Pink Floyd: One of the Greatest Bands to See Live


If you’re a fan of rock, you have doubtlessly heard of Pink Floyd. The psychedelic rock band of the 70s made waves in the music world with a legacy that lasts to this day. Their most popular album, The Dark Side of the Moon, “topped the Billboard Top LPs & Tapes chart for a week and remained in the chart for 741 weeks from 1973 to 1988.” In addition, the album has sold an estimated 45 million copies sold and is one of the best-selling worldwide. If I could pick one band to see live, it would definitely be them.

Pink Floyd was also known for their innovative live performances. They often used new techniques at their shows including the then newly introduced quadraphonic speaker systems, which projected the sound 270 degrees around a venue. One of their most memorable performances, the In The Flesh tour, employed the use of a large inflatable floating pig named “Algie”. The pig was filled with helium and propane and exploded mid-concert while floating above the audience.

One of my personal favorite performances, however, is the 10-minute version of “Comfortably Numb”, one of their most popular songs, which was performed in 1994 as part of their The Division Bell tour. This version included a 6-minute guitar solo combined with a dazzling light show and a giant disco ball which would descend and open in the middle of the show.

All in all, Pink Floyd’s live performance experimentation made them one of the most entertaining bands to see perform live. I would pay a considerable amount of money to see all of them perform live again. However, given that one of their key members, Richard Wright, died in 2008, this would involve some sort of time travelling device.

What about you? What band would you love to see live? Write about it and get an entire hour of volunteer time! It couldn’t be easier!

Album Review: Kings of Leon – WALLS


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The year of 2016 has marked the beginning and the end of a plethora of items and people.  Over the course of the year we have lost music icons such as David Bowie and Prince to name a few; however, we have also seen new releases by formidable artists and performers such as Green Day, The Weeknd, Metallica, Radiohead, etc.  One of such releases comes from American alternative-rock band Kings of Leon with their seventh studio album titled “WALLS” (We Are Like Love Songs).  Although arguably not a masterpiece, WALLS delivers familiar Kings of Leon staples reminiscent of their material eight years prior that are both energetic and relaxing.
Alternative-rock as a genre itself can be dismissed as one that is characterized by an overuse of delay, distortion, fuzz, power chords, and underdeveloped melodies that are forgettable; however, WALLS takes these familiar elements and blends them smoothly with subtle embellishments and instrumentation to offer a bit of variety.  In the opening track, “Waste A Moment”, listeners are presented with an upbeat, almost pop-oriented single that is full of energy and announces the band’s presence with their signature overtones and gain-filled rifts.  The result is a simple, yet fun way of demonstrating that this in part is the band listeners have come to enjoy over the years, yet they have changed slightly since the last time we have heard them.  The latter effect becomes apparent at the album’s midpoint with tracks such as “Find Me” and “Muchacho”, which introduce synthesizers, rhythmic sampling, whistling, and other subtle instrumental embellishments that diversify each individual tune.
Despite these small innovations, the tracks themselves are still characteristically Kings of Leon tracks that do not stand out among the discography that they have established over the years.  “Find Me”, for example, is primarily driven by a semi-complex guitar riff that appears at the track’s beginning and makes subsequent appearances with each chorus.  This is not particularly a bad thing; however, this focus on familiarity and on what we have come to expect is exactly what makes a majority of the tracks rather predictable.  Though the synthesizer usage is present briefly in the beginning and sporadically though each verse, it is a lack of utilization of these devices that makes tunes such as “Find Me” fun but relatively forgettable.  Aside from this, active listeners will also recognize a familiarity in structure.  Yes, I refer to the typical Verse-Chorus-Verse-Chorus-Verse-Chorus.  Though there is not necessarily anything wrong with this standard format, this additional limitation does not serve the band justice in these instances.  In this listener’s opinion: “I get that it works, cool, but I am getting bored”.
The Kings of Leon have always been a band that strikes me as not too innovative in regards to new styles of music, but rather, one that seeks to improve upon a genre that is adored and enjoyed by thousands throughout the world.  They have demonstrated time and time again that they are good at what they do, and I commend them for that; however, it is time to change.  What else does the Followill gang have to offer?  Until that time, enjoy more of the Kings of Leon you have come to love.

I give WALLS, a 3 out of 5.

Shining, International Blackjazz society


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I am not the best person to talk to when it comes to music. That may be an odd thing to say for someone who volunteers at a radio station, but I do a talk show so I do not have to know much. Sitting in the lobby of KSSU I hear numerous conversations about current music and I have no idea about what anyone is talking about. But the radio station does provide me an excellent opportunity to listen to all different types of music and the chance for me to give everyone my impressions and opinion.

Shining’s newest album International Blackjazz Society promised a unique blend of rock and jazz with the inclusion of a saxophone. I was hesitant at first but decided to give the album a listen. The first song “Admittance” shocked me. The song starts with the saxophone screaming out in plea known to all woodwind playing elementary school band members. But the song soon shifts into a familiar sound that I have heard from other jazz songs, except for the mixed in rock guitar and drums. I was relieved by the familiarity and was intrigued by this new mix that demonstrated the potential for the potent mix of saxophone with rock music. But the music quickly returns to the ear piercing moments of the start. I am sure that this is what Shining intends, but to go from coherent to incoherent and back again is not my type of music. The music gets less crazy with “The Last Stand”. Absent in the beginning, the sax makes itself known in the middle of the song, changing the tone of the song into an ominous warning that adds a fantastic and interesting mix to the music. Unfortunately, this song too devolves into prepubescent screaming. On a positive note Shining has done an excellent job of transitioning one song to another making International Blackjazz Society feel like one long, diverse song. The transitions highlight the fantastic variety of the album, something many other artists fail to provide in their music.

Shining provides a purely instrumental song in this album, “House of Warship”. The music starts out nice enough and serves as a brilliant example of how a well-integrated saxophone can not only alter the music, but take charge of an entire song and lead the rest of the instruments. Unfortunately, the second half of the song devolves into a mish-mash with no apparent direction. I can hear the silence of an imaginary crowd, dumbfounded at the wild flailing of fingers on the sax and incoherent banging on the drums with each of the performers eyes shut tighter than a clam shell. Remember the scene from Back to the Future where Marty McFly performs at his parents dance and breaks out some rock ’n roll on stage? Everyone stares at him, unsure of what is going on. That is what I imagine

As odd as it may sound I did not hate this album. The music was interesting and the use of a saxophone in rock music actually worked at parts. I would be interested to hear more of Shining, if they could stop straining the sax. Giving its frequency in the music that it unlikely. What I can do is search out similar music or music that promises like twists. International Blackjazz Society was not my kind of music, but I am happy at the perspective that it gave me and was genuinely surprised by the music

DJ T3X Mex is a dj for kssu

“Matriarch” by Veil of Maya Album Review


 

Veil-of-Maya-Matriarch-artwork-600x600So here I am, chilling in my philosophy class before the professor shows up. I whip out my iPod and check out the channels I am subscribed too. I mostly use YouTube for finding new music and cool skate videos. Browsing through the videos, I noticed that Sumerian Records put out the whole new Veil of Maya album “Matriarch” and I about exploded. I had to sit for an hour and fifteen minutes anticipating the awesomeness of VoM. Luckily, I only stayed in class for about twenty minutes because class today was an optional Final Exam Study session. Who needs to study for finals anyways? I’ll just wait until the day before my finals.

So I had already heard a few songs from the Album and had already been in love. The rest of the album was fantastic as well. I did not even need to listen to the entirety of each song before clicking to the next and welcoming in frission (where you get goosebumps from good music). There was the usual VoM stuff; technical math-core (complicated song structure), drop tuned guitars, and ominous background sound effects. VoM threw in some new stuff such as clean vocals (in comparison to the low gutturals from the “Common Man’s Collapse” Album), guitar melodies in the higher registry, and an overall album theme, hence the name “Matriarch”. Before the album was released, my favorite of the leaked songs was Mikasa, which also had a music video. There was heavy breakdowns, awesome never-before heard clean vocals, and an overall empowering feeling brought forth by the entire band.

Looking at the track listing, each song is named after Matriarchs or powerful women, both fictional and non-fictional. In one of the YouTube comments, someone even mentioned that one of the song names is a very threatening character from an action anime. I took the Youtuber’s word and moved on to the music. I will have to say that my favorite song, other than the leaked ones, would have to be “Daenerys”. I have no idea where the name Daenerys comes from, but it did not spell check me on Microsoft Word, so it is legit. Anyways, the song starts out really light with some nice moving around on the guitar. It then goes into a two-measure guitar solo before the vocalist pops in and the song takes a more serious turn. With some power chords blasting right into a heavy breakdown, Veil of Maya shows off what they are known for. Right after are some clean vocals from their new vocals, which were pretty impressive by the way. The chorus is repeated throughout with some technical instrumentals in the background, before closing the song with a guitar solo build up to more cleans and a mini breakdown. Finally, a guitar playing a riff in the higher register ends out the song.

Most of the time I listen to music on YouTube except for when I really like a whole album, which I purchase to support the band. Veil of Maya, I’m going to support you and buy your new album “Matriarch” when I get home tonight.

Thanks for reading everyone!

I may or may not have a show during finals week due to, well, finals. However, check out www.kssu.com and listen to other DJs do their stuff!

Much Love,

DJGingerbeard

Dissecting The Plot In You


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Lately I’ve been listening to a lot of “The Plot In You” because one of their new songs popped up in my feed on YouTube, and I opened up my brain to see what I can recall of TPIY. Basically, I liked one of their songs a whole lot, but never took the chance to really check them out. The Plot In You is a four piece metal-core band from Ohio, with One EP and two Albums out. Notorious for their harsh lyrics and calling out particular groups of people while keeping that metal vibe, TPIY quickly gained fame after releasing their debut song Wifebeater from the EP “Wifebeater” (which one could assume was about his father). The Plot In You is signed onto Invogue Records, and will be releasing a new album which currently has an unknown release date.

The song that popped up in my feed was called “Crows”, which is about Landon Tewer’s (the frontman) life and how he has changed, but so has everyone else. The “Crows” symbolizes death and how in the end, everyone faces it. This is emphasized with the line “The crows are waiting on me”. This song was an unreleased track from the b side a 7” they never released. My curiosity took me further, so I played the album stream from “Could You Watch Your Children Burn.” I had already heard tracks from their album “Firstborn” a long time ago, but this album really got to me. Most songs consisted of talking about how people who are hypocrites and live a mundane existence should separate themselves, or simply die, from society. Tewers talks about religious folk, lustful males, rapists, and his own family very unkindly. One of my favorite songs is “Troll” which I also saw live when TPIY was on the “About That Life Tour” with Attila. The song basically empowers the listeners individuality and gives the belief that you are a juggernaut and will not take any flack from anyone. Another song that was a favorite by TPIY on YouTube was the song “Premeditated”. In this song, Tewers talks about his plan to kill a rapist who violated someone very dear to him. With clean vocals, dark breakdowns, and the usual “I will destroy you” moments from TPIY, I could easily see why this was a favorite by fans.
All in all, TPIY is a very angry band. Their song “My Old Ways” that was released in a music video on February 23rd seemed to be quite lighter in comparison to “Troll”. To hear that kind of change and it still be a good song makes me very excited to hear their upcoming album. To make a long explanation short: The Plot In You is a band full of angry dudes, relatable stories, great songs, and a uniqueness that I have not heard from any other band. They are probably not sane people, but hey, who is really?

Thanks for reading you lovely people! If you want to hear music from The Plot In You and other bands that I just so happen to enjoy, tune into my show “Shred the Gnar” on www.kssu.com Tuesday mornings at 8 o’ clock!

Much Love,

DJGingerbeard

Hands Down for Impending Doom


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Hands down, my favorite band of all time is Impending Doom. Not only have they been around for a while, they were one of the first bands that got me into metal. Their first album “Nailed. Dead. Risen.” is a classic Deathcore album with a little twist, they are Christian. The took something evil and made it into something good, and it does not sound terrible! The song though that started it out for me was “My Nemesis” which basically describes destroying evil in the world and stomping on Satan. It sounds cheesy that way, but trust me, it is brutal. Impending Doom has gotten progressively lighter over the years. They went from grindcore/death metal to beat down/metal core music today. Less blast beats, more structure, more discernible lyrics, but still bringing the heavy. Impending Doom has stayed fantastic throughout the years and I cannot wait to hear more from them. With Five full length albums out, the latest being “Death Will Reign”, I do not see impending Doom breaking up anytime soon. In fact, they are writing new material as I sit here typing, and that makes me sweat… sweat for joy. I thought about writing lengthy paragraphs on why I love this band, but i felt numerical points would be sufficient.

  1. They call themselves “Gorship” which is a mixture between Gore Music (Guttural screams, blast beats, super drop tuned guitars, fast tempo, etc.) and worship, which is pretty dang tight.
  2. They are amazing live. The first time I saw them live was in Walnut Creek in a small venue called “The Red House”. It was pretty cramped, but it did not matter because my feelings of discord were replaced by feelings of euphoria filled my heart and frission overtook my body. Then on the very last breakdown of the very last song “There Will Be Conquerors” I got sucker punched by a drunk man in the back of my head. Even that punch could not keep me from being in the front of the crowd and devastating the floor with stomps as Impending Doom broke down the stage.
  3. They are very friendly and very humble. Meeting them afterwards was like talking to a close friend. Not only that, they knew some of the guys I used to jam with and gave me free clothes!
  4. They invented the “Repentagram”, a symbol of Repentance and casts out evil. The Repentagram is a 9 pointed star which forms an “X” over a pentagram. I have a giant one on the back of my windbreaker.
  5. Last but not least, they are consistent with their music and beliefs. All their newer songs are carefully and beautifully written and they can actually back up their lyrics. Some metal music talks about killing and death and revenge on ex girlfriends, but none of them even seem capable of such. Brooke Reeves, front-man of Impending Doom, is also a preacher along with the other members of the band. These guys have credibility.

If you guys want to hear some more music like Impending Doom, check out my show “Shred the Gnar” Tuesday mornings at 8 o’clock on http://www.kssu.com! Thanks for reading!

DJGingerbeard

Album Review: “Lost Isles” by Oceans Ate Alaska


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is a metal-core band the United Kingdom with a unique taste. Some flavors of Djent, Thrash, Death, Pop Punk, and even Electronica float around in this UK Combo. When I first listened to Oceans Ate Alaska, they were a scene/emo kid band performing the class “screamo” music with open note breakdowns. This album “Lost Isles” has been a metamorphosis for Oceans. They started out as puny, long-haired caterpillars and evolved into fire-breathing dragons. Here’s my take on “Lost Isles”.

The intro, “Four Thirty Two” is an instrumental with some radio and television broadcasts on natural disasters playing in the background. Great work done in this song, piece and also in the instrumental interlude. The pure talent and raw sound during these pieces show how the band has progressed in accordance to music theory. Tempo changes, experimental tuning, drum variety, all sorts of vocals (both clean and screamed), and of course some master guitar shredding amplify this bands talent ten-fold. You can tell how much work they put into this album just by these pieces alone.

But wait! It gets even better. Oceans Ate Alaska released three tracks before the actually full length release date, which was February 24th. These songs are “Blood Brothers” (Lyric video), “Floorboards” (Lyric Video), and “Vultures And Sharks” (Music Video). One thing you will notice is how thick the accent is coming out of the front-man. It works really well because with the knowledge of where these guys came from, you can match up the style with the accent. With technical drops, crazy good melodies, and use of techno in the background (but not overdone) made me so excited for the release of the full length. Maybe a little too excited because I listened to “Blood Brothers” about five times a day for a week.

Other songs worth mentioning are “High Horse”,”Linger”, “Entity”, and the debut hit “Lost Isles”. “High Horse” is heavy as frick and is similar to Attila’s lyric style. Basically, we are better than you and will hurt you if you try to take us down. With a little bit of Djent influences, this song made me sweaty and flexed out while just sitting in class, which probably made it uncomfortable for the shy girl next to me. “Linger” and “Entity” cannot be fully appreciated without deciphering the lyrics. I will not ruin the surprise, but your mind will be blown. Also, “Linger” as both clean and distorted guitar throughout, which is strange for metal, but it worked out fantastic! Last but certainly not least is “Lost Isles” which is pretty much everything I have just written, but precisely placed together in one masterpiece. I feel like this should have been on the last song on the album just to give listeners those last tears of joy and bliss before popping the album out their car radio.

To hear some new stuff from Oceans Ate Alaska and a variety of other bands, go listen to my show “Shred the Gnar” on http://www.kssu.com Tuesdays at 8 o’clock!

Thanks for reading, DJGingerbeard out.

Album Review: “The Night God Slept” by Silent Planet


SP.CoverThe very first song I heard from Silent Planet was “Tiny Hands (Au Revoir) off their EP titled “Lastsleep (1944-1946)” was love at first listen. I thought, “Gee, these guys already sound experienced and professional.” Turns out, they have only released a demo CD and one self-recorded EP. The album that just came out titled “The Night God Slept” is their first album- ever. Silent Planet is a Christian Metalcore band from Los Angeles. Although they are christian, they do not like to have labels on them and during an interview, their guitar player claimed that they do not want to play in churches, “but we want to play for the broken.” The link to the interview is at the bottom. With this new album, Silent Planet has been signed to Solid State Records and already have some recognition. Bands like For Today and August Burns Red are backing up the release of this new album and on eight of the eleven tracks there are featured christian artists. Silent Planet is coming into 2015 hot with no signs of braking.

Let’s break this album down real quick. First off, the lyrics are amazing. All the lyrics are direct quotes, paraphrases, or interpretations by the vocalist of other sources. These sources include philosophical books, historical events, the Bible, and many more other things. Not only that, but the lyrics all flow together around a central main idea while also remaining connected to all listeners. All instruments at one point do show their max amount of talent, but they remain humble when needed. The instruments are not focused on being the heaviest or most technical, but they are very talented and get crazy at times. The keep the song entertaining while also complementing the vocalist. Also, one of the guitar players sings to bring in that “clean” aspect to the Metalcore genre. By the way, it is good singing not like a girly man kind of singing either.

My favorite songs (in order of appearance) are XX (City Grave), Native Blood, Tiny Hands (Au Revoir), and Wasteland. “XX (City Grave) talks about the objectification of women as sexual beings instead of equals to men and how that is wrong. The song explains how we should treat all women as sisters and abolish pornography, regardless of profit being lost or desires that men have. “Native Blood” is about how Native Americans were kicked out their land by people who claimed to be Servants of God. Silent Planet retaliated against the idea of the settlers being servants by explaining what it really is to be a Servant. They then compare the idea of False Servant-hood to most preachers today. “Tiny Hands (Au Revoir)” is a Holocaust survival story about a Jewish woman who escaped a Synagogue being burned by Nazis by jumping out a giant window into a garden. There are also topics such as the Garden of Eden and the existence of both forces of Good and Evil. Finally, the song “Wasteland”. This song is about the rise of Joseph Stalin and his attempt to abolish God completely, making himself the new supreme figurehead that everyone are supposed to worship. The song also looks at the lives of the soldiers under Stalin who were dying unnecessary deaths after losing their faith on the battle field, hence the name “Wasteland”.

I can go on and on, but you should go check it out for yourself. I highly recommend that you check out the album playlist on youtube (which I have provided a link) and read the lyrics while the songs are playing. I promise you will not regret it and your mind will be blown.

Thanks for reading! If you want to hear more music like Silent Planet and other great artists, tune into my show “Shred the Gnar” Tuesdays at 8am on http://www.kssu.com

Much Love, DJGingerbeard

Links:

Playlist= https://www.youtube.com/watch?v=7d9HHQqtguY&list=PLCslpjrb7cYjhht_4wASD6IGoivkLfD-z&index=10

interview= https://www.youtube.com/watch?v=gi_VYGnuHl8

“Shred the Gnar” Version 2.0


For those of you who do not know me, my name is DJGingerbeard and I have a metal/random show Tuesday mornings at 8am called “Shred the Gnar” on KSSU. When I started at KSSU, I wanted to play music that people would not typically hear in the mainstream, or music that when it comes up in conversation would make them cringe. Examples are metal, death metal, post-hardcore, Djent, etc. Last semester I found myself sticking to one type of metal and even replaying songs from already popular artists. My original intent on becoming a DJ had vanished. Two events made me realize i must return to my Alpha Form.

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I was checking out some bands on Instagram when I saw a band that I thought was already great and pretty well-known had released a new album. That album is titled “The Night God Slept” by a Southern Californian Metal band called “Silent Planet.” The lyrics are all direct quotes, paraphrases, or interpretations of the vocalist cited from historical events, intellectual books, and scriptures. I was blown away by the awesome creativity on this album so I looked up an interview with the band. I found out that this album was their first album ever and they just got signed to a record label (which happens to be Solid State Records). That’s when it hit me. One of the things I wished to do as a DJ was to find great bands in the heavy music industry that are not well known and give them exposure.

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The other event that made me realize what I have become was a few days ago in my girlfriend’s car. We were having a nice day going out to eat, when two songs back to back played in her radio from a mix CD. One was from Underoath in their more recent years, so the music was not that heavy. The other was a pop-punk song by a band called “Knuckle Puck”. I loved both songs so i told my girlfriend “I would play this stuff, but it’s too light”. She replied, “You tell your listeners that you play a wide variety of metal and other stuff, but you seem to only stick to a select type of music.” She was right, so now I am changing my ways.

“Shred the Gnar” version 2.0 will not have just metal, but also thrash, djent, hardcore, punk, post-hardcore, electro-metal, pop-punk, and all other sub-genres. Not only that, I will try harder to find not-so-known bands like “Silent Planet” and play them on my show to give them the credit they deserve. I promise you fellow musicians and music lovers alike, Spring Semester for DJGingerbeard will be better than ever.

Listen in for some great stuff at http://www.kssu.com

Tuesday mornings at 8am

Much love, DJGingerbeard

30/30 Playlist: Songs That Got Me Through the Semester


Playlist bannerDuring the each semester, or periods in my life in general, there is always music to help me get through it. Certain songs when played will always take me back to the time period in my life where those songs were on repeat. Everyone should have those.

So this past semester, these few songs were released, and it helped me get through Fall 2014 with a little more ease.

Note to readers: I am a very eclectic guy when it comes to my music taste. Despite my dislike for edm and country, expect a variety of styles on this playlist!


 

Dirty Heads: Silence

This song was released on the reggae rock band’s sophomore LP Sound of Change, and it was the one that stuck out to me the most. It has that perfect blend of their rap style with the use of some minor chords and a hard hitting chorus that had me playing this song on repeat. Their rapping has definitely improved since their debut album. The chorus starts off soft, with the a melodic croon, then hits hard, going full band. I was extremely happy when I saw them play this live at Ace of Spades in October. This made the breaks between classes and work much more enjoyable.

But the silence is deafening!


 

The Kooks: Sweet Emotion

This song was from their latest release, Listen, and man, this is definitely a change of pace from their older stuff. I’m not upset about that at all though, because this song is amazing. It was the very last track on the album, which made for a great closer. The album as a whole was pretty good in my opinion, but when this song came up, it made the album waaay better. This song has that effect. It starts off with the catchy guitar riff and the voice. Then throughout the song, more instruments keep coming into the mix and it just gets better. This song made me extremely happy whenever I played it, and helped me get through a lot of tedious work for some of my classes. So soulful, so great.

Everytime you’re near mee!


 

Childish Gambino: All Y’all

Childish Gambino dropped his two part project, Mixtape STN MTN & EP Kuai, this past semester with good reception. While the EP was more on his singing side, the mixtape was full of rap that only Childish Gambino can deliver. He surprisingly rapped over and remixed a lot of old tracks, including Timbaland’s “All Y’all”. What stuck out to me was his verses and flow on this track. Gambino has been changing his style up for awhile now, especially since Because the Internet was more of a concept album. But on this track, it reminded me of his older stuff with his updated skill now. He delivered the funny pop culture punch lines, sped up and slowed down his flow, threw in some minimal singing, and more. The content was also very camp and cul de sac esque. Although it is not self produced, the beat suited him well. All of this made it my favorite out of the mixtape and EP, making it a song I can always go to in high stress situations.

We were born free, that’s my God given


 

Four Year Strong: Go Down in History EP

So this is the only band i’ve bought every album for and that isn’t changing anytime soon. When this was released, I had to go to Dimple and buy the EP. From their last album, it was very refreshing to hear them go more towards their routes, while still growing as a band. This whole EP gave me something to stomp my feet to and hit my chest with my fist towards. I hope you get the imagery because that’s exactly what I wanted to do while listening.. I am extremely bummed I didn’t get to see them when they came to Slim’s SF for their tour. But the five track EP still gave me great hardcore pop punk to listen to, and I was extremely happy with this purchase. I definitely need to mosh to these guys soon.. They need to release an LP and go on tour for that! Great for the skates from the apartment to the school!

I couldn’t find the words to.. So read the writing on the walls!


 

Kendrick Lamar: i

With this release, came the mixed reviews, including from myself.. I am a huge fan of Kendrick Lamar and TDE as a whole, so with this release compared to the others,  came confusion. Why would this hard hitting skilled rapper release this “pop” song?? Especially with the album art and tweets talking about it before it came out. I was kind of disappointed. As were many others, but the thing is, I didn’t get it at first. I couldn’t comprehend this because we as a generation of listeners isn’t use to this anymore. And when we hear it, it automatically gets put under pop or mainstream. But when I watched the music video, I understood it a little more. I knew there was something different, and that it wasn’t the regular mainstream pop song. Then I saw his performance on SNL.. and it blew me away. I instantly got it. He was bringing the soul, funk, and rock and roll back into the black culture and music as a whole. At least that’s what I saw, his performance could of been different; it could’ve been a mainstream puppet running around on stage with endorsement deals all around his outfit, screaming into the mic while running around trying to hype the crowd. But it wasn’t. So I watched interviews, and he basically said what I thought. About bringing the soul back, incorporating it into hip-hop. With such a positive message as well, it is a well done and executed song. I grew on me instantly when I saw the visuals, which is kind of sad to say. But hey, definitely a feel good song that got me through the hectic weeks. *starts doing kendrick dance

I LOVE MYSELF

 

 


 

 

Joey Bada$$: Christ Conscious

With every semester comes a hard hitting hitting rap song that I can bump and listen to while walking around. This is that song for me. Joey Bada$$ is releasing his debut album B4.DA.$$ in January, but for now he’s dropping singles, each of which being hip-hop gold. In my opinion. With the classic boom-bap style with his hard hitting verses and flow, this made a great song to ride around to. Especially since he premiered the song with the video, it made me instantly wanting to walk the streets of Sac and start rapping. lol This guy is younger than me, but his talent with rapping is greater than most now a days. Definitely an album i’m anticipating, but for now, i have the three singles, including this.

Got dragon balls like my name was Vegeta!!


 

So these were the songs. Some of you may not like the choices, but each of these struck a chord within me, making me want to listen to them more. Comment your mini playlist that got you through the semester below, that would be dope!

Each person feels different music and music differently, just saying.

Jerel is a DJ at KSSU So like listen and stuff.