Beautiful Noise, Exquisite Tastes, and Creative Minds: The Complete TBD Fest 2015 Experience

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This past weekend TBD Fest has left a mark of music, art, design, food, and ideas in the city of Sacramento. The festival drew in thousands of diverse people, locals and visitors alike, to experience the unique Sacramento festival that is TBD.

To start off, this weekend was incredible. Everything from the acts to the food was something to look back on. The lineup fit the flow of the weekend; starting Friday off with bang, reaching a pinnacle of epicness on Saturday, and concluding with a sure sense of satisfaction on Sunday       (sorry for the tongue twister).


Festival Grounds

A vital part of any festival is to get a feel of where you will be for the next few days. The first thing to do is find a schedule and a map. They weren’t readily available, but the customer service tent had no problem handing out printed schedules (nothing too fancy, just a print out). Since there was no map, the only option was to explore the grounds.


Having fun with the displays!

The grounds weren’t too vast and the layout was simple: a main stage on opposing sides with smaller stages near them. In between there was the “Rise + Create” space. A vendor village, complete with local vendors selling food, drinks, art, and clothing. All the food and drink being carefully crafted, the clothes being hand-made or hand-pressed, and beautiful pieces of art being created. This section of the festival truly shows the creative and tasteful minds of Sacramento. Near and around the “Rise + Create” space there were some awesome displays. Changing pillars of light, painted pyramids, murals, and the great display by PORTAL SAC. the perimeters of the grounds had the bars and food trucks. The festival even had it’s own giant ferris wheel (which all the proceeds from went to helping those recently affected by the California wildfires). There was a lot to see and do at TBD Fest besides watch the musical acts.


Demolicious Derby

If none of the musical acts were catching your attention or it was just too hot for you to be standing outside, then the “Demolicious Derby” was the place to go! It took place under a shaded tent with a nice patch of grass (I’m assuming so none of the dirt or dust flies into your food). It’s a cook off between two Sacramento chefs of the fine dining scene. They both have to use a certain ingredient. They also have to cook and serve out of a food truck. The food was completely free and completely delicious.

While waiting for the food, festival goers could watch the cooking from a live video feed screened on a large screen outside. The visuals and smells would make the audience even more hungry. Some moves such as adding the spice would make the audience “ooo” and “ahh.” A comedic MC would be hosting the event so it’s not just two dudes cooking food. Attendees would have to partake in both dishes and place their used forks in their respective choices. Both competitors were always good and humble chefs.

A little example of a cook off: both chefs had to use lamb. One made street tacos, but instead of a tortilla, he a used flattened and fried pork bun. The other made a greek style lamb poutine. Drooling yet? We were.


The Music

As mentioned  earlier, each day had a lineup that made a great flow for the weekend. Little disclaimer: I’m not really a big fan of EDM, so I didn’t catch much of the DJ sets.  

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Toro Y Moi

Friday was explosive. The first artist was the band, Cathedrals. With their chill, new wave sound, and heavy bass, Cathedrals gave the crowd something great to vibe to. Then I was able to catch Towkio, Chicago based rapper associated with Save Money and Vic Mensa. Even though the crowd didn’t know the words, Towkio and his DJ were able to pump up the crowd. Head back to the main stage and you would be able to catch the dreamy set of Toro Y Moi. This was one of the artists I was looking forward to watching the most, and they did not disappoint. Playing a good blend of the newest album, What

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Tyler, The Creator

for?, and their older stuff, the set was great. Ty Dolla $ign got the entire crowd dancing or jumping to his songs. The best part of his set was when he pulled out a bass and started groovin out (I didn’t know he could even play instruments). He was even able to stage dive into the crowd during the end of his set. The only EDM set I caught on Friday was some of was RL Grime’s. Playing a heavy trap set for the festival, he had everyone moving. The craziest crowd goes to the set of Sacramento native, Death Grips. The experimental industrial noise rap group made the biggest mosh pit of the weekend, bringing the first big dust cloud into the air. Being in the mosh, I breathed in a little too much dirt. The night ended with Tyler the Creator bringing  energy to the stage. Although he couldn’t bring the visuals he wanted, the set was still crazy. The crowd moshed, jumped, and sang along to the words. It wouldn’t be a Tyler the Creator set without his comedic side comments. The day really set the mood for the rest of the weekend.


Chance the Rapper

Saturday was big. With the longest day of TBD Fest, there was a lot to do. Although the day was spent mostly walking around the grounds, eating, and hanging out, all the musical acts were great. Dark pop duo, ASTR, started the day off for me. They gave an electrifying performance with some heavy bass hits, melodic scales and licks, and some crazy dance moves. I even had the pleasure of interviewing them backstage (interview coming soon, really cool people). Joywave, an electronic indie band, drew one of the larger crowds for the small stages. Before playing, they took time to perfect their sound and it was worth it. The crowd was very responsive with each song and it was awesome to be apart of. Ratatat was one of my favorites for the weekend. The electric guitar duo had holograms and lasers, putting on one of the best visuals for the weekend. Porter Robinson had some nice visuals as well. Although I couldn’t really vibe to the music, he still put on a good show equipped with anime graphics and massive confetti shots. The crowd loved it. I was able to catch the tail end of Magic Man’s set on the opposing small stage. Although there weren’t that many people watching the set, they still gave it their all and ended with their hit, Paris. Chance the Rapper was the main act I was looking forward to for the whole weekend. The set was amazing. He came with his full band, Donnie Trumpet and The Social Experiment, which made for a much fuller sound. The visuals weren’t top notch, but it didn’t matter because the music and energy put out from the performance was, to me, the best for this weekend. Sing alongs, jumping around, crowd participation, amazing trumpet solos, it had it all. Even though he admit to go out of order of their intended set due to excitement (Chance would become a father two days later) they still made it the best. Saturday had something big for fans of all different music genres.

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Tears For Fears

Sunday was a great way for the weekend to wind down. Up and coming rap/r&b artist (who recently made a song with Kanye West) Post Malone put on a good five song set to start off our day. Although he has blown up due to the success of his hit song, White Iverson, Post Malone still kept it humble, and kept it entertaining. He even performed White Iverson again for his closer, having the crowd sing the entire last verse to closer. After, we were walking and on the nearby small stage, this band O began to play. They were able to keep us and the others for their whole set. They’re an indie band from San Francisco, do check them out. I was sad to have missed Dr. Dog and A Place to Bury Strangers due to attending a Demolicious Derby, but I heard the sets were amazing. Right when we got to A Place to Bury Strangers, the lead singer had just smashed his guitar to end his set. Sad to have missed that, but it was on to the 90’s alt rock band, Dinosaur Jr.! Although they are getting old, they can still play flawlessly. With great

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tunes and heart reaching solos, Dinosaur Jr. had a high-caliber set. After, Black Lips took the smaller stage. This goofy garage rock outfit from Georgia had a really fun set. After some jokes and moshing ensued, it was time for the OG (an older act, usually more famous in the 80’s)  headliner (every festival has to have one amiright?), Tears for Fears! Watching their set was like jumping back into the past, a time where most of the people attending TBD were either not alive or too young to go to a concert. Of course, the crowd sang along to classic hits such as Everybody Wants to Rule the World and their closer, Shout. They even surprised the audience with a slower yet full version of Creep by Radiohead. Madeon electrified the crowd as the last EDM performance of the weekend. I had to jump around a few times for that performance. I wasn’t able to stay, but I heard and read that crowd favorite Chromeo properly wrapped up TBD Fest with their funky tunes.


Closing Remarks

2015-09-22 04.01.12Overall, TBD Fest is a must-go for anyone in Sacramento, the surrounding Northern California area, or anyone in the world that wants to have a good time. Although not as big as famous festivals such as Cochella, TBD Fest is able to provide some of the top acts in music today in a comfortable yet enthralling environment. Everyone from the acts to the volunteers to the workers to the security to everyone else helped make this weekend what it was. It wasn’t just  about the music, but about the local artistic minds and tastemakers coming together to bring entertainment to Sacramento. It’s exactly what this city needs, a positive driving force in today’s creative culture.



Check out our mini Instagram Vlogs of the Festival!

If you liked this article, be sure to tune into on Wednesdays from 6:00pm-7:00pm for the 30/30! 30 minutes of music followed by 30 minutes of talk with me, Jerel Labson! 

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CSUS: Hitch a Ride

CSUS: Hitch a Ride
By: Josue “Josh” Alvarez Mapp (a.k.a. DJ Mappquest)

Parking issues are as synonymous to Sacramento State as water issues are to California.  To help remediate the issue, Sacramento State has constructed four parking structures over the decades.  The largest parking structure (Parking Structure III) can accommodate 3,000 vehicles parked in it.  As an attendee of Sacramento State, the structure is constantly packed, along with all “close” parking lots.  In total, Sacramento State has 15 parking lots and four parking structures sprinkled around campus.

However, in a day where convenience is everything, some lots are outside of the realistic range of some.  For example, Parking Lot 11 is situated across J Street, the main entrance to Sacramento State.  In relation to the buildings for classes, and anything else, it can be a “hike” to get there with the amount of traffic around the J Street Main Entrance intersection.  There are a number of other lots outside of the convenience range.  However, parking to this day is still bad.

There are many things to alleviate this, such as the Hornet Shuttle, plus a major bus junction by the north end of campus, numerous bike routes and bike parking, dorms, and local apartments.  But with all this, Sacramento State is still seen as a “commuter campus”.

I’m not saying parking close helps, but it is a step.  What doesn’t help is when parking lots or services close at specific times.  Sacramento State has provided something along these lines.  In a previous article I referenced the Ramona Ave Parking Lot.  This lot will be re-opened in the Fall Semester for students.  Because the lot currently resides a distance away from campus, a Hornet Shuttle service will be taking students from the lot to The Well and back. Nice, right?  What’s the catch?  The lot and the shuttle operate from 7:30 AM to 6 PM – prime time for most daytime classes, but not so much for events, meetings, club/organization activities, etc. Though parking alleviates by the evening time, it is a hassle to move your vehicle.  By the time you sit in the driver seat, temptation of life away from campus may set in.

An incentive for the Ramona Lot is a much cheaper parking permit that works only at the Ramona Lot.  The permit costs $84 and provides approximately 250 additional parking spaces (to help with the loss of 280 Residence Hall parking spots).

The proposed Ramona Avenue Extension to be completed by 2016.

Ramona Avenue is slated to be extended and connect with Folsom Blvd for a more direct line to campus.  But that’s not my issue here.  As I hinted in my last article, none of this helps with the campus spirit and campus community.  The campus is vibrant with activities from programs like ASI and UNIQUE, clubs and Greek organizations, and much more.  But when people get to their cars, they may not be driving closer to campus to attend these functions.  Instead, they may go somewhere else.  The campus has much to offer, and the campus administration is not aiding that cause what so ever.  The Ramona Ave lot may stop the bleeding, but it won’t close the wound.

Welcome to Sacramento State!  We are a “commuter campus” that struggles to rise above that stigma.

CSUS: Pardon The Mess

CSUS: Pardon the Mess
By: Josue “Josh” Alvarez Mapp (a.k.a. DJ Mappquest)


One of the planters added into Lot 7.

For much of the summer of 2015, Sacramento State has been getting various sorts of touch ups here and there.  The one that grabbed my attention most was the various amounts of fenced off parts of Lot 7, one of the parking lots on the south end of campus.  On my most recent visit to campus, I discovered parts of the project was the removal of parking spots to include planter space for drought resistant plants (or so that’s my guess).  Now don’t get me wrong, I am all for doing our part to help fight the drought and do our parts for the environment as a whole.  I am also all for beautification of the campus.  Sacramento State’s campus is a beautiful one.  Hands down one of the best in all of the CSU system.

It wasn’t too long ago that the campus had a beautification project around Brighton Hall, as well as along the path from the University Union to the Library.  I thought these were solid touches on otherwise bland land.  It doesn’t serve a function in the sense of helping students get the classes they need, or help them with additional parking spots, but it didn’t take away from that either.

A corner of Brighton Hall that was spruced up a while ago.

A corner of Brighton Hall that was spruced up a while ago.

The Lot 7 project is one of many happening currently.  I have not seen them all as I only see or frequent half of the entire campus.  Some of the other projects to be noted this summer include:

  • Adding a physical median divide on the southern tip of State University Drive East by the Capital Public Radio station.
  • Major sidewalk construction (for what it seems to be something good for pedestrians) on Callery Pear Way between the Public Services Police Station and Parking Structure 3
  • Construction for something unidentifiable at the time I went by in the Library Quad close to Brighton

There are more, I’m sure, but I haven’t been across all of campus.  Part of Parking Structure 1 will be dedicated to Residence Hall Parking for people living in the dorms.  To alleviate parking, UTAPS has (re)introduced parking at the Ramona Lot (which is located on Ramona Ave which is off the beaten path by Power Inn Rd, off of Cucamonga Ave), with a shuttle to take students from there to campus and back.  The lot is open 7:30 AM to 6 PM.  Any cars still there will be locked in the lot.  This is a decent solution for students who come strictly for classes in the morning or afternoon.  However, this counteracts possibilities of fostering a campus life (i.e. clubs, organizations, events, etc.).

The unknown project in the Library Quad.

The unknown project in the Library Quad.

What is going on in Lot 7 (and perhaps Lot 8 as well), is a waste.  It is not good for the students, which should be the focus of anything and everything the campus does.  It doesn’t increase quality of life on campus by any stretch.  All it does is take away space for parking in a place where parking is still a premium (the planter pictured above takes what use to be 8 parking spots). The only project I would welcome on campus that could temporarily take away parking would be converting a lot, or part of a lot, into a parking structure.

Welcome back to Sacramento State!  Please excuse the mess, and less parking in convenient locations.

Zelda Over Finals


The best way to prepare for finals is not at all.

Just kidding.

That’s terrible.

I only have two “real” finals. “Real” meaning using scantrons, studying from a study guide, and bringing in a notecard. The real finals are for philosophy and geography, so it is probably a good idea to study and bring in notecards. However, I work two jobs, so studying does not really seem like a good idea when I could be sleeping or getting music for my show or even playing Zelda, because Zelda: Skyward Sword is taking too long to finish. I will probably study an hour before my classes and put some chicken scratch writing on a tiny index card. Seems like the best option.

For my other two classes, Music and Theatre, we have “different” assignments. “Different” meaning not using notecards, scantrons, or formal study guides. In theatre, we all passed around papers, writing one entry on a paper about a given dialogue. You cannot write your name, and you have to write about whatever the professor says. For example, he says write a name and greeting and you write “What’s up, my name is Gregorio.” You can make it normal or comedic. We did this for ten entries, then opened up the paper. There are a bunch of ridiculous things written, but for our final we have to tie in all ten entries and turn it into a monologue that makes sense. We then perform the monologue in front of the whole class. Good thing I have some experience acting, or else I would die. As for Music class, we have a choice of playing a solo or a duet. The duet has two options: two moderate songs or on hard song. The solo is just a choice of three hard songs.

So yeah, my finals are not going to be too hectic. I just have to make sure I beat Zelda before finals week so I can focus. If not, I will be tracing and retracing my steps trying to find the next dragon in my mind while I’m sitting in class.

Thanks for reading! For more shenanigans and random subjects to talk about (along with some great music) listen to my show “Shred the Gnar” on every Tuesday morning at 8 o’ clock!

Much Love,


Dissecting The Plot In You


Lately I’ve been listening to a lot of “The Plot In You” because one of their new songs popped up in my feed on YouTube, and I opened up my brain to see what I can recall of TPIY. Basically, I liked one of their songs a whole lot, but never took the chance to really check them out. The Plot In You is a four piece metal-core band from Ohio, with One EP and two Albums out. Notorious for their harsh lyrics and calling out particular groups of people while keeping that metal vibe, TPIY quickly gained fame after releasing their debut song Wifebeater from the EP “Wifebeater” (which one could assume was about his father). The Plot In You is signed onto Invogue Records, and will be releasing a new album which currently has an unknown release date.

The song that popped up in my feed was called “Crows”, which is about Landon Tewer’s (the frontman) life and how he has changed, but so has everyone else. The “Crows” symbolizes death and how in the end, everyone faces it. This is emphasized with the line “The crows are waiting on me”. This song was an unreleased track from the b side a 7” they never released. My curiosity took me further, so I played the album stream from “Could You Watch Your Children Burn.” I had already heard tracks from their album “Firstborn” a long time ago, but this album really got to me. Most songs consisted of talking about how people who are hypocrites and live a mundane existence should separate themselves, or simply die, from society. Tewers talks about religious folk, lustful males, rapists, and his own family very unkindly. One of my favorite songs is “Troll” which I also saw live when TPIY was on the “About That Life Tour” with Attila. The song basically empowers the listeners individuality and gives the belief that you are a juggernaut and will not take any flack from anyone. Another song that was a favorite by TPIY on YouTube was the song “Premeditated”. In this song, Tewers talks about his plan to kill a rapist who violated someone very dear to him. With clean vocals, dark breakdowns, and the usual “I will destroy you” moments from TPIY, I could easily see why this was a favorite by fans.
All in all, TPIY is a very angry band. Their song “My Old Ways” that was released in a music video on February 23rd seemed to be quite lighter in comparison to “Troll”. To hear that kind of change and it still be a good song makes me very excited to hear their upcoming album. To make a long explanation short: The Plot In You is a band full of angry dudes, relatable stories, great songs, and a uniqueness that I have not heard from any other band. They are probably not sane people, but hey, who is really?

Thanks for reading you lovely people! If you want to hear music from The Plot In You and other bands that I just so happen to enjoy, tune into my show “Shred the Gnar” on Tuesday mornings at 8 o’ clock!

Much Love,


Soul Stealing Puppets, and other “Avenue Q” talk…

Avenue Q

I have a friend who is scared of puppets. So, of course, I invited her to Avenue Q. And, I think her fear may have rubbed off a little. There were some, normally inanimate, objects that sang. The way the mouth and eyes looked was scary, and resulted in title of this piece. Avenue Q is a musical for adults featuring puppets, which is a really strange mix. The show takes its look from Sesame Street. There are 3 types of characters: Humans, puppet humans, and puppet monsters. For this blog entry, I will refer to the actors that are not puppeteering as actors. I will refer to the actors that are puppeteering in this show, as just puppeteers. That’s just for simplicity’s sake, they are all talented actors.

Avenue Q is an exception to puppet shows being for kids. It is, delightfully, not for children. A lot of puppet shows I can recall don’t show the puppeteers, so I don’t know how much this is thought about: But, are the puppeteers doing their job if I’m focusing on them, or if I’m focused on the puppet? On one hand, the puppets are meant to be characters in the musical. The puppets are having the conversations. Kids are visually fixated on the colorful fuzzy characters. But, speaking for me, I look at the actors usually. It was a difficult transition for me to look at puppets, instead of the puppeteers. I remember consciously trying to focus on the puppets. The puppeteers in Avenue Q are all in black, so it seems I should be focused on the puppets. But, these are talented people, who are characters in plays and musicals. The focus would usually on them. Also, if they didn’t put energy into the performance, the puppets wouldn’t have it either. And, I can remember the body language that some of these puppeteers had, and it seemed like it was adding to the limited body language that the puppet could show. Taylor Grossman, for example was very kinetically emotive. The puppeteers used the same body language that their puppets had. I ended up watching the puppeteers a lot, because I liked their performance so much. So, they did a good job. But, did they do their job, as it pertains to me looking at the puppet?

Speaking of body language, some of the puppets were handled by two puppeteers. But, only one could be the voice of the character. The other puppeteer would provide just the body language of the character. This was odd but necessary. Having someone on stage doing only the body language of a character, while the character is talking, is a special kind of entertainment. I loved taking some time to watch the other puppeteer. I think this supports the idea that the puppeteers added lent their body language to the puppet. They had the facial expressions, the character movements, and all while puppeteering.

And, about that puppeteering, it looks brutal. Having one person puppeteer one puppet, that doesn’t seem too bad. But, add one more person, and I was amazed at their lack of falling. Have you ever watched ice skating, and were in awe that they don’t trip all over each other? That was me every time I saw two puppeteers and one puppet. Just puppeteering the puppet seems ridiculous. The puppets’ mouths open up, so at least one of them controls that. And, each of the puppeteers use one of their hands for the puppets hands. So, the person on the left is the puppet’s left hand. The person on the right, is the puppets right hand. I can’t think of how I could manipulate the puppets hand, and make it look like it was connected to the same body as the other hand. Also, the hand movements would be strange. Then, you have to move around like that. There are song and dance numbers, and the two puppeteers need to be connected at the hip. Some of the choreography had them moving around quickly, and moving back and forth around other puppeteers. The whole thing amazed, and perplexed, me.

I did just enjoy the show. Avenue Q is a great show, and this cast and crew did really well with it.

Tracy is a DJ with KSSU

National Poetry Month Recommended Read: Verses From Above


For those that have no clue, April is National Poetry Month. A month dedicated back in 1996 to raise awareness and appreciation for the art of poetry in the United States. What better way to celebrate this art then by actually reading some poetry.  If you have no idea where to start, here is a book of poetry that you may want to pick up: Verses From Above by Salvin Chahal. Verses from Above is an amazing book of poetry, hitting many subjects that may leave readers wondered. With each poem, Chahal creates vivid scenes and worlds with much detail. He equips the literary device of metaphors well to his advantage. The comparisons made are ones that readers may have never thought of. Poem long metaphors such as treating his sister or women as museums or one liners like,

My mother’s love is rich like the soil in Egypt when the Nile would flood.

Another favorite is

Boil every moment you fell in love, in a pot molded by your hardened façade.

This book challenges any reader to really think and dive into every poem. Not just skim through. That’s what’s great about Chahal’s first book; every read through could be a different experience. Each poem contains many layers that scream out to be known, it is our job as the reader to find out the message. Chahal writes from his core, everything that he has experienced and seen. Even though the author is only 20, don’t be mistaken, he has done a lot of growing up. His thoughts may reflect our own or it may challenge, but that’s one of the main goals of the art of poetry. Chahal writes about the many aspects of cultures in his writing: his heritage, our generation, school, the system, etc. Harsh and honest, beautiful and fulfilling, this book must be checked out.

At the end of the book, Chahal has written “workshops” for readers to explore their own minds, mapping it out onto paper. The book immediately becomes an interactive experience. There are many blank pages to add personal content, and it doesn’t even have to be poetry. The workshops include experiences such as writing a letter to your 6th grade self, thinking of personal traits and weaknesses and writing about them, regrets, role models, and the list goes on. After reading a thought provoking book, this author urges you to look within. The workshops are definitely a challenge, but for any reader that is up to it, they may find themselves expressing thoughts that haven’t been thought about before. Which is poetry in itself. You may unknowingly find your words and sentences forming into beautiful poetry.

What started from a daily poetry series became a book. It was officially launched with a special event at creative art space Sol Collective in Sacramento back in February 13th of this year. The momentum hasn’t stopped for the young author / emcee yet. Salvin Chahal recently performed and was part of a SXSW official showcase, as hosted by Sol Collective. He’s not new to the festival or showcase scene either, he was a poet mentor and a 2012 SAYS Slam team champion. His work is far from finished, Chahal is currently working on a musical project right now, taking his poetic skills to the mic. For more information follow his social media accounts :


Instagram: @_Salvin


The author of this blog, Jerel Labson, is a current radio host at His show, the 30/30, is every Wednesday from 4pm-5pm. 30 minutes of music, followed by 30 minutes of talk with special guests every week.

The Zombie 5 Tour Review


Last Sunday, I went and saw (in order) Secrets, Born of Osiris, Word Alive, and the Devil Wears Prada at the Ace of Spades in Sacramento. The name of the tour was the “Zombie Five Tour” because it has been five years since the Devil Wears Prada released their “Zombie Ep”- one of their greatest achievements. There was laughing, crying tears of joy, and a lot of sweat in a human sardine can. Here’s how my night went.

Started off with the usual tradition- Dutch Bros. drive thru coffee in Davis. Got myself a strawberry and lime iced Rebel, which is their trademark energy drink, so I was ready for the long night ahead. Accompanying me was my girlfriend while the rest of my crew was saving us a spot at the front of the line. Walking to our spot in line, I could feel the teenage angst staring me down while everyone is decked out in gear ranging from Goth streetwear to gym clothes with band logos. I myself went in some nice khakis and a windbreaker. After hanging out in line and farting on some teens behind me, we quickly hurried inside the venue when the doors opened.

Usually, Ace of Spades has a band open up for the other bands, but Secrets was the first band to go on. The last time I saw Secrets was also at the Ace of Spades, but when they had their old vocalist. For being the first band, Secrets did great. They played some classics, some new stuff, and even a song that has yet to be released. Aside from some ear-piercing highs from the singing, they did a good job.

Born of Osiris

Born of Osiris came next and they straight up murdered the stage. Stage presence out the ying-yang, sound effects on point, and the heavy/technical guitar skills from Lee McKinney reminded me why Born of Osiris is one of my favorite bands. Born of Osiris was like a shot of espresso after the creamer, started off sweet and escalated to a level of strength that even Goku would be impressed by. Well done BOO, well done once again.

The last time I saw The Word Alive was at Warped Tour, and they were all hyped about their newest release, the “Real.” Album. Some of those songs are pretty light, so I thought, “Aw man, I’m gonna see the same performance twice.” I was proven wrong. The Word Alive played a lot of heavy songs, including oldies like “2012” and “House of Anubis”. Before the breakdown to 2012, Telle Smith (the frontman) split the whole entire front half of the crowd like the Red Sea and told them that when he counts the breakdown in, that everyone run at each other as fast as possible. This is what we call a “Wall of Death” and the last Wall I partook in ended up with my shirt getting ripped in half, fighting some fat guys, and almost passing out in the crowd. Fun fact: that was also during a Word Alive set in that very same venue.devil wears prada

Last but certainly not least, the men of the hour, The Devil Wears Prada. I thought that TDWP would only play their EP and a couple more songs. Then I found out from an outside source that their set list was 16 songs. 16 SONGS. The first five were some classics, then the next five were the Zombie EP all in order, all with the sound effects in between the songs as well. After the EP, I did not stay for the whole set list, but I was okay with that. Also, the stage had crazy light displays, including a giant symbol from their album 8:18. The Devil Wears Prada was the very first band that got me into Metal, and to see them live almost eight years after I heard their first album made the night all worth it. They were the best band up on that stage, and I cannot wait to hear what they have next.

Speaking of that, I heard a rumor (which has yet to be confirmed) that The Devil Wears Prada is back on Rise Records and is going to release a Space Ep.

We will just have to wait and see.

Thanks for reading my lengthy memory written onto this blog! If you want to hear more music from these bands and bands alike, or if you know of a band you want on my show, listen in on Tuesday mornings at 8 o’clock on or contact me via Instagram @gingerbeardthefoot

Much love,


Super Smash Bros. For Wii U, A Smashing Good Time


I know the game has been out for a while, but I just wanted to give credit where credit is due. The older Smash Bros. fans will shout “Super Smash Bros. Melee was the best and will always be the best”, but what Nintendo did for SSB for Wii U has taken this series to another level. Enhanced graphics, new characters, different combo options, even more dangerous maps, and 8-player mode all come with the new and improved Super Smash Bros. Also, a player can still use regular Wii remotes on the Wii U, so this makes it easier for lazy people (like me) who do not wish to adapt to the new Wii U controller, which has a screen in the middle of it in case you wanted to use the bathroom without interrupting the game for everyone else.

A list of the new characters include: Mega Man, Wii Fit Trainer, Animal Crossing Villager, Rosalina & Luma, Little Mac, Greninja, Customizable Mii Fighters, Palutena, Robin, Shulk, Lucina, Pac-Man, Dark Pit, Bowser Jr. (with all other koopa kids), and the duck and dog from duck hunt. Also, Zero Suit Samus is available as a starting character as opposed to Regular Samus from SSB Brawl, where you would need to hit a “special ball” in order to become zero suit samus. As for DLC characters, there is only one: Mewtwo. Mewtwo from Melee and Lucario from Brawl had very, very similar attacks so I hope that this new Mewtwo comes with new attacks or other surprises. I personally only got to play as Palutena, Little Mac, Bowser Jr. and Shulk. Palutena you have to get used too. Little Mac is HIGHLY powerful and if you can hone in on timing his attacks, you will be unstoppable. I played as a Bowser Jr. who had a cannon and could also detach himself from his little vehicle thing to place a bomb inside it before returning, which killed my friend about eight times. Shulk is a swordsman character, but his “B” move allows you to use a sort of perk with choices of speed, power, or defense. Trust me, they really do help.

This is pretty much the extent of my knowledge because I just spent thirty minutes in a GameStop doing a trial run of the game and now I wish i wasn’t a broke student so I could purchase a Wii U just for this game. If you live a life without regrets, buy this game and you will not be disappointed.

Thanks for reading! To hear some awesome music and more shenanigans coming straight from my pie-hole, tune into my show “Shred the Gnar” Tuesdays at 8am only on!!!

Much love,


Seeking evermotion.


Guster is back. In the beginning of this year the boys finally released their album Evermotion. It has been five years since the band has a released an album and very early on, it was stated that they were targeting to become something completely different with Evermotion. Whether that is a good or bad thing is up for debate and at the end of the day it is completely up to your interpretation of what you get from it. What I take from Gutser’s seventh studio album is a complete shift of artistry. The opening track “Long Night” manages to pull me in from the beginning. It sounds like something I would not mind waking up to on a Sunday morning. The track starts with a glockenspiel and continues with the guitar licks that make this band sound like themselves.

The easiest track to fall in love with on this album is definitely “Simple Machine” that being said you should listen through all thirty-eight minutes of this CD and then after that you should repeat it another three times on shuffle and only then are you allowed to come to a conclusion. I say this because after listening through it the first time I was convinced it was just too different to like. As I let the album spin a couple of times all the way through I was able to to pin point some other tracks that I believed garnered some attention. “Gangway” reminds of Guster’s old Ganging up on the Sun album, clean cut track that reminds me of a golden age of indie pop. “Never Coming Down” strangely reminds me of Edward Sharpe, kind of folky but with the right amount of Nord keyboards in the background.

As I said before, it is a little difficult to get into this album but I always say different is always better. If I had to rate this album I would go with a three out of five stars. I can only get in to half of it. I’m sure there is more to the album I haven’t tapped into but I think it is safe to say that Guster reached a bit more than I would have liked them to on this album. You can still hear Adam and Ryan’s sweet honey vocals, but the rest is just a shell of what Guster could have been with this album. Still, they are taking strides and they deserve some credit. Who knows, maybe this is like the Strokes last two albums it takes a handful of times to get into. If I could ask one thing from this band is more guitar and less Nords. They are great as compliments but if you’re counting on them to drive your album then you are heading for disappointment.

Evermotion is an album I would give to someone as a white elephant gift exchange and by that I mean it’s not a bad present to gift but it is not going to be the holy grail of gifts.

Mario is a DJ with KSSU Sacramento states only student run radio station


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