Zelda Over Finals


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The best way to prepare for finals is not at all.

Just kidding.

That’s terrible.

I only have two “real” finals. “Real” meaning using scantrons, studying from a study guide, and bringing in a notecard. The real finals are for philosophy and geography, so it is probably a good idea to study and bring in notecards. However, I work two jobs, so studying does not really seem like a good idea when I could be sleeping or getting music for my show or even playing Zelda, because Zelda: Skyward Sword is taking too long to finish. I will probably study an hour before my classes and put some chicken scratch writing on a tiny index card. Seems like the best option.

For my other two classes, Music and Theatre, we have “different” assignments. “Different” meaning not using notecards, scantrons, or formal study guides. In theatre, we all passed around papers, writing one entry on a paper about a given dialogue. You cannot write your name, and you have to write about whatever the professor says. For example, he says write a name and greeting and you write “What’s up, my name is Gregorio.” You can make it normal or comedic. We did this for ten entries, then opened up the paper. There are a bunch of ridiculous things written, but for our final we have to tie in all ten entries and turn it into a monologue that makes sense. We then perform the monologue in front of the whole class. Good thing I have some experience acting, or else I would die. As for Music class, we have a choice of playing a solo or a duet. The duet has two options: two moderate songs or on hard song. The solo is just a choice of three hard songs.

So yeah, my finals are not going to be too hectic. I just have to make sure I beat Zelda before finals week so I can focus. If not, I will be tracing and retracing my steps trying to find the next dragon in my mind while I’m sitting in class.

Thanks for reading! For more shenanigans and random subjects to talk about (along with some great music) listen to my show “Shred the Gnar” on www.kssu.com every Tuesday morning at 8 o’ clock!

Much Love,

DJGingerbeard

Dissecting The Plot In You


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Lately I’ve been listening to a lot of “The Plot In You” because one of their new songs popped up in my feed on YouTube, and I opened up my brain to see what I can recall of TPIY. Basically, I liked one of their songs a whole lot, but never took the chance to really check them out. The Plot In You is a four piece metal-core band from Ohio, with One EP and two Albums out. Notorious for their harsh lyrics and calling out particular groups of people while keeping that metal vibe, TPIY quickly gained fame after releasing their debut song Wifebeater from the EP “Wifebeater” (which one could assume was about his father). The Plot In You is signed onto Invogue Records, and will be releasing a new album which currently has an unknown release date.

The song that popped up in my feed was called “Crows”, which is about Landon Tewer’s (the frontman) life and how he has changed, but so has everyone else. The “Crows” symbolizes death and how in the end, everyone faces it. This is emphasized with the line “The crows are waiting on me”. This song was an unreleased track from the b side a 7” they never released. My curiosity took me further, so I played the album stream from “Could You Watch Your Children Burn.” I had already heard tracks from their album “Firstborn” a long time ago, but this album really got to me. Most songs consisted of talking about how people who are hypocrites and live a mundane existence should separate themselves, or simply die, from society. Tewers talks about religious folk, lustful males, rapists, and his own family very unkindly. One of my favorite songs is “Troll” which I also saw live when TPIY was on the “About That Life Tour” with Attila. The song basically empowers the listeners individuality and gives the belief that you are a juggernaut and will not take any flack from anyone. Another song that was a favorite by TPIY on YouTube was the song “Premeditated”. In this song, Tewers talks about his plan to kill a rapist who violated someone very dear to him. With clean vocals, dark breakdowns, and the usual “I will destroy you” moments from TPIY, I could easily see why this was a favorite by fans.
All in all, TPIY is a very angry band. Their song “My Old Ways” that was released in a music video on February 23rd seemed to be quite lighter in comparison to “Troll”. To hear that kind of change and it still be a good song makes me very excited to hear their upcoming album. To make a long explanation short: The Plot In You is a band full of angry dudes, relatable stories, great songs, and a uniqueness that I have not heard from any other band. They are probably not sane people, but hey, who is really?

Thanks for reading you lovely people! If you want to hear music from The Plot In You and other bands that I just so happen to enjoy, tune into my show “Shred the Gnar” on www.kssu.com Tuesday mornings at 8 o’ clock!

Much Love,

DJGingerbeard

Soul Stealing Puppets, and other “Avenue Q” talk…


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I have a friend who is scared of puppets. So, of course, I invited her to Avenue Q. And, I think her fear may have rubbed off a little. There were some, normally inanimate, objects that sang. The way the mouth and eyes looked was scary, and resulted in title of this piece. Avenue Q is a musical for adults featuring puppets, which is a really strange mix. The show takes its look from Sesame Street. There are 3 types of characters: Humans, puppet humans, and puppet monsters. For this blog entry, I will refer to the actors that are not puppeteering as actors. I will refer to the actors that are puppeteering in this show, as just puppeteers. That’s just for simplicity’s sake, they are all talented actors.

Avenue Q is an exception to puppet shows being for kids. It is, delightfully, not for children. A lot of puppet shows I can recall don’t show the puppeteers, so I don’t know how much this is thought about: But, are the puppeteers doing their job if I’m focusing on them, or if I’m focused on the puppet? On one hand, the puppets are meant to be characters in the musical. The puppets are having the conversations. Kids are visually fixated on the colorful fuzzy characters. But, speaking for me, I look at the actors usually. It was a difficult transition for me to look at puppets, instead of the puppeteers. I remember consciously trying to focus on the puppets. The puppeteers in Avenue Q are all in black, so it seems I should be focused on the puppets. But, these are talented people, who are characters in plays and musicals. The focus would usually on them. Also, if they didn’t put energy into the performance, the puppets wouldn’t have it either. And, I can remember the body language that some of these puppeteers had, and it seemed like it was adding to the limited body language that the puppet could show. Taylor Grossman, for example was very kinetically emotive. The puppeteers used the same body language that their puppets had. I ended up watching the puppeteers a lot, because I liked their performance so much. So, they did a good job. But, did they do their job, as it pertains to me looking at the puppet?

Speaking of body language, some of the puppets were handled by two puppeteers. But, only one could be the voice of the character. The other puppeteer would provide just the body language of the character. This was odd but necessary. Having someone on stage doing only the body language of a character, while the character is talking, is a special kind of entertainment. I loved taking some time to watch the other puppeteer. I think this supports the idea that the puppeteers added lent their body language to the puppet. They had the facial expressions, the character movements, and all while puppeteering.

And, about that puppeteering, it looks brutal. Having one person puppeteer one puppet, that doesn’t seem too bad. But, add one more person, and I was amazed at their lack of falling. Have you ever watched ice skating, and were in awe that they don’t trip all over each other? That was me every time I saw two puppeteers and one puppet. Just puppeteering the puppet seems ridiculous. The puppets’ mouths open up, so at least one of them controls that. And, each of the puppeteers use one of their hands for the puppets hands. So, the person on the left is the puppet’s left hand. The person on the right, is the puppets right hand. I can’t think of how I could manipulate the puppets hand, and make it look like it was connected to the same body as the other hand. Also, the hand movements would be strange. Then, you have to move around like that. There are song and dance numbers, and the two puppeteers need to be connected at the hip. Some of the choreography had them moving around quickly, and moving back and forth around other puppeteers. The whole thing amazed, and perplexed, me.

I did just enjoy the show. Avenue Q is a great show, and this cast and crew did really well with it.

Tracy is a DJ with KSSU

National Poetry Month Recommended Read: Verses From Above


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For those that have no clue, April is National Poetry Month. A month dedicated back in 1996 to raise awareness and appreciation for the art of poetry in the United States. What better way to celebrate this art then by actually reading some poetry.  If you have no idea where to start, here is a book of poetry that you may want to pick up: Verses From Above by Salvin Chahal. Verses from Above is an amazing book of poetry, hitting many subjects that may leave readers wondered. With each poem, Chahal creates vivid scenes and worlds with much detail. He equips the literary device of metaphors well to his advantage. The comparisons made are ones that readers may have never thought of. Poem long metaphors such as treating his sister or women as museums or one liners like,

My mother’s love is rich like the soil in Egypt when the Nile would flood.

Another favorite is

Boil every moment you fell in love, in a pot molded by your hardened façade.

This book challenges any reader to really think and dive into every poem. Not just skim through. That’s what’s great about Chahal’s first book; every read through could be a different experience. Each poem contains many layers that scream out to be known, it is our job as the reader to find out the message. Chahal writes from his core, everything that he has experienced and seen. Even though the author is only 20, don’t be mistaken, he has done a lot of growing up. His thoughts may reflect our own or it may challenge, but that’s one of the main goals of the art of poetry. Chahal writes about the many aspects of cultures in his writing: his heritage, our generation, school, the system, etc. Harsh and honest, beautiful and fulfilling, this book must be checked out.

At the end of the book, Chahal has written “workshops” for readers to explore their own minds, mapping it out onto paper. The book immediately becomes an interactive experience. There are many blank pages to add personal content, and it doesn’t even have to be poetry. The workshops include experiences such as writing a letter to your 6th grade self, thinking of personal traits and weaknesses and writing about them, regrets, role models, and the list goes on. After reading a thought provoking book, this author urges you to look within. The workshops are definitely a challenge, but for any reader that is up to it, they may find themselves expressing thoughts that haven’t been thought about before. Which is poetry in itself. You may unknowingly find your words and sentences forming into beautiful poetry.

What started from a daily poetry series became a book. It was officially launched with a special event at creative art space Sol Collective in Sacramento back in February 13th of this year. The momentum hasn’t stopped for the young author / emcee yet. Salvin Chahal recently performed and was part of a SXSW official showcase, as hosted by Sol Collective. He’s not new to the festival or showcase scene either, he was a poet mentor and a 2012 SAYS Slam team champion. His work is far from finished, Chahal is currently working on a musical project right now, taking his poetic skills to the mic. For more information follow his social media accounts :

Twitter: https://twitter.com/SalSuave

Instagram: @_Salvin

tumblr: sal-c.tumblr.com

The author of this blog, Jerel Labson, is a current radio host at KSSU.com. His show, the 30/30, is every Wednesday from 4pm-5pm. 30 minutes of music, followed by 30 minutes of talk with special guests every week.

The Zombie 5 Tour Review


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Last Sunday, I went and saw (in order) Secrets, Born of Osiris, Word Alive, and the Devil Wears Prada at the Ace of Spades in Sacramento. The name of the tour was the “Zombie Five Tour” because it has been five years since the Devil Wears Prada released their “Zombie Ep”- one of their greatest achievements. There was laughing, crying tears of joy, and a lot of sweat in a human sardine can. Here’s how my night went.

Started off with the usual tradition- Dutch Bros. drive thru coffee in Davis. Got myself a strawberry and lime iced Rebel, which is their trademark energy drink, so I was ready for the long night ahead. Accompanying me was my girlfriend while the rest of my crew was saving us a spot at the front of the line. Walking to our spot in line, I could feel the teenage angst staring me down while everyone is decked out in gear ranging from Goth streetwear to gym clothes with band logos. I myself went in some nice khakis and a windbreaker. After hanging out in line and farting on some teens behind me, we quickly hurried inside the venue when the doors opened.

Usually, Ace of Spades has a band open up for the other bands, but Secrets was the first band to go on. The last time I saw Secrets was also at the Ace of Spades, but when they had their old vocalist. For being the first band, Secrets did great. They played some classics, some new stuff, and even a song that has yet to be released. Aside from some ear-piercing highs from the singing, they did a good job.

Born of Osiris

Born of Osiris came next and they straight up murdered the stage. Stage presence out the ying-yang, sound effects on point, and the heavy/technical guitar skills from Lee McKinney reminded me why Born of Osiris is one of my favorite bands. Born of Osiris was like a shot of espresso after the creamer, started off sweet and escalated to a level of strength that even Goku would be impressed by. Well done BOO, well done once again.

The last time I saw The Word Alive was at Warped Tour, and they were all hyped about their newest release, the “Real.” Album. Some of those songs are pretty light, so I thought, “Aw man, I’m gonna see the same performance twice.” I was proven wrong. The Word Alive played a lot of heavy songs, including oldies like “2012” and “House of Anubis”. Before the breakdown to 2012, Telle Smith (the frontman) split the whole entire front half of the crowd like the Red Sea and told them that when he counts the breakdown in, that everyone run at each other as fast as possible. This is what we call a “Wall of Death” and the last Wall I partook in ended up with my shirt getting ripped in half, fighting some fat guys, and almost passing out in the crowd. Fun fact: that was also during a Word Alive set in that very same venue.devil wears prada

Last but certainly not least, the men of the hour, The Devil Wears Prada. I thought that TDWP would only play their EP and a couple more songs. Then I found out from an outside source that their set list was 16 songs. 16 SONGS. The first five were some classics, then the next five were the Zombie EP all in order, all with the sound effects in between the songs as well. After the EP, I did not stay for the whole set list, but I was okay with that. Also, the stage had crazy light displays, including a giant symbol from their album 8:18. The Devil Wears Prada was the very first band that got me into Metal, and to see them live almost eight years after I heard their first album made the night all worth it. They were the best band up on that stage, and I cannot wait to hear what they have next.

Speaking of that, I heard a rumor (which has yet to be confirmed) that The Devil Wears Prada is back on Rise Records and is going to release a Space Ep.

We will just have to wait and see.

Thanks for reading my lengthy memory written onto this blog! If you want to hear more music from these bands and bands alike, or if you know of a band you want on my show, listen in on Tuesday mornings at 8 o’clock on www.kssu.com or contact me via Instagram @gingerbeardthefoot

Much love,

DJGingerbeard

Super Smash Bros. For Wii U, A Smashing Good Time


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I know the game has been out for a while, but I just wanted to give credit where credit is due. The older Smash Bros. fans will shout “Super Smash Bros. Melee was the best and will always be the best”, but what Nintendo did for SSB for Wii U has taken this series to another level. Enhanced graphics, new characters, different combo options, even more dangerous maps, and 8-player mode all come with the new and improved Super Smash Bros. Also, a player can still use regular Wii remotes on the Wii U, so this makes it easier for lazy people (like me) who do not wish to adapt to the new Wii U controller, which has a screen in the middle of it in case you wanted to use the bathroom without interrupting the game for everyone else.

A list of the new characters include: Mega Man, Wii Fit Trainer, Animal Crossing Villager, Rosalina & Luma, Little Mac, Greninja, Customizable Mii Fighters, Palutena, Robin, Shulk, Lucina, Pac-Man, Dark Pit, Bowser Jr. (with all other koopa kids), and the duck and dog from duck hunt. Also, Zero Suit Samus is available as a starting character as opposed to Regular Samus from SSB Brawl, where you would need to hit a “special ball” in order to become zero suit samus. As for DLC characters, there is only one: Mewtwo. Mewtwo from Melee and Lucario from Brawl had very, very similar attacks so I hope that this new Mewtwo comes with new attacks or other surprises. I personally only got to play as Palutena, Little Mac, Bowser Jr. and Shulk. Palutena you have to get used too. Little Mac is HIGHLY powerful and if you can hone in on timing his attacks, you will be unstoppable. I played as a Bowser Jr. who had a cannon and could also detach himself from his little vehicle thing to place a bomb inside it before returning, which killed my friend about eight times. Shulk is a swordsman character, but his “B” move allows you to use a sort of perk with choices of speed, power, or defense. Trust me, they really do help.

This is pretty much the extent of my knowledge because I just spent thirty minutes in a GameStop doing a trial run of the game and now I wish i wasn’t a broke student so I could purchase a Wii U just for this game. If you live a life without regrets, buy this game and you will not be disappointed.

Thanks for reading! To hear some awesome music and more shenanigans coming straight from my pie-hole, tune into my show “Shred the Gnar” Tuesdays at 8am only on http://www.kssu.com!!!

Much love,

DJGingerbeard

Seeking evermotion.


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Guster is back. In the beginning of this year the boys finally released their album Evermotion. It has been five years since the band has a released an album and very early on, it was stated that they were targeting to become something completely different with Evermotion. Whether that is a good or bad thing is up for debate and at the end of the day it is completely up to your interpretation of what you get from it. What I take from Gutser’s seventh studio album is a complete shift of artistry. The opening track “Long Night” manages to pull me in from the beginning. It sounds like something I would not mind waking up to on a Sunday morning. The track starts with a glockenspiel and continues with the guitar licks that make this band sound like themselves.

The easiest track to fall in love with on this album is definitely “Simple Machine” that being said you should listen through all thirty-eight minutes of this CD and then after that you should repeat it another three times on shuffle and only then are you allowed to come to a conclusion. I say this because after listening through it the first time I was convinced it was just too different to like. As I let the album spin a couple of times all the way through I was able to to pin point some other tracks that I believed garnered some attention. “Gangway” reminds of Guster’s old Ganging up on the Sun album, clean cut track that reminds me of a golden age of indie pop. “Never Coming Down” strangely reminds me of Edward Sharpe, kind of folky but with the right amount of Nord keyboards in the background.

As I said before, it is a little difficult to get into this album but I always say different is always better. If I had to rate this album I would go with a three out of five stars. I can only get in to half of it. I’m sure there is more to the album I haven’t tapped into but I think it is safe to say that Guster reached a bit more than I would have liked them to on this album. You can still hear Adam and Ryan’s sweet honey vocals, but the rest is just a shell of what Guster could have been with this album. Still, they are taking strides and they deserve some credit. Who knows, maybe this is like the Strokes last two albums it takes a handful of times to get into. If I could ask one thing from this band is more guitar and less Nords. They are great as compliments but if you’re counting on them to drive your album then you are heading for disappointment.

Evermotion is an album I would give to someone as a white elephant gift exchange and by that I mean it’s not a bad present to gift but it is not going to be the holy grail of gifts.

Mario is a DJ with KSSU Sacramento states only student run radio station

5 Behaviors in the University Union that really shouldn’t fly


The University Union is a unique social hub at here at Sacramento State, offering options for students and faculty that run the gamut from quiet rooms to provide solace for those who just need a nap, to large venues for loud, rocking events that bring life and color to our school. But it’s most valuable functions by far are as a place to both hang out with friends and to study, and sometimes those two functions tend to clash with each other. If you’ve ever tried to study in the Union during the annual Phlagleblast, you understand what I mean.Untitled-3

In my four years at Sac State I’ve come to prefer studying in the Union over the library, and I’ve found plenty of things and behaviors that have proved to be common and reoccurring annoyances. Here’s five of them.

1. When people take outlet tables with no intention of using the outlets.g1377032210992151440

Though the Union has come a long way in providing electrical access in the common areas of the union, outlets are still often hard to come by, especially if you are planning a six hour study and essay writing session and having your laptop and six weeks worth of lecture notes strewn across your lap while you sit on a outlet sofa doesn’t sound very appealing. And while it is very possible to just ask a lone person sitting at an outlet table if you can join them to use it, sometimes it just feels strange and intrusive; “You’re sitting next to electricity that I need, can I sit here with you even though we don’t know each other?”. So if you have the fortune to come by an outlet table and all you plan on doing is catching up on your reading or to kill a wait time between your classes with a game of Flappy Bird, consider leaving it for someone else!

2. When people play their music. Loudly. And without headphones.

I bet your musical taste is wonderful, really, I honestly do. Music is great; I wouldn’t have become a DJ here at KSSU if I didn’t like music. But I don’t need to hear your EDC hype playlist from all the way across the room. If you absolutely need to rock it out with the volume on full blast to help kill some stress or put some life back into your post-midterm shell of a body, the Terminal Lounge on the 2nd floor provides private, sound muffled rooms for free to use on an hourly basis. While your time may be limited during the day due to request reservations, the evening sees less Union traffic overall, so you ostensibly could stay and rock out longer.

3. Playing musical instruments.

Seriously. Don’t be that guy. Don’t be that “anyway here’s Wonderwall’ guy. If you need to practice your playing, consider looking into using practice rooms in Capistrano, or the Terminal Lounge. If the Union is deserted, by all means play on. But I come to the Union to study and eat unhealthy food, not for open mic night.

4. When people leave food residue and water rings behind.food

Ew. Do you know how disheartening it is to set down a pristine printout of your midterm paper for a split second and pick it up to find the ink of your conclusion smudged by water rings or grease? You are all adults, and the Union staff are not your maids. Please clean up after yourself.

5. When large congregations of friends hanging out block walkways.

No one is saying that you and your squad can’t chill for hours in one large area, it’s your Union too. But when piles of backpacks and hordes of rolling chairs start making it hard for other people to get around to the bathrooms and the stairways and walkways, that’s just being inconsiderate.

The Union is a shared space for both work and play, if we are all considerate and respectful of each other and each other’s space, it makes the unique experience of the Union all the more pleasant for everyone.

Kiki is a DJ with KSSU Sacramento States only student run radio station.

Hands Down for Impending Doom


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Hands down, my favorite band of all time is Impending Doom. Not only have they been around for a while, they were one of the first bands that got me into metal. Their first album “Nailed. Dead. Risen.” is a classic Deathcore album with a little twist, they are Christian. The took something evil and made it into something good, and it does not sound terrible! The song though that started it out for me was “My Nemesis” which basically describes destroying evil in the world and stomping on Satan. It sounds cheesy that way, but trust me, it is brutal. Impending Doom has gotten progressively lighter over the years. They went from grindcore/death metal to beat down/metal core music today. Less blast beats, more structure, more discernible lyrics, but still bringing the heavy. Impending Doom has stayed fantastic throughout the years and I cannot wait to hear more from them. With Five full length albums out, the latest being “Death Will Reign”, I do not see impending Doom breaking up anytime soon. In fact, they are writing new material as I sit here typing, and that makes me sweat… sweat for joy. I thought about writing lengthy paragraphs on why I love this band, but i felt numerical points would be sufficient.

  1. They call themselves “Gorship” which is a mixture between Gore Music (Guttural screams, blast beats, super drop tuned guitars, fast tempo, etc.) and worship, which is pretty dang tight.
  2. They are amazing live. The first time I saw them live was in Walnut Creek in a small venue called “The Red House”. It was pretty cramped, but it did not matter because my feelings of discord were replaced by feelings of euphoria filled my heart and frission overtook my body. Then on the very last breakdown of the very last song “There Will Be Conquerors” I got sucker punched by a drunk man in the back of my head. Even that punch could not keep me from being in the front of the crowd and devastating the floor with stomps as Impending Doom broke down the stage.
  3. They are very friendly and very humble. Meeting them afterwards was like talking to a close friend. Not only that, they knew some of the guys I used to jam with and gave me free clothes!
  4. They invented the “Repentagram”, a symbol of Repentance and casts out evil. The Repentagram is a 9 pointed star which forms an “X” over a pentagram. I have a giant one on the back of my windbreaker.
  5. Last but not least, they are consistent with their music and beliefs. All their newer songs are carefully and beautifully written and they can actually back up their lyrics. Some metal music talks about killing and death and revenge on ex girlfriends, but none of them even seem capable of such. Brooke Reeves, front-man of Impending Doom, is also a preacher along with the other members of the band. These guys have credibility.

If you guys want to hear some more music like Impending Doom, check out my show “Shred the Gnar” Tuesday mornings at 8 o’clock on http://www.kssu.com! Thanks for reading!

DJGingerbeard

Album Review: “Lost Isles” by Oceans Ate Alaska


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is a metal-core band the United Kingdom with a unique taste. Some flavors of Djent, Thrash, Death, Pop Punk, and even Electronica float around in this UK Combo. When I first listened to Oceans Ate Alaska, they were a scene/emo kid band performing the class “screamo” music with open note breakdowns. This album “Lost Isles” has been a metamorphosis for Oceans. They started out as puny, long-haired caterpillars and evolved into fire-breathing dragons. Here’s my take on “Lost Isles”.

The intro, “Four Thirty Two” is an instrumental with some radio and television broadcasts on natural disasters playing in the background. Great work done in this song, piece and also in the instrumental interlude. The pure talent and raw sound during these pieces show how the band has progressed in accordance to music theory. Tempo changes, experimental tuning, drum variety, all sorts of vocals (both clean and screamed), and of course some master guitar shredding amplify this bands talent ten-fold. You can tell how much work they put into this album just by these pieces alone.

But wait! It gets even better. Oceans Ate Alaska released three tracks before the actually full length release date, which was February 24th. These songs are “Blood Brothers” (Lyric video), “Floorboards” (Lyric Video), and “Vultures And Sharks” (Music Video). One thing you will notice is how thick the accent is coming out of the front-man. It works really well because with the knowledge of where these guys came from, you can match up the style with the accent. With technical drops, crazy good melodies, and use of techno in the background (but not overdone) made me so excited for the release of the full length. Maybe a little too excited because I listened to “Blood Brothers” about five times a day for a week.

Other songs worth mentioning are “High Horse”,”Linger”, “Entity”, and the debut hit “Lost Isles”. “High Horse” is heavy as frick and is similar to Attila’s lyric style. Basically, we are better than you and will hurt you if you try to take us down. With a little bit of Djent influences, this song made me sweaty and flexed out while just sitting in class, which probably made it uncomfortable for the shy girl next to me. “Linger” and “Entity” cannot be fully appreciated without deciphering the lyrics. I will not ruin the surprise, but your mind will be blown. Also, “Linger” as both clean and distorted guitar throughout, which is strange for metal, but it worked out fantastic! Last but certainly not least is “Lost Isles” which is pretty much everything I have just written, but precisely placed together in one masterpiece. I feel like this should have been on the last song on the album just to give listeners those last tears of joy and bliss before popping the album out their car radio.

To hear some new stuff from Oceans Ate Alaska and a variety of other bands, go listen to my show “Shred the Gnar” on http://www.kssu.com Tuesdays at 8 o’clock!

Thanks for reading, DJGingerbeard out.

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