.

Search Beach House on Google and Wikipedia describes them as a “dream pop duo” which is an absolutely spot-on characterization. French native Victoria Legrand and Baltimore’s Alex Scally have been making music together since 2004 which makes me disappointed I haven’t heard of them sooner.

Their latest release, Depression Cherry is where indie-pop and chillwave meet. The whole record is mellow and introspective with a texture I can only describe as creamy. Give it a listen and you’ll feel as though you’re walking through a thick mist. The Northern California coast comes to mind. An artist can achieve an ether-like sound with a couple of simple devices all of which can be heard on this record. One of which is repetition. Many of the sections in the songs repeat quite a few times with colors and sounds wafting in and out. This creates a trance-like feel and extends each song by quite a bit putting the mean track length at around five minutes. By no means does this take away from the song. It makes me think the album was composed in sort of a daze.

This, however, brings me to my one criticism of the record: there are little to no distinguishable qualities about each track. I didn’t really notice that the record ended nor could I tell you one track from another. This could easily be a symptom of only listening through twice, but hey, it’s the only bad thing I have to say.

The explosion of this record made me realize another thing that I love: their record label, Carpark Records. Most of the artists on the scene are signed to a large, catchall label that’s only objective is to generate revenue. Most boutique labels have long but died out, however the artisan culture that has been brewing in recent years has given rise to some incredible sounds. Carpark is home to many artists I love: Skylar Spence, Toro Y Moi, Dan Deacon, Speedy Ortiz and on and on. Carpark is capitalizing on sounds they like plus sounds that are popular while still letting artists do their thing. Toro Y Moi records their records in the leader’s living room!

So here’s what the doctor prescribes: listen to music by label. Check out all the artists on a label that produces a sound you dig; Carpark, 4ad, Jagjaguwar, Warp, Partisan and so many more like them. It will expand your musical horizons, your musical awareness, and you will discover a bunch of bands your friends have never heard of.

But I digress. Depression Cherry is a good record that well deserves the hype in my social media sphere.

Devan is a DJ with KSSU

Skylar Spence is Prom King with New Release


prom-king-560x560Right now, in 2015, the 80’s are in style in American popular music. But with a new release from Skylar Spence, the 70’s appear to be creeping in. Beginning as Saint Pepsi (changed because of obvious legal reasons) Ryan DeRobertis rocketed to the forefront of the chillwave and vaporwave scenes remixing disco. Now he has made the decision to bring his own voice into his music – literally. Prom King is a batch of tunes of DeRobertis’ original music featuring himself on vocals. The entire record is catchy, ultra danceable, and super accessible although – I hate to admit – too complex for the mainstream airwaves despite the success of the track “Fiona Coyne.”

Perhaps I consider the record accessible because it deals with themes related to being a young male in America trying to find his way: wooing a girl, falling in love, being cheated on, vanity, and so on. These themes seem trite and a little hackneyed, but Skylar Spence frames them in a different way that teases out the sensitive side of men in American culture. In “Can’t You See,” an explosive single, DeRobertis addresses vanity but as a cloak for anxiety, “I’m in love with my own reflection” he sings. Skip forwards a couple tracks and you’ll encounter “I Can’t be Your Superman” a very personal story of a tough relationship with a friend. In an interview with Billboard DeRobertis said, “Superman is a song about a friend who was living very dangerously for a while. Around the time I wrote the song, I realized I was kind of an enabler of this behavior by not acknowledging the problem, but things soured as soon as I opened my mouth about it. It’s not easy to help anyone who doesn’t see the problem themselves, and that’s where the song stems from.”

Not only does this record contain myriad complex emotions and feelings, but they are nested in music that complements them flawlessly. This is what made the greats great – their lyrical sense. Billie Holiday and Ella Fitzgerald always considered the lyrics to shape the arc of the song, their phrasing, and dynamics. DeRobertis seems to pay close attention to the lyrics and as a result created extra layers and depth to the songs and not to mention this record grooves like HELL. No record dropped in a long time has inspired my body to move so much. It is a disco-pop wonderland that sets itself apart from other popular dance music because of its amplified musicality. Many tracks even harken back to his Saint Pepsi days with excellent instrumentals that include brassy horn stabs and brilliant string quartet colors especially “Bounce is Back.”

All nuance and complexity aside, Prom King is still excruciatingly fun and if you listen to it its guaranteed to end up on your gym playlist immediately as it did for me. All in all, Prom King is an excellent record and is definitely worth the purchase.

Side Note: Check out his other releases under the moniker Saint Pepsi. Hit Vibes is available for free on Bandcamp and is highly recommended.

Devan is a DJ with KSSU

Beautiful Noise, Exquisite Tastes, and Creative Minds: The Complete TBD Fest 2015 Experience


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This past weekend TBD Fest has left a mark of music, art, design, food, and ideas in the city of Sacramento. The festival drew in thousands of diverse people, locals and visitors alike, to experience the unique Sacramento festival that is TBD.

To start off, this weekend was incredible. Everything from the acts to the food was something to look back on. The lineup fit the flow of the weekend; starting Friday off with bang, reaching a pinnacle of epicness on Saturday, and concluding with a sure sense of satisfaction on Sunday       (sorry for the tongue twister).

 

Festival Grounds

A vital part of any festival is to get a feel of where you will be for the next few days. The first thing to do is find a schedule and a map. They weren’t readily available, but the customer service tent had no problem handing out printed schedules (nothing too fancy, just a print out). Since there was no map, the only option was to explore the grounds.

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Having fun with the displays!

The grounds weren’t too vast and the layout was simple: a main stage on opposing sides with smaller stages near them. In between there was the “Rise + Create” space. A vendor village, complete with local vendors selling food, drinks, art, and clothing. All the food and drink being carefully crafted, the clothes being hand-made or hand-pressed, and beautiful pieces of art being created. This section of the festival truly shows the creative and tasteful minds of Sacramento. Near and around the “Rise + Create” space there were some awesome displays. Changing pillars of light, painted pyramids, murals, and the great display by PORTAL SAC. the perimeters of the grounds had the bars and food trucks. The festival even had it’s own giant ferris wheel (which all the proceeds from went to helping those recently affected by the California wildfires). There was a lot to see and do at TBD Fest besides watch the musical acts.

 

Demolicious Derby

If none of the musical acts were catching your attention or it was just too hot for you to be standing outside, then the “Demolicious Derby” was the place to go! It took place under a shaded tent with a nice patch of grass (I’m assuming so none of the dirt or dust flies into your food). It’s a cook off between two Sacramento chefs of the fine dining scene. They both have to use a certain ingredient. They also have to cook and serve out of a food truck. The food was completely free and completely delicious.

While waiting for the food, festival goers could watch the cooking from a live video feed screened on a large screen outside. The visuals and smells would make the audience even more hungry. Some moves such as adding the spice would make the audience “ooo” and “ahh.” A comedic MC would be hosting the event so it’s not just two dudes cooking food. Attendees would have to partake in both dishes and place their used forks in their respective choices. Both competitors were always good and humble chefs.

A little example of a cook off: both chefs had to use lamb. One made street tacos, but instead of a tortilla, he a used flattened and fried pork bun. The other made a greek style lamb poutine. Drooling yet? We were.

 

The Music

As mentioned  earlier, each day had a lineup that made a great flow for the weekend. Little disclaimer: I’m not really a big fan of EDM, so I didn’t catch much of the DJ sets.  

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Toro Y Moi

Friday was explosive. The first artist was the band, Cathedrals. With their chill, new wave sound, and heavy bass, Cathedrals gave the crowd something great to vibe to. Then I was able to catch Towkio, Chicago based rapper associated with Save Money and Vic Mensa. Even though the crowd didn’t know the words, Towkio and his DJ were able to pump up the crowd. Head back to the main stage and you would be able to catch the dreamy set of Toro Y Moi. This was one of the artists I was looking forward to watching the most, and they did not disappoint. Playing a good blend of the newest album, What

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Tyler, The Creator

for?, and their older stuff, the set was great. Ty Dolla $ign got the entire crowd dancing or jumping to his songs. The best part of his set was when he pulled out a bass and started groovin out (I didn’t know he could even play instruments). He was even able to stage dive into the crowd during the end of his set. The only EDM set I caught on Friday was some of was RL Grime’s. Playing a heavy trap set for the festival, he had everyone moving. The craziest crowd goes to the set of Sacramento native, Death Grips. The experimental industrial noise rap group made the biggest mosh pit of the weekend, bringing the first big dust cloud into the air. Being in the mosh, I breathed in a little too much dirt. The night ended with Tyler the Creator bringing  energy to the stage. Although he couldn’t bring the visuals he wanted, the set was still crazy. The crowd moshed, jumped, and sang along to the words. It wouldn’t be a Tyler the Creator set without his comedic side comments. The day really set the mood for the rest of the weekend.

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Chance the Rapper

Saturday was big. With the longest day of TBD Fest, there was a lot to do. Although the day was spent mostly walking around the grounds, eating, and hanging out, all the musical acts were great. Dark pop duo, ASTR, started the day off for me. They gave an electrifying performance with some heavy bass hits, melodic scales and licks, and some crazy dance moves. I even had the pleasure of interviewing them backstage (interview coming soon, really cool people). Joywave, an electronic indie band, drew one of the larger crowds for the small stages. Before playing, they took time to perfect their sound and it was worth it. The crowd was very responsive with each song and it was awesome to be apart of. Ratatat was one of my favorites for the weekend. The electric guitar duo had holograms and lasers, putting on one of the best visuals for the weekend. Porter Robinson had some nice visuals as well. Although I couldn’t really vibe to the music, he still put on a good show equipped with anime graphics and massive confetti shots. The crowd loved it. I was able to catch the tail end of Magic Man’s set on the opposing small stage. Although there weren’t that many people watching the set, they still gave it their all and ended with their hit, Paris. Chance the Rapper was the main act I was looking forward to for the whole weekend. The set was amazing. He came with his full band, Donnie Trumpet and The Social Experiment, which made for a much fuller sound. The visuals weren’t top notch, but it didn’t matter because the music and energy put out from the performance was, to me, the best for this weekend. Sing alongs, jumping around, crowd participation, amazing trumpet solos, it had it all. Even though he admit to go out of order of their intended set due to excitement (Chance would become a father two days later) they still made it the best. Saturday had something big for fans of all different music genres.

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Tears For Fears

Sunday was a great way for the weekend to wind down. Up and coming rap/r&b artist (who recently made a song with Kanye West) Post Malone put on a good five song set to start off our day. Although he has blown up due to the success of his hit song, White Iverson, Post Malone still kept it humble, and kept it entertaining. He even performed White Iverson again for his closer, having the crowd sing the entire last verse to closer. After, we were walking and on the nearby small stage, this band O began to play. They were able to keep us and the others for their whole set. They’re an indie band from San Francisco, do check them out. I was sad to have missed Dr. Dog and A Place to Bury Strangers due to attending a Demolicious Derby, but I heard the sets were amazing. Right when we got to A Place to Bury Strangers, the lead singer had just smashed his guitar to end his set. Sad to have missed that, but it was on to the 90’s alt rock band, Dinosaur Jr.! Although they are getting old, they can still play flawlessly. With great

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Madeon

tunes and heart reaching solos, Dinosaur Jr. had a high-caliber set. After, Black Lips took the smaller stage. This goofy garage rock outfit from Georgia had a really fun set. After some jokes and moshing ensued, it was time for the OG (an older act, usually more famous in the 80’s)  headliner (every festival has to have one amiright?), Tears for Fears! Watching their set was like jumping back into the past, a time where most of the people attending TBD were either not alive or too young to go to a concert. Of course, the crowd sang along to classic hits such as Everybody Wants to Rule the World and their closer, Shout. They even surprised the audience with a slower yet full version of Creep by Radiohead. Madeon electrified the crowd as the last EDM performance of the weekend. I had to jump around a few times for that performance. I wasn’t able to stay, but I heard and read that crowd favorite Chromeo properly wrapped up TBD Fest with their funky tunes.

 

Closing Remarks

2015-09-22 04.01.12Overall, TBD Fest is a must-go for anyone in Sacramento, the surrounding Northern California area, or anyone in the world that wants to have a good time. Although not as big as famous festivals such as Cochella, TBD Fest is able to provide some of the top acts in music today in a comfortable yet enthralling environment. Everyone from the acts to the volunteers to the workers to the security to everyone else helped make this weekend what it was. It wasn’t just  about the music, but about the local artistic minds and tastemakers coming together to bring entertainment to Sacramento. It’s exactly what this city needs, a positive driving force in today’s creative culture.

 

 

Check out our mini Instagram Vlogs of the Festival!

If you liked this article, be sure to tune into KSSU.com on Wednesdays from 6:00pm-7:00pm for the 30/30! 30 minutes of music followed by 30 minutes of talk with me, Jerel Labson! 

Also be sure to follow my personal blog, jmbldup.wordpress.com!  

 

“Matriarch” by Veil of Maya Album Review


 

Veil-of-Maya-Matriarch-artwork-600x600So here I am, chilling in my philosophy class before the professor shows up. I whip out my iPod and check out the channels I am subscribed too. I mostly use YouTube for finding new music and cool skate videos. Browsing through the videos, I noticed that Sumerian Records put out the whole new Veil of Maya album “Matriarch” and I about exploded. I had to sit for an hour and fifteen minutes anticipating the awesomeness of VoM. Luckily, I only stayed in class for about twenty minutes because class today was an optional Final Exam Study session. Who needs to study for finals anyways? I’ll just wait until the day before my finals.

So I had already heard a few songs from the Album and had already been in love. The rest of the album was fantastic as well. I did not even need to listen to the entirety of each song before clicking to the next and welcoming in frission (where you get goosebumps from good music). There was the usual VoM stuff; technical math-core (complicated song structure), drop tuned guitars, and ominous background sound effects. VoM threw in some new stuff such as clean vocals (in comparison to the low gutturals from the “Common Man’s Collapse” Album), guitar melodies in the higher registry, and an overall album theme, hence the name “Matriarch”. Before the album was released, my favorite of the leaked songs was Mikasa, which also had a music video. There was heavy breakdowns, awesome never-before heard clean vocals, and an overall empowering feeling brought forth by the entire band.

Looking at the track listing, each song is named after Matriarchs or powerful women, both fictional and non-fictional. In one of the YouTube comments, someone even mentioned that one of the song names is a very threatening character from an action anime. I took the Youtuber’s word and moved on to the music. I will have to say that my favorite song, other than the leaked ones, would have to be “Daenerys”. I have no idea where the name Daenerys comes from, but it did not spell check me on Microsoft Word, so it is legit. Anyways, the song starts out really light with some nice moving around on the guitar. It then goes into a two-measure guitar solo before the vocalist pops in and the song takes a more serious turn. With some power chords blasting right into a heavy breakdown, Veil of Maya shows off what they are known for. Right after are some clean vocals from their new vocals, which were pretty impressive by the way. The chorus is repeated throughout with some technical instrumentals in the background, before closing the song with a guitar solo build up to more cleans and a mini breakdown. Finally, a guitar playing a riff in the higher register ends out the song.

Most of the time I listen to music on YouTube except for when I really like a whole album, which I purchase to support the band. Veil of Maya, I’m going to support you and buy your new album “Matriarch” when I get home tonight.

Thanks for reading everyone!

I may or may not have a show during finals week due to, well, finals. However, check out www.kssu.com and listen to other DJs do their stuff!

Much Love,

DJGingerbeard

Sylvan Esso – A Concert Experience


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Just a couple weeks ago I went to a concert I think you guys should know about. And I’d like you to know that I will check my jazz snobbery at the door. The group is called Sylvan Esso, an indie pop duo from Durham, North Carolina composed of Amelia Meath on the mic and Nick Sanborn producing, and they are currently blowing the socks off of the indie AND dance scene. Their eponymous record has been out for a year and it is easily my favorite record of 2014. It’s unique beats, harmonic complexity and utter danceable nature made me watering at the mouth to see these two at the Fillmore Theater in the city.

For starters, the Fillmore is an awesome venue. It fits about 1,200 underneath the many chandeliers in a mostly standing room space so no spot is a bad spot. However, my lady and I got there early and snagged an excellent piece of front row real estate.

The opener was a group from Oakland called Naytronix. They were a quirky duo sporting jump suits and playing spacey, trance, yet oddly danceable electro-pop perfect for your music loving buddy. Being right in front, this means you bear the full the brunt of the speakers so if you don’t want your ears to sound like there’s a mosquito stuck in them, bring a pair of earplugs along to dampen the noise – or stuff paper towel in them like yours truly.

Then Sylvan Esso came on and absolutely nailed it. Their tunes were even cooler with all their improvised sections and additional layers that made the air wet with sound. It was especially neat to see the two of them look up and smile at each other when they did something the other hadn’t heard before. It gave the music a fresh quality. I walked away with a whole new appreciation for their music. At the end, everyone in the place was dripping with sweat because they left you with no choice but to get down.

But let’s not forget Amelia’s stellar dance moves. Damn, that girl can work it.

Devan is a dj with KSSU

Zelda Over Finals


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The best way to prepare for finals is not at all.

Just kidding.

That’s terrible.

I only have two “real” finals. “Real” meaning using scantrons, studying from a study guide, and bringing in a notecard. The real finals are for philosophy and geography, so it is probably a good idea to study and bring in notecards. However, I work two jobs, so studying does not really seem like a good idea when I could be sleeping or getting music for my show or even playing Zelda, because Zelda: Skyward Sword is taking too long to finish. I will probably study an hour before my classes and put some chicken scratch writing on a tiny index card. Seems like the best option.

For my other two classes, Music and Theatre, we have “different” assignments. “Different” meaning not using notecards, scantrons, or formal study guides. In theatre, we all passed around papers, writing one entry on a paper about a given dialogue. You cannot write your name, and you have to write about whatever the professor says. For example, he says write a name and greeting and you write “What’s up, my name is Gregorio.” You can make it normal or comedic. We did this for ten entries, then opened up the paper. There are a bunch of ridiculous things written, but for our final we have to tie in all ten entries and turn it into a monologue that makes sense. We then perform the monologue in front of the whole class. Good thing I have some experience acting, or else I would die. As for Music class, we have a choice of playing a solo or a duet. The duet has two options: two moderate songs or on hard song. The solo is just a choice of three hard songs.

So yeah, my finals are not going to be too hectic. I just have to make sure I beat Zelda before finals week so I can focus. If not, I will be tracing and retracing my steps trying to find the next dragon in my mind while I’m sitting in class.

Thanks for reading! For more shenanigans and random subjects to talk about (along with some great music) listen to my show “Shred the Gnar” on www.kssu.com every Tuesday morning at 8 o’ clock!

Much Love,

DJGingerbeard

Dissecting The Plot In You


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Lately I’ve been listening to a lot of “The Plot In You” because one of their new songs popped up in my feed on YouTube, and I opened up my brain to see what I can recall of TPIY. Basically, I liked one of their songs a whole lot, but never took the chance to really check them out. The Plot In You is a four piece metal-core band from Ohio, with One EP and two Albums out. Notorious for their harsh lyrics and calling out particular groups of people while keeping that metal vibe, TPIY quickly gained fame after releasing their debut song Wifebeater from the EP “Wifebeater” (which one could assume was about his father). The Plot In You is signed onto Invogue Records, and will be releasing a new album which currently has an unknown release date.

The song that popped up in my feed was called “Crows”, which is about Landon Tewer’s (the frontman) life and how he has changed, but so has everyone else. The “Crows” symbolizes death and how in the end, everyone faces it. This is emphasized with the line “The crows are waiting on me”. This song was an unreleased track from the b side a 7” they never released. My curiosity took me further, so I played the album stream from “Could You Watch Your Children Burn.” I had already heard tracks from their album “Firstborn” a long time ago, but this album really got to me. Most songs consisted of talking about how people who are hypocrites and live a mundane existence should separate themselves, or simply die, from society. Tewers talks about religious folk, lustful males, rapists, and his own family very unkindly. One of my favorite songs is “Troll” which I also saw live when TPIY was on the “About That Life Tour” with Attila. The song basically empowers the listeners individuality and gives the belief that you are a juggernaut and will not take any flack from anyone. Another song that was a favorite by TPIY on YouTube was the song “Premeditated”. In this song, Tewers talks about his plan to kill a rapist who violated someone very dear to him. With clean vocals, dark breakdowns, and the usual “I will destroy you” moments from TPIY, I could easily see why this was a favorite by fans.
All in all, TPIY is a very angry band. Their song “My Old Ways” that was released in a music video on February 23rd seemed to be quite lighter in comparison to “Troll”. To hear that kind of change and it still be a good song makes me very excited to hear their upcoming album. To make a long explanation short: The Plot In You is a band full of angry dudes, relatable stories, great songs, and a uniqueness that I have not heard from any other band. They are probably not sane people, but hey, who is really?

Thanks for reading you lovely people! If you want to hear music from The Plot In You and other bands that I just so happen to enjoy, tune into my show “Shred the Gnar” on www.kssu.com Tuesday mornings at 8 o’ clock!

Much Love,

DJGingerbeard