Weekly Staff Picks #3


Hello hello wide world web! We have congregated here again to choose on your behalf  what you should listen to. I know, how kind of us to do. No need to thank us, we do this for the sake of finding something we love and nothing more.

 

Staff Pick 1: Claudia Rivas

The Last Shadow Puppets – Everything You’ve Come to Expect, Aviation

The Last Shadow Puppets have finally released their sophomore LP, Everything You’ve Come to Expect, eight years after debuting, The Age Of The Understatement, in 2008. The brilliant collaborative duo of the Arctic Monkeys’ Alex Turner and former The Rascals’ front-man Miles Kane have a new batch of songs ready to take on their scheduled upcoming tour. Turner and Kane have created a LP that not only mixes guitar-rock and classical-violins seamlessly, but also rendered a collection of songs that clearly serve as a soundtrack for dangerous summer romance. In their single “Aviation”, these themes are clearly portrayed. Backed by somber strings, the tune plays out like a dramatic vintage spy film. The opening graduation of noise and dissonance of heavy guitar riffs and fluttering string arrangements that give it a Bond-like quality. Sounding like music that would be the centerpiece for a early-00s’ spy movie similar to Mission Impossible, “Aviation” is the opening song that sets the dramatic romantic tone for the entire LP, well worth the listen.

 

Staff Pick 2: Emiliano Martin

Frankie Cosmo – Fit Me In, Next Thing

Frankie Cosmos’ EP “Fit Me In” shouldn’t be overlooked in light of her newest album this year, “Next Thing.” The track “Young” and the EP itself are a departure from her earlier work with its drum machine and synth combo in place of her earlier bedroom-recorded guitar and microphone. Like a lot of her songs, “Young” is simple but serves to communicate a thought Cosmos had in a particular moment. Her music is able to deliver a sense of comfort while contemplating what it means to be “young,” “fun,” and “alive.”

 

Staff Pick 3: Lucy Morales

Club Cheval – Discipline, Legends

When you gather different and brilliant minds together into one collective, the end result is either disastrous or exceptional.  Canblaster, Sam TibaMyd and Panteros666 are four French DJs who have conjoined their electronica expertise to form the dynamic Club Cheval. Their track “Legends” is an exceptional place to start for those new to their R&B and house blended sound. The smooth croonings of Rudy seamlessly interchanges with swaggering beats and deeply penetrating basslines. What propels forward the energy and eventually settles the the direction of the track is the premature climax of dark chorus of children boldly announcing “fight for life… live to fight… ”. Easily, “Legends” has all the necessary elements to cross into American EDM territory.

 

Staff Pick 4: Lucas Oliveira

Quilt – Roller, Plaza

Are you as sick of hearing new music that sounds like updated versions of the schlocky pop songs of the 80’s as I am? Well, lucky for us, Quilt draws its inspiration from an earlier time, shirking the shotgun-snare synth-pop that many indie bands are turning to in favor of tremolo-heavy psychedelia. But while their last album wore its Jefferson Airplane and Syd Barrett influences on its sleeve, their latest release is less obviously indebted to the late 60’s. The first thirty seconds or so of “Roller” would sound perfectly at home on a Spoon album, with its chugging guitar and bass and wavering vocal-like synth harmonies. Come the chorus, the noodly bassline and chiming guitars reveal that Quilt hasn’t completely abandoned its psychedelic roots. The result is a sunny, swaying mid-tempo track that merges the music of the late 60’s with 21st century indie, and I definitely recommend it.

 

Staff Pick 5: Andrew Garcia

Tacocat – Lost Time, Dana Katherine Scully

The three words I can find to best describe Tacocat’s sound are feminist, bubblegum, punk. They harness the power of all three of these adjectives to create my new favorite song “Dana Katherine Scully,” a musical letter of adoration for the fictional FBI Agent of the X-Files department. Tacocat groove out to the charming sonics of surf punk affability and the hilarious yet fully sincere nerd love usually reserved for the most dedicated of fan-fic writers. However, they skirt obsession, in favor of endearing respect of the way in which Agent Dana Scully sees the world through logic and rational. As Tacocatputs it, “She wants to know what’s out there/but she need to know why”. It’s a groovy good time.

 

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Weekly Staff Picks #1


kssu staff pick

Welcome to KSSU’s inaugural weekly staff picks! This is where our DJs pick their current favorite song and artist from recently released music. We will feature 5-6 songs that are currently on our radar. Stay tuned every week to see what we pick, maybe your favorite track will be selected.

 

Staff Pick 1: Lucy Morales

Boss Selection – Wouldn’t it be wild, Volume 1

Boss Selection is the moniker for the seasoned world wide producer Sunny Levine. With Quincy Jones as his grandfather, he certainly is no stranger to living up to large expectations. Under Boss Selection, he has produced a mixtape inspired album with 12 different artists successfully using crowdfunding for all the costs. My personal favorite from the album is “wouldn’t it be wild” featuring Orelia. It’s an unboastful chillwave like track that becomes infectious without even being conscious about it. It’s the best kind of song to pop into your car to relax after a long day.

 

Staff Pick 2: Jerel Labson

Kanye West – Ultralight Beam, The Life of Pablo

Of course this has to be somewhere on the first KSSU’s Picks Of the Week! Hearing this first track play at the Yeezy Season 3 fashion show really set the bar and got me ready to hear the rest of TLOP. The instrumental is beautiful. The occasional drums also really get me going. Having The Dream, Kelly Price, and the choir literally taking us to church was amazing to hear. Chance the Rapper’s verse was possibly the BEST verse on the album as well. Donnie Trumpet backing the second half His flow and biblical references (“Got my ex looking back like a pillar of salt”), just DOPE. I could go on, but I have no more words. Just listen to it. One more note… Can I consider this as a Christian song??

 

Staff Pick 3: Cole Nelson

Stone Sour – Love Gun, Meanwhile in Burbank

My song of the week comes from the album Meanwhile in Burbank… by Stone Sour. Released in April of 2015, this album features hard rock covers of classic rock and metal artists. My favorite out of the album is their rendition of KISS’ classic song, “Love Gun.” Stone Sour’s version features heavy use of a grunge sounding guitar along with a strong drum line while still retaining that classic rock/disco vibe that KISS is known for. “Love Gun” is one of the better covers of a song I’ve heard recently and recommend it to those who like the original tune with a bit of a kick to it.

 

Staff Pick 4: Angelina Rios

Bomba Esteré – Soy Yo, Amacer

Bomba Esteréo is a Colombian band that formed in 2005. With the recent release of their new album Amacer, the track Soy Yo is nothing short of excellent. With a catchy beat, its traditional Colombian instruments have a contagious effect and it’s hard to resist dancing in your chair. This track represents respecting and accepting one another for who they are. While the band does not wish to conform to one genre of music, they can best be described as having an electro base with Cumbia and dance elements as well.

 

Staff Pick 5: Anne Thorp

Daughter – New Ways, Not To Disappear

Daughter is the name of a three-person, London-based indie rock group, together since 2010. Their EP ‘Not To Disappear’ came out in 2014, and this March they start an already mostly sold-out North American tour in major cities across the U.S. and Canada. New Ways is the first track of the EP, and soundly embodies all that is good about the entire album. It’s moody, the vocals ethereal, with an edge of grit in the guitars and drums that speaks of the kind of disjointed, worn cynicism modern life frequently brings. It reminds us, as singer Elena recites, that sometimes we all feel we need new ways.  

 

Staff Pick 6: Claudia Rivas

Charlie Hilton – 100 Million, Palana

Charlie Hilton, lead singer for Blouse,  released her debut solo album Palana on January 22 via Captured Tracks. The album was produced by Unknown Mortal Orchestra’s Jacob Portrait. The album includes “100 Million”, which I’ve been playing on repeat for much of this week. The track was produced by, the band Woods’, Jarvis Taveniere. The song features vocals and music by Mac DeMarco. The track sounds folk-like, similar songs by Beach House and She & Him. Hilton’s vocals are much like Zooey Deschanel in this song, light and dreamy. Lots of simple guitar chords and settle drum background occur as well. Reminds me of a tune that would play at a modern Woodstock, hippie festival. It’s a song that will keep most fans of this type of music in a good mood.